Lucy Kennedy (c.1731–1826), had an insider’s view of life in Windsor castle and of members of the Royal Family for fifty-three years. Her diary, preserved in the Royal Library, Windsor Castle, has never before been published. In it she writes a moving account of the death of Princess Amelia which precipitated the final illness of George III and the Regency. Her observations of his symptoms are relevant for modern-day diagnoses of his malady. Volume 3 of the Memoirs of the Court of George III.

There is a long history of inventing illness, such as pretending to be sick for attention or accusing others of being ill. This volume explores the art of illness, and the deceptions and truths around health and bodies, from a multiplicity of angles from antiquity to the present. The chapters, which are based on primary-source evidence ranging from antiquity to the late twentieth century, are divided into three sections. The first part explores how the idea of faking illness was understood and conceptualized across multiple fields, locations, and time periods. The second part uses case studies to emphasize the human element of those at the center of these narratives and how their behavior was shaped by societal attitudes. The third part investigates the development of regulations and laws governing malingering and malingerers. Altogether, they paint a picture of humans doing human actions—cheating, lying, stealing, but also hiding, surviving, working. This book’s careful, accessible scholarship is a valuable resource for academics, scientists, and the sophisticated undergraduate audience interested in malingering narratives throughout history.

The 'madness' of George III is the one fact about the King that everybody knows. Some might also say that George III 'lost' the American colonies. Few would be able to add that George III founded the Royal Academy of Arts, that he was a patron of Samuel Johnson and the astronomer William Herschel, and a king who 'gloried in the name of Briton'. Among his contemporaries George III was noted as an outstanding bibliophile and a renowned connoisseur of music, science, painting and architecture. . . . Published to coincide with the major exhibition at The Queen's Gallery, Buckingham Palace, George III & Queen Charlotte: patronage, collecting and court taste reconsiders the role of George III, Queen Charlotte and their family in encouraging the arts within the court and in society as a whole during the 50 years of the King's reign. Illustrated by a superb range of works of art in the Royal Collection, the book reveals aspects of George III as father, monarch, and man of letters that have generally been overlooked, and demonstrates his true importance as one of the most wide-ranging, influential and far-sighted collectors of his day. It is an important contribution to studies of the fine and decorative arts in the Georgian period, and will be an essential source of referene for both academics and collectors. -- Book jacket.

The Times Book of the Year *Winner of the Elizabeth Longford Prize for Historical Biography, 2022* *Winner of the General Society of Colonial Wars' Distinguished Book Award, 2021* *Winner of the History Reclaimed Book of the Year, 2022* *Shortlisted for the Duff Cooper Prize, 2021* Andrew Roberts, one of Britain's premier historians, overturns the received wisdom on George III George III, Britain's longest-reigning king, has gone down in history as 'the cruellest tyrant of this age' (Thomas Paine, eighteenth century), 'a sovereign who inflicted more profound and enduring injuries upon this country than any other modern English king' (W.E.H. Lecky, nineteenth century), 'one of England's most disastrous kings' (J.H. Plumb, twentieth century) and as the pompous monarch of the musical Hamilton (twenty-first century). Andrew Roberts's magnificent new biography takes entirely the opposite view. It portrays George as intelligent, benevolent, scrupulously devoted to the constitution of his country and (as head of government as well as head of state) navigating the turbulence of eighteenth-century politics with a strong sense of honour and duty. He was a devoted husband and family man, a great patron of the arts and sciences, keen to advance Britain's agricultural capacity ('Farmer George') and determined that her horizons should be global. He could be stubborn and self-righteous, but he was also brave, brushing aside numerous assassination attempts, galvanising his ministers and generals at moments of crisis and stoical in the face of his descent - five times during his life - into a horrifying loss of mind. The book gives a detailed, revisionist account of the American Revolutionary War, persuasively taking apart a significant proportion of the Declaration of Independence, which Roberts shows to be largely Jeffersonian propaganda. In a later war, he describes how George's support for William Pitt was crucial in the battle against Napoleon. And he makes a convincing, modern diagnosis of George's terrible malady, very different to the widely accepted medical view and to popular portrayals. Roberts writes, 'the people who knew George III best loved him the most', and that far from being a tyrant or incompetent, George III was one of our most admirable monarchs. The diarist Fanny Burney, who spent four years at his court and saw him often, wrote 'A noble sovereign this is, and when justice is done to him, he will be as such acknowledged'. In presenting this fresh view of Britain's most misunderstood monarch, George III shows one of Britain's premier historians at his sparkling best.

From the New York Times bestselling author of Churchill and Napoleon The last king of America, George III, has been ridiculed as a complete disaster who frittered away the colonies and went mad in his old age. The truth is much more nuanced and fascinating--and will completely change the way readers and historians view his reign and legacy. Most Americans dismiss George III as a buffoon--a heartless and terrible monarch with few, if any, redeeming qualities. The best-known modern interpretation of him is Jonathan Groff's preening, spitting, and pompous take in Hamilton, Lin-Manuel Miranda's Broadway masterpiece. But this deeply unflattering characterization is rooted in the prejudiced and brilliantly persuasive opinions of eighteenth-century revolutionaries like Thomas Paine and Thomas Jefferson, who needed to make the king appear evil in order to achieve their own political aims. After combing through hundreds of thousands of pages of never-before-published correspondence, award-winning historian Andrew Roberts has uncovered the truth: George III was in fact a wise, humane, and even enlightened monarch who was beset by talented enemies, debilitating mental illness, incompetent ministers, and disastrous luck. In The Last King of America, Roberts paints a deft and nuanced portrait of the much-maligned monarch and outlines his accomplishments, which have been almost universally forgotten. Two hundred and forty-five years after the end of George III's American rule, it is time for Americans to look back on their last king with greater understanding: to see him as he was and to come to terms with the last time they were ruled by a monarch.

George III was one of the longest reigning British monarchs, ruling over most of the English speaking world from 1760 to 1820. Despite his longevity, George’s reign was one of turmoil. Britain lost its colonies in the War of American Independence and the European political system changed dramatically in the wake of the French Revolution. Closer to home, problems with the King’s health led to a constitutional crisis. Charlotte Papendiek’s memoirs cover the first thirty years of George III’s reign, while Mary Delany’s letters provide a vivid portrait of her years at Windsor. Lucy Kennedy was another long-serving member of court whose previously unpublished diary provides a great deal of new detail about the King’s illness. Finally, the Queen herself provides further insights in the only two extant volumes of her diaries, published here for the first time. The edition will be invaluable to scholars of Georgian England as well as those researching the French and American Revolutions and the history and politics of the Regency period more widely.

The Toronto Neighbourhoods bundle presents a collection of titles that provide fascinating insight into the history and development of Canada’s largest and most diverse city. Beginning with histories of Canada’s longest street and the early days of what was once called York (The Yonge Street Story, 1793-1860; A City in the Making; Opportunity Road), the titles in the bundle go on to examine the development of particular unique neighbourhoods that help give the city its character (Willowdale, Leaside). Finally, Mark Osbaldeston’s acclaimed, award-winning Unbuilt Toronto and Unbuilt Toronto 2 go beyond history and into the arena of speculation as the author details ambitious and possibly city-changing plans that never came to fruition. For lovers of Toronto, this collection is a bonanza of insights and facts. Includes A City in the Making Leaside Opportunity Road Unbuilt Toronto Unbuilt Toronto 2 Willowdale The Yonge Street Story, 1793-1860

At Home invites the reader into the early American home to learn firsthand what it was like to live in and manage a house before electric lighting, central heating, and modern medicine. Drawing on diaries, letters, household inventories, and novels, Elisabeth Donaghy Garrett offers a richly documented analysis of early American middle-class home life.Handsomely illustrated with period paintings, drawings, and prints, At Home takes us from the parlor through to the bedchamber, portraying families gathered around a candlelit table, roaring kitchen fires used both to cook and to heat, and a weekly laundry without the benefit of washing machines. Readers will be both fascinated and charmed by this revealing glimpse of a once-familiar way of life. Copyright © Libri GmbH. All rights reserved.