Stevenson is a detective who finds out that she is on this planet for a completely different reason than she expected. She finds herself investigating mysterious murders that were so brutal; they could not be easily explained. In her search for the truth she finds out, with the help of a priest, that the felon she seeks, was not a man, but rather a hideous beast. Her investigation takes her on a wild ride of death and destruction of biblical proportions. Seeing the destruction of whole cities and the brutal deaths of innocent people across the globe. Her only job is to stop the destruction before mankind itself, is destroyed. Stevenson finds herself examining her own faith in God, and the devil, and finds herself wondering if it were possible for one person to save an entire planet. Can she save humanity from the destruction that it has brought upon itself?

" As a religious sect, the Anabaptists were seen to practice unusual rituals and follow an eccentric set of beliefs. One story, for instance, purports that an Anabaptist prophet, claiming to have visited heaven, persuaded his followers to run naked through the streets of Amsterdam. Eradicating the Devil's Minions investigates these beliefs in the context of Reformation Europe, a time in which persecution, religious intolerance, and witch-hunting were rampant. Focusing primarily on the Habsburg-controlled regions of Europe, Gary K. Waite argues that the persecution of Anabaptists did not go hand-in-hand with the outbreak of witch-hunts in the mid-sixteenth century. Rather, as distrust of Anabaptists predated the first major witch panic of 1562–63, Waite suggests that the virulent propaganda against Anabaptist heretics helped convince governments of the existence of a diabolical threat. Although Anabaptists rejected religious magic, they were consistently demonized by Catholic and Lutheran polemicists. Eradicating the Devil's Minions is an investigation into the roots of religious intolerance in Reformation Europe, and a unique examination of mass hysteria and social extremism. "

If we could only put aside our civil pose and say what we really thought, the world would be a lot like the one alluded to in The Unabridged Devil’s Dictionary. There, a bore is "a person who talks when you wish him to listen," and happiness is "an agreeable sensation arising from contemplating the misery of another." This is the most comprehensive, authoritative edition ever of Ambrose Bierce’s satiric masterpiece. It renders obsolete all other versions that have appeared in the book’s ninety-year history. A virtual onslaught of acerbic, confrontational wordplay, The Unabridged Devil’s Dictionary offers some 1,600 wickedly clever definitions to the vocabulary of everyday life. Little is sacred and few are safe, for Bierce targets just about any pursuit, from matrimony to immortality, that allows our willful failings and excesses to shine forth. This new edition is based on David E. Schultz and S. T. Joshi’s exhaustive investigation into the book’s writing and publishing history. All of Bierce’s known satiric definitions are here, including previously uncollected, unpublished, and alternative entries. Definitions dropped from previous editions have been restored while nearly two hundred wrongly attributed to Bierce have been excised. For dedicated Bierce readers, an introduction and notes are also included. Ambrose Bierce’s Devil’s Dictionary is a classic that stands alongside the best work of satirists such as Twain, Mencken, and Thurber. This unabridged edition will be celebrated by humor fans and word lovers everywhere.

Biology Professor Kevin Ballard finds his quiet life rocked by a series of vicious mysterious events. First, his mother is slain in his childhood home. Then his girlfriend (and research assistant) is kidnapped from their cabin and he finds that the plant he's studying is apparently being used in strange local rituals. To top it all off, the police think Kevin is somehow involved. Who wants to wreck his life and why?

A Handsome Devil 1762. James Sherbourne, Earl of Whitney, is a gambling man. Not for the money. But for the thrill, the danger--and the company: Whit has become one of the infamous Hellraisers, losing himself in the chase for adventure and pleasure with his four closest friends. Which was how Whit found himself in a gypsy encampment, betting against a lovely Romani girl. Zora Grey's smoky voice and sharp tongue entrance Whit nearly as much as her clever hands--watching them handle cards inspires thoughts of another kind. . . Zora can't explain her attraction to the careless blue-eyed Whit. She also can't stop him and his Hellraisers from a fiendish curse: the power to grant their own hearts' desires, to chase their pleasures from the merely debauched to the truly diabolical. And if Zora can't save Whit, she still has to escape him. . . Praise for Zoë Archer and Her Novels "Archer's nimbly written characters inhabit a world that's at once both elegant and earthy--a most excellent feat." --Shana Abé "A grand mistress of the historical paranormal." --Romantic Times

Stories about devils and demons were literary staples long before the modern horror field came into existence. Our earliest story in this volume, by Washington Irving, was published in 1824...and the fact that these tales span almost 200 years shows how enduring the theme remains. Here, then, are 25 great modern and classic tales of devils, demons, and the macabre. Enjoy! THE CONTRACT OF CARSON CARRUTHERS, by William P. McGivern BURNT TOAST, by Mack Reynolds CRIME CLEAN-UP IN CENTER CITY, by Robert Moore Williams THE CRACKS OF TIME, by Dorothy Quick THE DEVIL AND TOM WALKER, by Washington Irving HIDEAWAY, by Everil Worrell THE STRANGER FROM KURDISTAN, by E. Hoffmann Price HEREAFTER, INC., by Lester del Rey NIGHTMARE ON THE NOSE, by Evelyn E. Smith THE MYSTERIOUS STRANGER, by Mark Twain AUT DIABOLUS AUT NIHIL: THE TRUE STORY OF A HALLUCINATION, by X.L. (Julian Osgood Field) CAN SUCH BEAUTY BE? by Jerome Bixby MARKHEIM, by Robert Louis Stevenson MONSIEUR BLUEBEARD, by Emil Petaja YOUNG GOODMAN BROWN, by Nathaniel Hawthorne ROOM WITHOUT WINDOWS, by Manly Banister THE BARGAIN OF RUPERT ORANGE, by Vincent O’Sullivan THE BOTTLE IMP, by Dwight V. Swain THE CASE OF MR. LUCRAFT, Walter Besant and James Rice WHO SUPS WITH THE DEVIL, by S.M. Tenneshaw THE SHOEMAKER AND THE DEVIL, by Anton Chekhov SPAWN OF HELL, by William P. McGivern YOUR SOUL COMES C.O.D., by Mack Reynolds ST. JOHN'S EVE, by Nikolai Gogol WOLFIE, by Theodore R. Cogwell If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 260+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!

Bound by black to the darkside of humanity. As murderous as Lord Death, the Reaper; himself.With things as chilling as Vampires and Spirits, these verses will stay with you long after you read them.

In the Devil’s Bed is the story of a teenage girl, Madeleine, who sees her life change overnight. Her dreams fall into nothingness as she finds herself in a magical-mystical home where she is unwanted. She gives birth to three legitimates children. Madeleine is raped, they children are also raped (one boy and two girls). Her life becomes nothing more than a nightmare.

The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake ("the devil's music"), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings. In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as "the crossroads" in 1999, claiming Johnson and the devil as their own.