6 of the Roaring Twenties chronicler’s most scintillating short stories, chosen from Flappers and Philosophers (1920) and Tales of the Jazz Age (1922). This inexpensive volume comprises "The Diamond as Big as the Ritz," "The Ice Palace," "Bernice Bobs Her Hair," "May Day," "The Jelly-Bean," and "The Offshore Pirate."

Six entrancing tales represent the essential Fitzgerald and the Jazz Age spirit: "The Diamond as Big as the Ritz," "The Ice Palace," "Bernice Bobs Her Hair," "May Day," "The Jelly-Bean," and "The Offshore Pirate."

Francis Scott Fitzgerald’s contribution to American fiction has to be judged keeping in mind that the naturalistic mimesis of the fiction of the earlier period is important as a critique of bourgeois society, but it ultimately fails in representing the problematic nature of bourgeois reality. The use of romance by Fitzgerald within mimetic realism is a logical culmination of the rise of the novel as it is. Through this use of romance he is able to adequately explore the bourgeois myth of man

This bibliography extends the work of Stanley's first volume, The Foreign Critical Reputation of F. Scott Fitzgerald: An Analysis and Annotated Bibliography, to the final two decades of the 20th century. It includes literature from the former countries of the USSR, Romania, India, and Canada, as well as countries that were covered in the first volume, such as Britain, France, Italy, Germany, and Japan. One of the major findings that emerges is that Fitzgerald's poetic prose is extremely difficult to translate, but new translations continue to appear. The introduction to this volume provides a synthesis of Fitzgerald scholarship abroad at the turn of the 21st century and points to new directions already suggested that may represent challenges to current scholarship. An extended analysis introduces each chapter. Each chapter also includes a chronological list of translations and editions of Fitzgerald's work from his earliest appearances in print to those appearing in 2000. The most substantial section of each chapter features fairly detailed annotations of monographs, collections, book chapters, essays, conference papers, articles, reviews, and school editions. This compilation will intrigue anyone interested the work of F. Scott Fitzgerald.

Mythologized as the era of the “good war” and the “Greatest Generation,” the 1940s are frequently understood as a more heroic, uncomplicated time in American history. Yet just below the surface, a sense of dread, alienation, and the haunting specter of radical evil permeated American art and literature. Writers returned home from World War II and gave form to their disorienting experiences of violence and cruelty. They probed the darkness that the war opened up and confronted bigotry, existential guilt, ecological concerns, and fear about the nature and survival of the human race. In Facing the Abyss, George Hutchinson offers readings of individual works and the larger intellectual and cultural scene to reveal the 1940s as a period of profound and influential accomplishment. Facing the Abyss examines the relation of aesthetics to politics, the idea of universalism, and the connections among authors across racial, ethnic, and gender divisions. Modernist and avant-garde styles were absorbed into popular culture as writers and artists turned away from social realism to emphasize the process of artistic creation. Hutchinson explores a range of important writers, from Saul Bellow and Mary McCarthy to Richard Wright and James Baldwin. African American and Jewish novelists critiqued racism and anti-Semitism, women writers pushed back on the misogyny unleashed during the war, and authors such as Gore Vidal and Tennessee Williams reflected a new openness in the depiction of homosexuality. The decade also witnessed an awakening of American environmental and ecological consciousness. Hutchinson argues that despite the individualized experiences depicted in these works, a common belief in art’s ability to communicate the universal in particulars united the most important works of literature and art during the 1940s. Hutchinson’s capacious view of American literary and cultural history masterfully weaves together a wide range of creative and intellectual expression into a sweeping new narrative of this pivotal decade.

Concise anthology presents broad selection of writings: Declaration of Independence, Declaration of the Rights of Man, Communist Manifesto, plus works by Lenin, Trotsky, Marat, Danton, Rousseau, Gandhi, Mao, other leading figures in revolutionary thought.

Gripping tale of the epic 1839 revolt, aboard the schooner Amistad, of Africans bound for slavery in the New World. Young readers will thrill to the book's "you-are-there" flavor.

This novel is a tale of human bondage. The author's realistic and explicit descriptions of the fall of Emma Bovary into adultery, debt and eventual death at her own hand, shocked the establishment at the time it was published.

DIVThis landmark of psychological realism chronicles a young provincial's progress in Parisian society of the early 19th century, where he encounters passion, intrigue, and mortal peril. /div

Includes 27 masterly speeches: First Inaugural Address, message to Congress after Pearl Harbor ("a day that will live in infamy"), Fireside Chats, Fourth Inaugural Address, many more.