A compelling and inspirational true story of a father's plight and fight for his only child and the nightmares of dealing with his domestically violent ex-wife and a biased court system that tried to chase him away.

"This is micro-historical writing at its best."--Walden Bello, author of Dilemmas of Domination "Brilliant."--Ken Loach The stories in this book come to life through the voices of remarkable individuals: child laborers in Dickensian England, visionary women on Parisian barricades, gun-toting railway strikers in America's Wild West, and beer-swilling German metalworkers who tried to stop World War I. It is a story of urban slums, self-help cooperatives, choirs and brass bands, free love, and self-education by candlelight. And, as the author shows, in the developing industrial economies of the world, it is still with us. Live Working or Die Fighting celebrates a common history of defiance, idealism, and self-sacrifice, one as alive and active today as it was two hundred years ago. It is a unique and inspirational book. Paul Mason is an award-winning journalist who reports regularly on labor rights and social justice stories as economics editor for BBC World News America and BBC Newsnight. In addition to Live Working or Die Fighting, which was shortlisted as a 2007 Guardian First Book Award, Mason is the author of Meltdown: The End of the Age of Greed (Verso Books).

No nineteenth-century composer had more diverse ties to his contemporary world than Franz Liszt (1811-1886). At various points in his life he made his home in Vienna, Paris, Weimar, Rome, and Budapest. In his roles as keyboard virtuoso, conductor, master teacher, and abbé, he reinvented the concert experience, advanced a progressive agenda for symphonic and dramatic music, rethought the possibilities of church music and the oratorio, and transmitted the foundations of modern pianism. The essays brought together in Franz Liszt and His World advance our understanding of the composer with fresh perspectives and an emphasis on historical contexts. Rainer Kleinertz examines Wagner's enthusiasm for Liszt's symphonic poem Orpheus; Christopher Gibbs discusses Liszt's pathbreaking Viennese concerts of 1838; Dana Gooley assesses Liszt against the backdrop of antivirtuosity polemics; Ryan Minor investigates two cantatas written in honor of Beethoven; Anna Celenza offers new insights about Liszt's experience of Italy; Susan Youens shows how Liszt's songs engage with the modernity of Heinrich Heine's poems; James Deaville looks at how publishers sustained Liszt's popularity; and Leon Botstein explores Liszt's role in the transformation of nineteenth-century preoccupations regarding religion, the nation, and art. Franz Liszt and His World also includes key biographical and critical documents from Liszt's lifetime, which open new windows on how Liszt was viewed by his contemporaries and how he wished to be viewed by posterity. Introductions to and commentaries on these documents are provided by Peter Bloom, José Bowen, James Deaville, Allan Keiler, Rainer Kleinertz, Ralph Locke, Rena Charnin Mueller, and Benjamin Walton.

This is a critical survey of the fiction and non-fiction written in Ireland during the key years between 1880 and 1920, or what has become known as the Irish Literary Renaissance. The book considers both the prose and the social and cultural forces working through it.

DIVA collection of essays by a pioneering queer anthropologist./div

The Oxford Handbook of Early American Literature is a major new reference work that provides the best single-volume source of original scholarship on early American literature. Comprised of twenty-seven chapters written by experts in their fields, this work presents an authoritative, in-depth, and up-to-date assessment of a crucial area within literary studies. Organized primarily in terms of genre, the chapters include original research on key concepts, as well as analysis of interesting texts from throughout colonial America. Separate chapters are devoted to literary genres of great importance at the time of their composition that have been neglected in recent decades, such as histories, promotion literature, and scientific writing. New interpretations are offered on the works of Benjamin Franklin, Jonathan Edwards and Dr. Alexander Hamilton while lesser known figures are also brought to light. Newly vital areas like print culture and natural history are given full treatment. As with other Oxford Handbooks, the contributors cover the field in a comprehensive yet accessible way that is suitable for those wishing to gain a good working knowledge of an area of study and where it's headed.

In Early Struggles for Vicksburg, Timothy Smith covers the first phase of the Vicksburg campaign (October 1862–July 1863), involving perhaps the most wide-ranging and complex series of efforts seen in the entire campaign. The operations that took place from late October to the end of December 1862 covered six states, consisted of four intertwined mini-campaigns, and saw the involvement of everything from cavalry raids to naval operations in addition to pitched land battles in Ulysses S. Grant’s first attempts to reach Vicksburg. This fall/winter campaign that marked the first of the major efforts to reach Vicksburg was the epitome of the by-the-book concepts of military theory of the day. But the first major Union attempts to capture Vicksburg late in 1862 were also disjointed, unorganized, and spread out across a wide spectrum. The Confederates were thus able to parry each threat, although Grant, in his newly assumed position as commander of the Department of the Tennessee, learned from his mistakes and revised his methods in later operations, leading eventually to the fall of Vicksburg. It was war done the way academics would want it done, but Grant figured out quickly that the books did not always have the answers, and he adapted his approach thereafter. Smith comprehensively weaves the Mississippi Central, Chickasaw Bayou, Van Dorn Raid, and Forrest Raid operations into a chronological narrative while illustrating the combination of various branches and services such as army movements, naval operations, and cavalry raids. Early Struggles for Vicksburg is accordingly the first comprehensive academic book ever to examine the Mississippi Central/Chickasaw Bayou campaign and is built upon hundreds of soldier-level sources. Massive in research and scope, this book covers everything from the top politicians and generals down to the individual soldiers, as well as civilians and slaves making their way to freedom, while providing analysis of contemporary military theory to explain why the operations took the form they did.

Between the two world wars my father took an interest in poems and rhymes from the Great War and wrote some 30 of them down in a notebook along with other poetry. This book is based on those poems and the Great War. In 1914 Britain was reluctantly drawn into war with Germany in support of France, an inevitability that had been forecast since the signing of the Entente Cordiale. Germany had the biggest army in the world and was the belligerent by declaring war against Russia and through that act, France, then England, by treaty or agreement, was also committed. In 1914 Britain's had a pathetically small army but by 1918 it was equal in size to the armies of Germany and France, and was taking the brunt of the fighting alongside a French army weakened by mutiny and low morale. Throughout the war the BEF fought heroically and courageously, at times forced to retreat, but they were never beaten. The enemy never managed to break through to the important centres or the Channel ports, nor did they ever break the British spirit. Yet the BEF were scorned by the powers that be at home and treated with ignominy, Lloyd George failed disgracefully to stand by the General Staff in France who, without doubt in some instances, made mistakes, they were however guided by their conscience and better judgement in their attempts to bring the war to an early conclusion. I hope that this book goes some way to restoring their credibility and shows the efforts of those who were there in a fairer perspective.

This book argues that elements of modernist texts that are meaningless in themselves are motivated by their authors' psychic crises.

In the last half century, ways of thinking about the Holocaust have changed somewhat dramatically. In this volume, noted scholars reflect on how their own thinking about the Holocaust has changed over the years. In their personal stories they confront the questions that the Holocaust has raised for them and explore how these questions have been evolving. Contributors include John T. Pawlikowski, Richard L. Rubenstein, Michael Berenbaum, and Eva Fleischner.