Five books of essays in one volume from the Booker Prize–winner and “one of the most ambitious and divisive political essayists of her generation” (The Washington Post). With a new introduction by Arundhati Roy, this new collection begins with her pathbreaking book The Cost of Living—published soon after she won the Booker Prize for her novel The God of Small Things—in which she forcefully condemned India’s nuclear tests and its construction of enormous dam projects that continue to displace countless people from their homes and communities. The End of Imagination also includes her nonfiction works Power Politics, War Talk, Public Power in the Age of Empire, and An Ordinary Person’s Guide to Empire, which include her widely circulated and inspiring writings on the US invasions of Afghanistan and Iraq, the need to confront corporate power, and the hollowing out of democratic institutions globally. Praise for Arundhati Roy “The fierceness with which Arundhati Roy loves humanity moves my heart.” —Alice Walker, Pulitzer Prize–winning author and recipient of the LennonOno Grant for Peace Award “Arundhati Roy combines her brilliant style as a novelist with her powerful commitment to social justice in producing these eloquent, penetrating essays.” —Howard Zinn, author of Political Awakenings and Indispensable Zinn “Arundhati Roy is incandescent in her brilliance and her fearlessness. And in these extraordinary essays—which are clarions for justice, for witness, for a true humanity—Roy is at her absolute best.” —Junot Díaz, author of the Pulitzer Prize–winning The Brief Wondrous Life of Oscar Wao “One of the most confident and original thinkers of our time.” —Naomi Klein, author of No Is Not Enough and The Battle For Paradise “Arundhati Roy calls for ‘factual precision’ alongside of the ‘real precision of poetry.’ Remarkably, she combines those achievements to a degree that few can hope to approach.” —Noam Chomsky, leading public intellectual and author of Hopes and Prospects “India’s most impassioned critic of globalization and American influence.” —The New York Times

Pulling together a collection of richly informative essays Rethinking Imagination addresses competing sets of ideas, oscillating between the modern and post-modern, creativity and sublimity, progress and apocalypse, democracy and redemption Enlightenment and Romanticism and reason and imagination. Aiming to thematise these debates from the perspective of the imagination, Rethinking Imagination takes two directions. The first addresses a socio-cultural interpretation in which the distinguishing figures of modernity can be viewed as continuing differentiation and autonomatization of spheres and systems that goes well beyond the divisions of labour. The second is an ongoing philosophical discourse about the imagination and its relation to reason which has been present since Enlightenment. Divided into two separate yet interconnected parts, this book is a highly significant collection of essays and a valuable contribution to the field of philosophical and socio-cultural sociology. It is a key book for undergraduate, postgraduate and academic researchers.

A classic text in biblical theology--still relevant for today and tomorrow. In this 40th anniversary edition of the classic text from one of the most influential biblical scholars of our time, Walter Brueggemann, offers a theological and ethical reading of the Hebrew Bible. He finds there a vision for the community of God whose words and practices of lament, protest and complain give rise to an alternative social order that opposes the "totalism" of the day. Brueggemann traces the lines from the radical vision of Moses to the solidification of royal power in Solomon to the prophetic critique of that power with a new vision of freedom in the prophets. Linking Exodus to Kings to Jeremiah to Jesus, he argues that the prophetic vision not only embraces the pain of the people, but creates an energy and amazement based on the new thing that God is doing. This edition builds off the revised and updated 2001 edition and includes a new afterword by Brueggemann and a new foreword by Davis Hankins.

Are we living in a post-temporal age? Has history come to an end? This book argues against the widespread perception of postmodern narrativity as atemporal and ahistorical, claiming that postmodernity is characterized by an explosion of heterogeneous narrative "timeshapes" or chronotopes. Chronological linearity is being challenged by quantum physics that implies temporal simultaneity; by evolutionary theory that charts multiple time-lines; and by religious and political millenarianism that espouses an apocalyptic finitude of both time and space. While science, religion, and politics have generated new narrative forms of apprehending temporality, literary incarnations can be found in the worlds of science fiction. By engaging classic science-fictional conventions, such as time travel, alternative history, and the end of the world, and by situating these conventions in their cultural context, this book offers a new and fresh perspective on the narratology and cultural significance of time.

We began as savages, and savagery has served us well—it got us where we are. But how do our tribal impulses, still in place and in play, fit in the highly complex, civilized world we inhabit today? This question, raised by thinkers from Freud to Lévi-Strauss, is fully explored in this book by the acclaimed anthropologist Robin Fox. It takes up what he sees as the main—and urgent—task of evolutionary science: not so much to explain what we do, as to explain what we do at our peril. Ranging from incest and arranged marriage to poetry and myth to human rights and pop icons, Fox sets out to show how a variety of human behaviors reveal traces of their tribal roots, and how this evolutionary past limits our capacity for action. Among the questions he raises: How real is our notion of time? Is there a human “right” to vengeance? Are we democratic by nature? Are cultural studies and fascism cousins under the skin? Is evolutionary history coming to an end—or just getting more interesting? In his famously informative and entertaining fashion, drawing links from Volkswagens to Bartók to Woody Guthrie, from Swinburne to Seinfeld, Fox traces our ongoing struggle to maintain open societies in the face of profoundly tribal human needs—needs which, paradoxically, hold the key to our survival.

For John Henry Newman, religion is animated by an imaginative 'master vision' which 'supplies the mind with spiritual life and peace'. All his life, Newman reflected on this 'master vision'. His reflections on the moral imagination developed out of his understanding of practical wisdom, as characterized by Aristotle – the wisdom that 'the good man' has in living a good life. For Newman, the vision at the core of religion completes and perfects the intuitions of the conscience. John Henry Newman and the Imagination looks at how Newman's understanding of the moral and visionary imagination developed over the course of his life; and it relates his ideas about the imagination to his portrayals of religious experience, and vision, in his novels and poetry.

"(This work) promises to raise the level and transform the nature of discourse on the relations of Christianity and science . . . (Funkenstein) leaps fearlessly from one philosophical mountaintop to another, comparing and contrasting doctrines in an amazing display of intellectual dexterity. The result is a bold study of ideas . . . bristling with insight and perceptive reinterpretation of familiar episodes in the history of natural philosophy".--David C. Lindberg, "Journal of the History of Medicine". *Lightning Print On Demand Title

DigiCat Publishing presents to you this special edition of "A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare" by George MacDonald. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The variety and depth of Anglican theology is best engaged through personal encounter with its many sources - the theologians and theological witnesses themselves. Anglican theology is often worked out in personal terms that provide a synthesis between reflection on the truths of faith and the particular contexts of culture and life. This book presents modern Anglican theology through a unique ’gallery’. This theological gallery includes a portrait or sketch of ten Anglican writers - DuBose, Farrer, Stringfellow, Brooks, Kemper, DeKoven, McCord Adams, Polkinghorne, Gore and Macquarrie. Theological description, interpretation and application are included for each, with the presentations differing as widely as the theologians and theological witnesses themselves. Drawing together understandings and experiences of faith, this will be an invaluable resource for students of Anglican theology and anyone who seeks to understand the distinctive perspectives and contributions of Anglicanism relative to living faith and daily life.