In Rethinking the Anthropology of Love and Tourism, Sagar Singh draws on anthropology, sociology, psychology, history, religious studies, literature, and the study of mysticism, among other disciplines, to arrive at an understanding of love that is free from theoretical biases. Utilizing data from South Asia, India, the United Kingdom, the United States, and Europe, Singh newly defines tourism, tourism anthropology, tourism studies, and ecotourism. This book is an indispensable guide to all involved and interested in tourism. For more information, check out A Conversation with Sagar Singh: Rethinking the Anthropology of Love and Tourism.

This book explores the importance of ritual and ritual theory to discourses of authenticity and originality, thereby deepening our insight into concepts of cultural heritage, identity and nation in a globalised world. The volume is the first interdisciplinary attempt to understand the significance of rituals and related performative traditions in the creation of grounded cultural identities, ‘home’ and heritage as geographically experienceable locations. It assembles perspectives from social and cultural anthropology, performance studies, education and arts that can deal with the politics of revitalisation and preservation of ritualised traditions. While some chapters in this book emphasise on the ritualisation of cultural heritage by concentrating on power relations and politics, as well as actual processes of identification, especially for marginalised ethnic groups or migrant communities, others explore how rituals as intangible heritage are strategically employed by different groups all over the world to make their claims public and to improve and negotiate their position on a local, national or global platform. This book recognises ritualised performances as transnational and cross-cultural phenomena, which are not only tied to and defined via national territories and identities but which also demand new theoretical and methodological approaches towards the discussion of rituals and heritage.

The Western Himalaya Is The Home Of Vedic Saints, Gods And Goddesses And Of God-Fearing And Honest People Who Have Respect For All Religions. This Book Deals With Their Folklore, Beliefs And Superstitions And Traditions.

This book offers a unique perspective on September 11 and our world after this tragic event, sharing lessons from an Asian religious experience that can help heal a world troubled by religious conflicts and deepening divisions, and promote a positive global transformation. Existing literature regarding the events of September 11 and our world afterward has focused mostly on the West and the Middle East. Asian Perspectives on the World's Religions after September 11 extends this discussion to include Asia—a continent and culture far too important to be ignored in any assessment of the global impact of this event. The book is organized along the following themes, as they emerged post-September 11th: religion and civilizational dialogue; religion, conflict, and peace; religion and human rights; religion and ethics; religion and the arts; religion, hermeneutics, and literature; religion and gender; religion and ecology; and religion and globalization. Individuals who are studying or teaching political science, international relations, philosophy, ethics, Asian studies, or religious studies will find the text invaluable, while general readers will appreciate the largely unvoiced Asian perspective on this topic.

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 11 OCTOBER, 1964 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 68 VOLUME NUMBER: Vol. XXIX, No. 41 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 13-67 ARTICLE: 1. The Teaching of Science 2. China’s Cultural Diplomacy 3. Village Studies 4. The Naga Problem 5. An Odd Affair AUTHOR: 1. Dr. B. D. Nag Chowdhury 2. S. L. Poplai 3. M. N. Srinivas 4. B. K. R. Kabad 5. M. Chatterji KEYWORDS : 1. Nature of science, a startling feature, in U.S.A . and U.S.S.R in India, use scrap material 2. Why culture in diplomacy, Chinese culture, aim : catch them young, double role 3. Highly unreal image, behind mud walls, two villages compared, post war studies, not rapid enough 4. Church's efforts welcomed, a separate state, Mr. Shilu Ao's party, two stage talks notable progress 5. So many egg entries, an eccentrics defined, creative minds eccentric Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

In a traditional society like India, art is the Integral part of the general life of the people. The urge to express, communicate and share something beautiful gave birth to performing arts. Folk performing art is changing its structure , continuously modifying itself to the needs of the changing situation making it functionally relevant to the society. All this has been effectively brought out in this book.