Tell me a story. A panicked call from his ex-wife summons Ken Nicholson back to New Orleans, where his son has been attacked and left for dead. While his child's life hangs in the balance, Ken endures visions connected to a terrifying time from his past. As a teenager, he witnessed the brutal deaths of several young men, an act orchestrated by his benefactor, Travis Brugier. Following the shocking spectacle, Brugier kills himself before Ken's eyes. Now, decades later, someone wants Ken to remember, wants Ken to return to those violent days. With the lives of his estranged family and his lover, David, threatened, Ken has no choice but to follow his nightmares back to their origin. There he will battle a corrupt and powerful being that believes every life is a story to be captured and rewritten, a being that doesn't believe in happy endings. Welcome back to Wonderland.

Gay men have a long, complicated history with the horror genre. While working behind-the-scenes to create some of the most iconic terrors on film (James Whale's Frankenstein, Bride of Frankenstein and The Invisible Man), they watched themselves portrayed on screen as sinister villains or as 'the best friend who dies first' victims. But in the last 20 years there has been a significant shift in the horror world courtesy of a growing number of out authors, screenwriters, directors and actors working to scare the crap out of you. Out In the Dark: Interviews with Gay Filmmakers, Actors and Authors introduces you to 31 of these men with interviews and insights into their work and their lives. From mainstream Hollywood filmmakers (Don Mancini, Child's Play and the Chucky films) to indie exploitation mainstays (Joshua Grannell aka Peaches Christ, All About Evil); prolific authors (Douglas Clegg, The Children's Hour) to small-press niche writers (Alan Kelly, Let Me Die a Woman); recently-out former teen idols (Wesley Eure, Land of the Lost and The Toolbox Murders) to gay indie staples (Matthew Montgomery, Socket and Pornography: A Thriller), Out In the Dark offers 31 unique perspectives on horror, being gay, and dozens of other subjects.

An ordinary city worker accidentally entered the "Forbidden Land of the Gods" on a journey to ease his mind

The Book of Job in Wonderland explores the theme of mediation in the biblical book of Job with a unique approach that examines the Hebrew language, the history of its interpretation, and a comparative literary analysis of Lewis Carroll's Alice's Adventures in Wonderland. Both of these classics relentlessly subvert genre expectations in order to protest didactic religious instruction. In addition to biblical studies, this book makes contributions to lexicography, hermeneutics, medieval Jewish thought, early and modern Christianity, literary theory, and Victorian literature.

All three books of the Jabberwocky Trilogy in one value priced package! The decapitated Jabberwock’s head is still functional—he just needs a new body. 15-year-old Queen Malice wants to help her buddy, Jabby, as she likes to call him. And so she plans a quest to Jabberwock Valley, where most of the other jabberwocks live. But Jabby isn’t the only one they must help. Wonderland itself is in danger, because a creature known as the Snark threatens to reunite the monster tribes and revive a realm known as Woeland. So Malice works on assembling a team. Of course, the Mad Hatter, Humpty, and the Cheshire Cat will tag along. But the Knight still has a crippling fear of little girls. There are other complications. 11-year-old Sleeping Beauty wants to go on the quest as well. But most jabberwocks hate little girls. Jabberwock mothers even sing their babies “little-girls-goodbyes,” which are like lullabies, except gorier. Malice also struggles with the intoxicating effects of the black rose. She finds herself taking more of the flower each day, and it’s becoming harder to stop. Will they be able to thwart the Snark? And who is the mysterious “secret admirer” who sends Malice creepy notes via pigeon? And can she prove to the Knight that she no longer has any “little girlness” inside of her, by going through a series of the Knight’s anti-little-girl challenges? Because it’s the only way he’ll join the team. And they’ll need a lot of help if they ever hope to stop the Snark and survive their journey to Jabberwock Valley.

Descend into Madness with the Sons of Wonderland series collection one, books 1 and 2! Dive into this twisted Wonderland and start your newest adventure with the Mad Hatter, the White Rabbit, and the Cheshire Cat, and the women who bring them to their knees. This collection includes a never before seen short titled, "Alice's Jabberwocky". **This is a Horror Romance retelling of Wonderland filled with all the creatures and characters you thought you knew. It contains gore and adult themes.** SERIES COLLECTION INCLUDES: Mad as a Hatter (book 1) Late as a Rabbit (book 2) Feral as a Cat (book 3) Cruel as a Queen (book 4) Exclusive Short: "Alice's Jabberwocky" If you like Sarah J Maas, Gena Showalter, J.R. Ward, Laura Thalassa, or Jennifer L. Armentrout, you won’t be able to put down this highly addictive twisted fairy tale. What Amazon reviewers are saying about Kendra’s other books: ★★★★★ ’I don't even know where to start because I am missing words to describe how much I loved this book. I've read a lot of gripping books, but this was by far one of the most addictive! For several hours, I could not focus on anything, the world disappeared and I was in Wonderland.’ ★★★★★ ‘Unlike anything you've ever read’ ★★★★★ ‘The story kept me hooked and I couldn't stop reading.’ ★★★★★ ‘ This is one of the best series I have ever read and I hope for more. The author's imagination and talent are a thing of beauty. . .’ ★★★★★ ‘Brilliant. Captivating. Absolutely addicting!’ ★★★★★ ‘The plot is gripping, the world is beautifully constructed, the descriptions are vivid, and the characters wonderfully well developed.’ ★★★★★ ‘Every book she writes is magic!!’ ★★★★★ ‘I love everything about this story and I love this author so much. I know when I get her book that it’s going to be a fantastic read and she never disappoints. . .’ ★★★★★ ‘Kendra has the power to make you love books you don't normally read or look twice at.’ ★★★★★ ‘If you like strong, quick witted, heroic women & sweet, sexy & dangerous Norse gods this book is for you!’

Fascination with little girls pervaded Victorian culture. For many, girls represented the true essence of childhood or bygone times of innocence; but for middle-class men, especially writers, the interest ran much deeper. In Men in Wonderland, Catherine Robson explores the ways in which various nineteenth-century British male authors constructed girlhood, and analyzes the nature of their investment in the figure of the girl. In so doing, she reveals the link between the idealization of little girls and a widespread fantasy of male development--a myth suggesting that men become masculine only after an initial feminine stage, lived out in the protective environment of the nursery. Little girls, argues Robson, thus offer an adult male the best opportunity to reconnect with his own lost self. Tracing the beginnings of this myth in the writings of Romantics Wordsworth and De Quincey, Robson identifies the consolidation of this paradigm in numerous Victorian artifacts, ranging from literary works by Dickens and Barrett Browning, to paintings by Frith and Millais, to reports of the Royal Commission on Children's Employment. She analyzes Ruskin and Carroll's "high noon" of girl worship and investigates the destruction of the fantasy in the closing decades of the century, when social concerns about the working girl sexualized the image of young females. Men in Wonderland contributes to a growing interest in the nineteenth century's construction of childhood, sexuality, and masculinity, and illuminates their complex interconnections with a startlingly different light. Not only does it complicate the narratives of pedophilic desire that are generally used to explain figures like Ruskin and Carroll, but it offers a new understanding of the Victorian era's obsession with loss, its rampant sentimentality, and its intense valorization of the little girl at the expense of mature femininity.

Why would Pi stop Dye Ameter walking more than three times round the table? And why would Mr Ameter do what Pi told him? Ben Small is good at English but rubbish at Mathematics. Branded a cheat by the headmaster of Cottomwall Grammar School because of the inconsistencies in his test results Ben feels he has no choice but to run away. Due to the storm he beds down for the night in the science lab of his school where, quite by chance, he meets a talking snake called Adder. Hearing Ben's story Adder asks Ben to come with him to MATHAMAGICAL, the city of Maths to help them solve an English problem and stop a war with the Advancing Alphas. Join Ben and Adder as they journey across the mathematical landscapes in their quest to save the numbers.

These stories by early Yellowstone Park visitors helped propel the popularity of this American wonderland.