In tracing the modern moral imagination, Donskis works out a theory of tolerance, dialogue, human intersubjectivity, the Other, ideology, and utopia. This theory then provides the framework for social and cultural criticism. By considering the work of Kavolis, Gellner, Dumont, and Mumford, Donskis argues that modern critiques of culture originate in political philosophy, sociology, and the comparative study of civilization. Annotation copyrighted by Book News Inc., Portland, OR.

Indeed, he argues that as the world undergoes greater economic integration, it is also experiencing great political fragmentation, as people retreat to more primordial units for the purposes of self-identity."--BOOK JACKET.

This book explores and proposes original definitions of central terms in political sociology and social theory, including political culture, imaginary, ideology, and utopia, in a manner that renders the individual definitions consistent with one another as part of a single and general conceptual framework for understanding social action. Through a Weberian distinction between means, ends, and values, together with the thought of Alfred Schütz and phenomenological sociology more generally, it sheds light on the ways in which the book’s key concepts make sense of social action, advancing the view that, rather than some promised land or aspiration, utopia is a project of broad and far-reaching collective action realized in its own enactment. As such, the book will appeal to scholars of social theory, political sociology, and political theory.

In the decades following World War II, the science of decision-making moved from the periphery to the center of transatlantic thought. The Decisionist Imagination explores how “decisionism” emerged from its origins in prewar political theory to become an object of intense social scientific inquiry in the new intellectual and institutional landscapes of the postwar era. By bringing together scholars from a wide variety of disciplines, this volume illuminates how theories of decision shaped numerous techno-scientific aspects of modern governance—helping to explain, in short, how we arrived at where we are today.

Nineteenth-century European intellectual history has given rise to such varied and abundant research that one is surprised to find certain important problems long identified and yet still relatively unexplored. Such is the case for certain aspects of the crucial transition from Hegel to Marx, for minority tendencies among French socialists and for the Messianic phenomenon, national and religious, so central to the period, particularly in Eastern Europe, and so rarely studied in detail. Certainly, these lacunae are exemplified by the absence of any com prehensive work on August Cieszkowski whose overall contribution to the history of the period may be marginal but whose specific role in each of the areas mentioned is both significant in itself and illustrative of certain wider problems. Cieszkowski first achieved recognition as the author of the Pro legomena zur Historiosophie in 1838. This short tract never became popular among the Berlin Hegelians for whom it was intended but it affected a number of radical intellectuals outside their circle. His next work, Gott und Palingenesie, was a defense of personal immortality against Hegelian revisionism. The following year, however, he founded as a bulwark of the Hegelian school the Philosophische Gesellschaft against external critics and internal dissolution.

Ideology and Utopia in China’s New Wave Cinema investigates the ways in which New Wave filmmakers represent China in this age of neoliberal reform. Analyzing this paradigm shift in independent cinema, this text explores the historicity of the cinematic form and its cultural-political visions. Through a close reading of the narrative strategy of key films in New Wave Cinema, Xiaoping Wang studies the movement’s impact on film, literature, culture and politics.

This edited work is spurred by the 30-year anniversary of the groundbreaking work by Paul Ricoeur, Lectures on Ideology and Utopia (1986)—and the 40-year anniversary of the original lectures (1975). Ricoeur took these concepts that continue to be enormously important in social and political analysis and connected them in a uniquely intricate dance. The ensuing interplay of these concepts provides a framework for a more deft and subtle evaluation than is common. Little has been done to engage Ricoeur’s skill in interpreting ideology and utopia or their creative tension, perhaps due to his significant contributions in other areas. When one combines Ricoeur’s intricate analyses of ideology and utopia, however, with his contributions in other areas of philosophy such as hermeneutics, anthropology, embodiment, and philosophy of religion, one has fertile grounds for reflection in many directions. The essays in this book draw on these resources not only to engage the strengths and weaknesses of Ricoeur’s original work, but they also expand his understanding in creative new directions such as the social imaginary, embodiment, gender theory, immigration, and extremist political rhetoric. The text will bring to the fore how this aspect of Ricoeur’s work has significance for the wider twenty-first century political landscape. Just as his original work, this book provides much-needed resources for critique of each term, along with their relationship to one another, while recognizing the positive dimension of their function.

This study in comparative social and political philosophy gives a well-argued account of how ideological and even utopian views are sociologically rooted and how this fact has been reflected in the social history of Asian countries like India and China and some Euro-American countries during the last two centuries.

Scholars have often drawn attention to William Blake's unusual sensitivity to his social context. In this book Nicholas Williams situates Blake's thought historically by showing how through the decades of a long and productive career Blake consistently responded to the ideas, writing, and art of contemporaries. Williams presents detailed readings of several of Blake's major poems alongside Rousseau's Emile, Wollstonecraft's Vindication of the Rights of Woman, Paine's Rights of Man, Burke's Reflections on the Revolution in France, and Robert Owen's Utopian Experiments. In so doing, he offers revealing new insights into key Blake texts and draws attention to their inclusion of notions of social determinism, theories of ideology-critique, and Utopian traditions. Williams argues that if we are truly to understand ideology as it relates to Blake, we must understand the practical situation in which the ideological Blake found himself. His study is a revealing commentary on the work of one of our most challenging poets.