The Eighteenth Brumaire of Louis Napoleon (Der 18te Brumaire des Louis Napoleon) is an essay written by Karl Marx. This essay discusses the French coup of 1851 in which Louis-Napoléon Bonaparte assumed dictatorial powers but refers to the Coup of 18 Brumaire in which Napoleon Bonaparte seized power in revolutionary France (9 November 1799, or 18 Brumaire Year VIII in the French Republican Calendar), in order to contrast it with the coup of 1851. It shows Marx in his form as a social and political historian, treating actual historical events from the viewpoint of his materialist conception of history.

Marx's study of the events leading to the coup d'etat of "Napolean the Little" on December 2, 1851, written within a few weeks of the coup, is one of the first works by Marx in which he states his theory of history. [Facsimile reprint edition.]

One of Karl Marx's most profound and most brilliant monographs, this title may be considered the best work extant on the philosophy of history. For all serious students, the "Brumaire" is the book for those who wish to deepen their knowledge on Marxian political conceptions.

This book about Napoleon Bonaparte's coup d'etat of 1851 in France allows Marx to explain why he thinks the earlier French Revolution of 1848, gave Napoleon the wings to achieve his triumph. This event, which occurred on 8th-9th November 1851, is often regarded as the end of the Revolution and the one that allowed Napoleon to establish his power over France. Karl Marx gives his particular views on this event and on Napoleon.

What has philosophy to do with the poor? If, as has often been supposed, the poor have no time for philosophy, then why have philosophers always made time for them? Why is the history of philosophy—from Plato to Karl Marx to Jean-Paul Sartre to Pierre Bourdieu—the history of so many figures of the poor: plebes, men of iron, the demos, artisans, common people, proletarians, the masses? Why have philosophers made the shoemaker, in particular, a remarkably ubiquitous presence in this history? Does philosophy itself depend on this thinking about the poor? If so, can it ever refrain from thinking for them? Jacques Rancière’s The Philosopher and His Poor meditates on these questions in close readings of major texts of Western thought in which the poor have played a leading role—sometimes as the objects of philosophical analysis, sometimes as illustrations of philosophical argument. Published in France in 1983 and made available here for the first time in English, this consummate study assesses the consequences for Marx, Sartre, and Bourdieu of Plato’s admonition that workers should do “nothing else” than their own work. It offers innovative readings of these thinkers’ struggles to elaborate a philosophy of the poor. Presenting a left critique of Bourdieu, the terms of which are largely unknown to an English-language readership, The Philosopher and His Poor remains remarkably timely twenty years after its initial publication.

The XVIII Brumaire of Louis Napoleon is an essay written by Karl Marx. This essay discusses the French coup of 1851 in which Louis-Napoléon Bonaparte assumed dictatorial powers but refers to the Coup of 18 Brumaire in which Napoleon Bonaparte seized power in revolutionary France (9 November 1799, or 18 Brumaire Year VIII in the French Republican Calendar), in order to contrast it with the coup of 1851. It shows Marx in his form as a social and political historian, treating actual historical events from the viewpoint of his materialist conception of history.

A collection of Marx's important later writings translated and introduced by a leading Marx scholar.

By linking building theory to the emancipatory project of critique advanced by radical thinkers in our time, this work investigates the key conceptual and historical elements that culminate in an emancipatory theory of building entitled: 'Toward a philosophy of shelter’. Taking Marx as its only resource, this work proceeds with the conviction that our era is contemporaneous to Marx’s historical era. This means ‘not judging the validity of Marx from the perspective of the historical situation’, but rather, ‘demonstrating the validity of a Marxian perspective for a singular historical situation’, as ours. This work will therefore translate this perspective into seeing the situation of architecture through the eyes of Marx. All those concerned with the predicament in our current condition in which architecture must play a major social role in upholding the universal value of what Alain Badiou calls 'generic humanity' will take an interest in this work. In particular, architects, critics, scholars, and students inside the field of architecture who would be seeking the application of this universal value to a new theory of building will be a welcoming audience for this work.

The project to publish the works of Marx and Engels continues, and this book, published in 1984, puts together a comprehensive bibliography of their works either written in or translated into English, including books, monographs, articles, chapters and doctoral dissertations, together with the works of their interpreters. The inclusion of the secondary literature makes this a particularly valuable bibliography, and contributes greatly to the understanding of the thought of Marx and Engels.

Walter Benjamin (1892-1940) has emerged as one of the leading cultural critics of the twentieth century. His work encompasses aesthetics, metaphysical language and narrative theories, German literary history, philosophies of history, the intersection of Marxism and Messianic thought, urban topography, and the development of photography and film. Benjamin defined the task of the critic as one that blasts endangered moments of the past out of the continuum of history so that they attain new significance. This volume of new essays employs this principle of actualization as its methodological program in offering a new advanced introduction to Benjamin's own work. The essays analyze Benjamin's central texts, themes, terminologies, and genres in their original contexts while simultaneously situating them in new parameters, such as contemporary media, memory culture, constructions of gender, postcoloniality, and theories of urban topographies. The Companion brings together an international group of established and emerging scholars to explicate Benjamin's actuality from a multidisciplinary perspective. Designed for audiences interested in literary criticism, cultural studies, and neighboring disciplines, the volume serves as a stimulus for new debates about Benjamin's intellectual legacy today. Contributors: Wolfgang Bock, Willi Bolle, Dianne Chisholm, Adrian Daub, Dominik Finkelde, Eric Jarosinski, Lutz Koepnick, Vivian Liska, Karl Ivan Solibakke, Marc de Wilde, Bernd Witte Rolf J. Goebel is Distinguished Professor of German and Chair of the Department of World Languages and Cultures at the University of Alabama in Huntsville.