W.E.B. Griffin’s iconoclastic OSS heroes face an historic challenge in the brand-new volume of the New York Times-bestselling series. Critics and fans alike welcomed the return of the “shrewd, sharp, rousing” (Kirkus Reviews) Men at War series: “The Saboteurs is good entertainment and the fast-paced and exciting novel Griffin’s readers have come to expect. This is Griffin’s 36th novel and his son’s first; one wonders how prolific a force Griffin & Son will be!” (Library Journal) Now, Dick Canidy and colleagues in the Office of Strategic Services face an even greater task—to convince Hitler and the Axis powers that the invasion of the European continent will take place anywhere but on the beaches of Nazi-occupied France. “Wild Bill” Donovan’s men have several tactics in mind, but some of the people they must use are not the most reliable—are, in fact, most likely spying for both sides – so the deceptions require layer upon layer of intrigue, and all it will take is one slip to send the whole thing tumbling down like a house of cards. Are the OSS agents up to it? They certainly think so. And then the body is found floating off the coast of Spain. . . . Filled to the brim with action, character, and the deep understanding of the military heart and mind that have made Griffin’s books so outstanding, The Double Agents is irresistible storyteller from a master of the craft.

A Publishers Weekly Pick of the Week From a modern master of the classic espionage novel comes William Christie's The Double Agent, featuring Alexsi Smirnoff - a Russian/German double agent loyal only to himself - in a desperate bid to protect himself, again becomes a double agent, this time for the English. Alexsi Smirnoff - a Russian orphan - was trained as an agent by the Russian Secret Service and inserted into Nazi Germany, where he rose to a position in German intelligence services. As the war grinds on, trapped between two brutal dictatorships, Alexsi betrays both sides in a desperate ploy that succeeds...and fails. His false identities burned, his life at risk, Alexsi attempts to disappear in the hills - but is caught by the British. Recruited by the SIS, and by "C" himself, Alexsi is once again a double agent. Initially betrayed by a Soviet agent inside the SIS (Kim Philby), Alexsi is sent beyond the reach of the Soviets, into Italy with a new identity as a sergeant in the German army. Settled into the headquarters of Field Marshall Albert Kesselring, Alexsi finds himself at the nexus at a critical point in World War II, balancing between the various forces vying for control in the Vatican, the Italian resistance, and the brutal German Army determined to maintain control of Northern Italy. And Alexsi, finally forced to choose sides over his own survival. Sequel to the well-regarded A Single Spy, The Double Agent is a fast-paced, compelling novel of espionage in the most momentous and dangerous of times. "... a riveting thrill ride." —Kirkus Reviews "Fans of Ken Follett’s and Len Deighton’s espionage novels will find much to admire." —Publishers Weekly (starred review) "A great fall thriller." —Red Carpet Crash "...as Alexsi makes his way across the European theater of the war, he becomes entangled in and surreptitiously shapes real-life events...engaging." —Bookpage

Darla Peel and Sir Ian Shag are assigned by S to assassinate the double agent from Vermont who is a crooked CIA agent who sells stolen diamonds and illegal assault weapons to the Mafia and to the Soviet Union and to Communists and Nazi businessmen. He even travels to China and Cambodia and to South America in Chili to do his crooked dealings too. Back to the Soviet Union, S assigns Darla Peel and Sir Ian Shag to assassinate him. Do they accomplish the mission? Read and find out.

Erik would give his life to protect King Jaymin. However, when an old enemy shows up with new schemes, that may not be enough. Anya longs to be noticed by the king’s handsome bodyguard. But as she finally gains Erik’s attention, the notorious spy and double agent Dannel blackmails her into fulfilling a favor she has owed him for years. Anya is forced into a terrible choice: save Erik’s life, or protect her homeland. With assassins on their tail and war looming, can Erik and Anya stop Dannel before he destroys everything that matters to them and to the kingdom? Find out in this thrilling tale of courage and loyalty.

Dickie Metcalfe was not your typical secret agent, but he was larger than life in more ways than one. Unlike many other agents who were part of the Double Cross System during the Second World War, he did not defect; nor was he blackmailed into becoming a spy. Instead, using his father’s connection with Sir Vernon Kell, the first Director of MI5, Metcalfe volunteered his services. Recently cashiered from his infantry regiment, he had an ulterior motive – by supplying MI5 with tidbits of information about weapons and arms deals in his newfound profession as an arms dealer, he hoped they would be able to help him get his commission reinstated. Metcalfe became BALLOON, a sub-agent of double agent TRICYCLE’s Yugoslav spy ring. Concurrent with his spying activities, he collaborated with the co-inventor of the Bren gun to develop a new submachine gun for British forces. After the war, he was also a celebrated motor racing driver and continued to compete until shortly before his death. His success as a double-cross agent in the eyes of both his masters – British and German – is examined in this book, using official documents as a primary source.

First printed in 2001 by the University of Pennsylvania Press, this book has been out of print for several years and is highly sought after by researchers in the field of Medieval cultural studies. "Double Agents" was the first book length study of women in Anglo-Saxon written culture that took on board the insights of contemporary critical theory, especially feminist theory, in order to elucidate the complex challenges of both the absence and presence of women in the historical record. That is to say, unlike the two earlier books on women in this period (by Fell, 1984, and by Chance, 1986), this is not a book about only those women in the written record (whether we think of it as historical or literary) of Anglo-Saxon England, it also tackles the question of how the feminine is modelled, used, and metaphorised in Anglo-Saxon texts, even when women themselves are absent.This book spans the entire Anglo-Saxon period from Aldhelm and Bede in the earliest centuries to Alfric and the anonymous homilists and hagiographers of the later tenth and eleventh centuries; it draws on Anglo-Saxon vernacular texts as well as Latin ones, and on those works most familiar to literary scholars (such as the "Exeter Book Riddles" or "Cadmon's Hymn", the first so-called poem in English, or the female "Lives of Saints") as well as historians (wills, charters, the cult of relics); it deliberately reconsiders, from the perspective of gender and women's agency, some of the key conceptual issues that studying Anglo-Saxon England presents (the relation of orality to literacy; that of poetry and sanctity to belief; and, the cultural significance of names, naming, and metaphors in Anglo-Saxon writing).

An account of a virtually unknown pre-World War II counterespionage operation describes how naturalized German-American agent William G. Sebold became the FBI's first double agent and was a pivotal figure in the arrests of 33 enemy agents for the Nazis.

Dope Double Agent is a war on drugs story, one that starts in the 60s and only ends with the last lines of the book. More than this, it is the story of a young Berkeley student--and occasional drug user--who turns into an insider expert in the drug war with a personal agenda to subvert and correct it. He checks in as a heroin patient, works the streets of New York, dips into worlds of PCP and LSD, and seeks the sources of crack, heroin and ecstasy. The delusions of the experts, the public and the politicians amaze him and make him think the double agent job will be easy. Instead it is impossible. He fails, spectacularly so on such hallowed ground as the National Academy of Sciences and the National Institutes of Health. Come behind the scenes and watch the drug policy emperor march along for decades thinking he wears a new suit of clothes.

Taking various professional groups in the early modern period (diplomats, merchants, artists) as a starting point, this book offers exciting new perspectives on early modern brokerage as a widespread practice of transmission and dissemination of political, intellectual and cultural ideas.

Why were white bourgeois gay male writers so interested in spies, espionage, and treason in the twentieth century? Erin G. Carlston believes such figures and themes were critical to exploring citizenship and its limits, requirements, and possibilities in the modern Western state. Through close readings of Proust's novels, Auden's poetry, and Kushner's play Angels in America, which all reference real-life espionage cases involving Jews, homosexuals, or Communists, Carlston connects gay men's fascination with spying into larger debates about the making and contestation of social identity. Incorporating readings of nonliterary cultural artifacts, such as trial transcripts, into her analysis, Carlston pinpoints moments when national self-conceptions in France, England, and the United States grew unstable, linking the twentieth-century tensions around citizenship to the social and political concerns of three generations of influential writers. -- Book Jacket