Emphasizing spiritual values and the quest for meaning in life in its approach to the neurotic behavior, by the founder of logotherapy. Copyright © Libri GmbH. All rights reserved.

Donnie and Jean was a time of great transition for our nation, one in which there was no television, and radio and Hollywood were the main sources of both entertainment and news defining what would later be called "The Great Generation." Comic books and the funny papers were war oriented and children were ready to defend America against all invaders; while adults fought the war, children played at war. Donnie and Jean is more than a story of two twelve year old children meeting and beginning to learn what it is to love; they were born into a generation that epitomized the best of what America was during that era when the leaders of America were trusted, when teachers and police were the friends of children. In many ways it was an age of innocence lost and not to be recovered, but recalled here in the story of these two children.

Everyone had long since gotten tired of seeing an amorous ghost girl chat with a weak scholar. If that was the case, when Taoist Gao Leng met with a ghost of amnesia, what kind of love and hate conflicts would occur between them! Once, you were a ghost and I was Daoist Ling Xu. Even after using all my strength, I was still unable to become the peerless hero in your heart. Now that you're a puppet, and I'm a spirit doctor, I'll protect you no matter what. The Road to River Styx, the Three Way River, the Resurrection Lily, if fate wills it, I'll accompany you ....

本書以十九世紀晚期英國文學作品及其中譯本為研究對象， 辨析文本與文化的（不）可譯性。 所謂翻譯，就是把以一種文字寫成的文本以另一種文字解讀和詮釋，其定義往往離不開上述局限於語文層面上的二元解讀。《文化翻譯：十九世紀末英國文學的中譯》一書的主旨，乃是從上述架構以外的文化角度，探討文化此一概念對翻譯和一個文本的「可譯性」所帶來的影響。透過集中研讀十九世紀末英國的文學作品和其中譯本，並依據不同主題和體裁將之歸類，本書指出了文化與翻譯活動的因果關係，比一般想像來得緊密、細膩，並藉著以上的分析，進一步探討翻譯和文化之間的關係之餘，闡釋翻譯研究對文化研究所可以帶來的啟思。 The idea of translation is traditionally understood as a binary phenomenon—a process which re-interprets and re-presents an original text in one language for a different audience in another language. The aim of Translating Culture: Late-Victorian Literature into Chinese is to look at how the notion of culture convolutes this predominantly language-based practice and considers its implication on a text’s “untranslatability.” By focusing on literature of the late-Victorian period, grouping them into different themes and genres, and considering the way these texts have been translated into Chinese, an argument will be made that the idea of culture and the practice of translation are much more closely correlated than has been commonly assumed. In doing so, this book contributes to recent scholarship on translatology and cultural studies by examining the exactitude to which the process of translation must account for the concept of culture, as well as with how the former could help enhance our understanding of the latter.