This book sheds light on the structure of “a unity with diversity” developed in the Qing imperial formation (1636–1912) by a case study of the Qing-Tibetan encounters in the eighteenth century. By analyzing historical and ethnographical materials, the book investigates the translation of Chinese histories and stone inscriptions into Tibetan, the transformation of the landscapes at Mount Wutai and Lhasa, and the transplantation of Chinese deities and medical practices to Tibet. It demonstrates the processes in which the cosmopolitan interlocutors reified imperial integrity while expressing their diverse longings and belongings. It concludes that the Qing’s rule over its cultural others was neither simply Sinicizing nor colonizing, but a translational process in which multivocalic actors shared narratives, landscapes, and practices, while the emperor and tantric masters performed cosmic power over humans and metahumans. This book cuts across the fields of anthropology, history, Chinese Studies, and Tibetan Studies. It reflects on the concepts of sovereignty and ethnicity, and it also extends the methodological horizon of historical anthropology.

This book explores poems, novels, legends, operas and other genres of writing from the Ming Dynasty. It is composed of two parts: the literary history; and comprehensive reference materials based on the compilation of several chronologies. By studying individual literary works, the book analyzes the basic laws of the development of literature during the Ming Dynasty, and explores the influences of people, time, and place on literature from a sociological perspective. In turn, it conducts a contrastive analysis of Chinese and Western literature, based on similar works from the same literary genre and their creative methods. The book also investigates the relationship between literary theory and literary creation practices, including those used at various poetry schools. In closing, it studies the unique aesthetic traits of related works. Sharing valuable insights and perspectives, the book can serve as a role model for future literary history studies. It offers a unique resource for literary researchers, reference guide for students and educators, and lively read for members of the general public.

This volume contains the English translation of articles selected from Religious Studies in Contemporary China Collection: Buddhism (Dangdai Zhongguo zongjiao yanjiu jingxuan: Fojiao juan) edited by Lou Yulie. All the articles in this volume were originally published in Chinese during the last two decades and thus represent trends of recent scholarship on Buddhist studies in China. Although these articles represent a small portion of the scholarly output, we will notice some common interests shared by the Chinese scholars of Buddhist studies and their counterparts in the west. Buddhist scholars on both sides of the Pacific are paying attention to the relationship between Buddhism and Daoism, the question of indigenous scriptures, the social and ritualistic dimension of Buddhism revealed in artistic creations and the interaction and mutual influences between Chinese and the larger Buddhist world.

Eihei Dogen, the 13th-century Zen master who founded the Japanese Soto School of Zen, is renowned as one of the world's most remarkable religious thinkers. As Shakespeare did with English, Dogen utterly transformed the language of Zen, using it in novel and extraordinarily beautiful ways to point to everything important in religious life. "Dogen's Extensive Record" is the first-ever complete and scholarly translation of this monumental work into English. This edition contains extensive and detailed research and annotation by scholar, translator, and Zen teacher Taigen Dan Leighton, as well as forewords by the 18th-century poet-monk Ryokan and Tenshin Reb Anderson, former abbot of the San Francisco Zen Center -- plus introductory essays from Dogen scholar Steven Heine and the prominent American Zen master John Daido Loori.

The second volume of a celebrated translation of the classic Chinese novel This is the second volume in David Roy's celebrated translation of one of the most famous and important novels in Chinese literature. The Plum in the Golden Vase or, Chin P’ing Mei is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch’ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form—not only from a specifically Chinese perspective but in a world-historical context. With the possible exception of The Tale of Genji (1010) and Don Quixote (1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of Bleak House, the Joyce of Ulysses, or the Nabokov of Lolita than anything in the earlier Chinese fiction tradition, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.

The book comprises two parts part I deals with the socio-historical aspects of family of the Vedic Seer Bharadvaja and Part II discusses the significant contribution the family has made to the various fields of Indian culture.

Over the centuries, humans have conjured images--the stuff of dreams, convictions, and ardent desire--to describe our afterlife. The vision of heaven can appear as simple as a place among the stars or as complex as a universe filled with a multitude of busy souls. Positioned at the intersection of art, religion, and culture, this book sheds new light on human creativity in its portrayal of the afterlife. Beginning with prehistoric burial objects that help with one's heavenly needs, it travels through history to probe ancient texts, examines enigmatic carvings, dissects the meaning of paintings, and discusses contemporary perspectives in film and media. The author demonstrates that humans around the world have always had the capacity to confront the "final frontier" in spirited, hopeful, and beautiful ways.

India And China: Twenty Centuries Of Civilizational Interaction And Vibrations Tells The Story Of The Longest Available Civilizational Dialogue In World History. Geng Yinzeng'S Comprehensive Chronology Of India-China Interaction (Chapter 11) Is Divided Into Five Phases. It Gravitates On Phase 2 (64-644 A.D.) That Centres On The Movement Of Buddhism Into China, Phase 3 (645-1161 A.D.) Featuring Intensive Building Up Of A Buddhist Socio-Political And Cultural Infrastructure On Chinese Soil With Indian Monks And Chinese Ruling Elite Pouring Their Wisdom And Energy, And Phase 4 (1219-1765 A.D.) Moving To Diplomatic And Trade Activities Between The Imperial Court Of China And The Coastal States Of India. Chapter 12 Gives Life Sketches Of 226 Eminent Indian Monks Travelling To China And 118 Chinese Pilgrims Travelling To India. Chapter 10 Introduces Chinese Source Materials For Reference And Further Research. The First 8 Chapters Are Tan Chung'S Discourse On Geng Yinzeng'S Historiography Highlighting The Beneficial Results Of India-China Civilizational Interaction, What The Author Terms Sino-Indic Ratna Permeating China'S Political, Social And Cultural Development. Chapter 9 Details Other Indian Contributions To Chinese Life Including The Development Of Chinese Dragon And Phoenix Culture . As The Consequences Of Cross-Fertilization Between Chinese Legends Of Long And Feng And Indian Mythology Of Naga And Garuda. Through This Historical Study The Two Authors Express Their Conviction That Civilizations Do Not Clash.

Biblical scholar Kermit Zarley unravels and joins together thousands of end-time prophecies in a reader-friendly, chronological framework that will help readers understand the messages the prophets left to us within the Bible. This book presents a new view of Jesus: that of Warrior-King who will return to Earth to wage battle against the Antichrist and deliver Israel from persecution.Also available: The Third Day Bible Code9781933538433