The first collection of stories by a promising young writer.

'Melvyn Bragg's account of the passionate and painful love affair between the 12th century radical theologian, Peter Abelard, and the brilliant young convent-educated Eloise springs magnificently to life . . . Thrilling.' Piers Plowright, Tablet Within the Cloisters of Notre-Dame, a charismatic philosopher and a young woman renowned for her scholarship embark on an ardent, secret affair. It will send shockwaves through Paris, incur savage retribution and lead to years of separation, though nothing will break the bond between them. Bringing the true story of Heloise and Abelard to vivid life, this engrossing novel conveys the powerful emotions and beliefs that drove them. It captures a couple who defied the conventions and religious orthodoxies of their times with striking audacity, and illuminates why their extraordinary tale still resonates today.

Western culture has endlessly represented the ways in which love miraculously erupts in people’s lives, the mythical moment in which one knows someone is destined for us, the feverish waiting for a phone call or an email, the thrill that runs down our spine at the mere thought of him or her. Yet, a culture that has so much to say about love is virtually silent on the no less mysterious moments when we avoid falling in love, where we fall out of love, when the one who kept us awake at night now leaves us indifferent, or when we hurry away from those who excited us a few months or even a few hours before. In The End of Love, Eva Illouz documents the multifarious ways in which relationships end. She argues that if modern love was once marked by the freedom to enter sexual and emotional bonds according to one’s will and choice, contemporary love has now become characterized by practices of non-choice, the freedom to withdraw from relationships. Illouz dubs this process by which relationships fade, evaporate, dissolve, and break down “unloving.” While sociology has classically focused on the formation of social bonds, The End of Love makes a powerful case for studying why and how social bonds collapse and dissolve. Particularly striking is the role that capitalism plays in practices of non-choice and “unloving.” The unmaking of social bonds, she argues, is connected to contemporary capitalism which is characterized by practices of non-commitment and non-choice, practices that enable the quick withdrawal from a transaction and the quick realignment of prices and the breaking of loyalties. Unloving and non-choice have in turn a profound impact on society and economics as they explain why people may be having fewer children, increasingly living alone, and having less sex. The End of Love presents a profound and original analysis of the effects of capitalism and consumer culture on personal relationships and of what the dissolution of personal relationships means for capitalism.

"This emotionally resonant dystopian succeeds at turning the end of the world into a new beginning." - Publishers Weekly A love story set in a bad dream about America, concerning permanent debt, secret police, making dinner, and unpaid invoices—right up until the end of the world. It’s Brooklyn. It’s winter. It’s so cold outside you could execute billionaires in the street about it. Sam lives with Eleanor and they are in love. He has three or four outstanding invoices that would each cover rent for a month. At some point, the President is going to make some absolutely wild announcements that will only end in doom. In a surreal, funny, and heart-breaking version of reality, Sasha Fletcher’s highly anticipated first novel occupies that rare register that manages to speak to an increasingly incomprehensible world. Through scenes that poetically transform the mundane into the sublime and the absurd into the tragic, Be Here to Love Me at the End of the World is about the exquisite beauty of being in love in a world that is falling apart.

Commodities of Desire investigates the figure of the prostitute in modern German literature, from the Wilhelmine Empire to the Weimar Republic, and provides the social, legal and cultural contexts necessary for their interpretation.

True love is what all people desire to their very core. It takes many shapes and forms and can be missed at the slightest misstep. Fate always plays a role in the direction it wants to drive young hearts, whether it be together or apart. Luke Weston must deal with fate's evil hand as it drives him far from where he needs to be and away from true love. Being a young cowboy on the harsh West Texas landscape can be a most challenging way of life. This is especially true if this way of life is not what you desire. Luke struggles with what he has been told he must do to help his small family and what his heart believes it really wants. A sleek set of forty-five pistols is all that he has to relieve the stress of everyday life on the small ranch. His blazing speed is finely tuned each day at his makeshift targets as the days melt into one another. There he can imagine his life on the open range and adventures to the faraway mountains of the Rockies. He believes that there he can find great riches and a lifestyle that will bring peace of mind. The call of many ladies, his family needs, and the wilds of the rugged mountains pull at his soul as he matures into a handsome young cowboy. Many other issues arise as love tries to find him while he tries to find himself. Fate takes him to places he doesn't want to be and far from the true love that waits with open arms. In the end, a strange type of love must try to conquer fate's evil hand, a hand that it tries to deal at the table of life in the West Texas badlands.

These four stories or 'nouvelles' date from 1945, though all were published much later, in French and subsequently in English. All make use of a first-person narrator, and relish its vagaries - the inability to remember facts, the uncertainty as to why he is speaking in the first place, the loss of heart when explanations seem called for... Above all, the stories crisply plot the narrator's plotless descent into vagrancy, the steeper as it approaches The End . Out of these short works and their patient procedures grew the large canvases of Molloy and Malone Dies. My bench was still there. It was shaped to fit the curves of the seated body. It stood beside a watering trough, gift of a Mrs Maxwell to the city horses, according to the inscription. During the short time I rested there, several horses took advantage of the monument. The iron shoes approached and the jingle of the harness. Then silence. That was the horse looking at me. Then the noise of pebbles and mud that horses make when drinking. Then the silence again. That was the horse looking at me again. Then the pebbles again. Then the silence again. Till the horse had finished drinking or the driver deemed it had drunk its fill. Edited by Christopher Ricks

A finalist for the National Book Critics Circle Award for Criticism, Vivian Gornick's The End of the Novel of Love explores the meaning of love and marriage as literary themes in the twentieth century. In The End of the Novel of Love, an acclaimed and provocative collection of criticism, Gornick applies the same intelligence, honesty, and insight that define her memoirs to an analysis of love and marriage as literary themes in the twentieth century. She examines the work and lives of several authors she admires—including Grace Paley, Willa Cather, Jean Rhys, George Meredith, Jane Smiley, Richard Ford, and Andre Dubus—to ultimately posit that love, sexual fulfillment, and marriage are now exhausted as the metaphorical expressions of success and happiness. Spanning the depths of common experience and the expanse of twentieth century literature, Gornick crafts an argument that is as defined by discourse as it is by the power of her language, which is gracefully poised between objective knowledge and subjective experience. In these eleven essays, she comes to see that, for most writers, like most readers, it is the drama of our angry and frightened selves in the presence of love that is our modern preoccupation. The End of the Novel of Love is a strikingly original and thought-provoking collection from a canonical critic.