Writers, editors, activists and prostitutes. Women along the US-Mexico border served in many more capacities than simply wives and mothers, though those were their primary roles. Historically, religion was the link between women and the written word. According to the editors of this volume, Mexican women—particularly those from the privileged classes—had access to secular reading beginning in the 1800s. In the late nineteenth and early twentieth centuries, several periodicals dedicated to the education of the “fairer sex” emerged. Though the male voice initially predominated, women began contributing poetry and essays to various publications and eventually became editors of their own magazines and newspapers. This collection of ten essays, based on the examination of publications from the US-Mexico region between 1850-1950, explores the role of women in print culture. Leading to a better understanding of women in the history of Mexican border life, the essays are organized in three thematic groupings: “Exploring the Archives: Women and Written Culture in Northeastern Mexico during the Late Nineteenth Century,” “The Cultural History of Women and Print Culture” and “A Transcultural View of Women and their Role as Activists in Northern Mexico and Texas.” The scholars who researched the archival collections of newspapers, magazines and other print matter write about a variety of topics, including the participation of women in the War of Independence (1810-1821) and the Mexican Revolution (1910-1920), the belief females were inferior and should not be educated outside the home and even the cultural history of prostitutes. Published as part of the Recovering the US Hispanic Literary Heritage project, this compendium of academic articles sheds light on women’s roles—especially as readers, writers and editors—in the Texas-Mexico border region in the late nineteenth and early twentieth centuries.

Conceptualizing how digital artifacts can function as a frontier mediated by technology in the geographical, physical, sensory, visual, discursive, and imaginary, this volume offers an interdisciplinary analysis of digital material circulating online in a way that creates a digital dimension of the Mexico-U.S. border. In the context of a world where digital media has helped to shape geopolitical borders and impacted human mobility in positive and negative ways, the book explores new modes of expression in which identification, memory, representation, persuasion, and meaning-making are created, experienced, and/or circulated through digital technologies. An interdisciplinary team of scholars looks at how quick communications bring closer transnational families and how online resources can be helpful for migrants, but also at how digital media can serve to control and reinforce borders via digital technology used to create a system of political control that reinforces stereotypes. The book deconstructs digital artifacts such as the digital press, social media, digital archives, web platforms, technological and artistic creations, visual arts, video games, and artificial intelligence to help us understand the anti-immigrant and dehumanizing discourse of control, as well as the ways migrants create vernacular narratives as digital activism to break the stereotypes that afflict them. This timely and insightful volume will interest scholars and students of digital media, communication studies, journalism, migration, and politics.

"The Enemies of Women (Los enemigos de la mujer)" by Vicente Blasco Ibáñez (translated by Irving Brown). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Excerpts from criticism of the works of novelists, poets, playwrights, and other creative writers, 1900-1960.

Essays on a variety of Spanish authors who shaped the development of Spanish fiction in the twentieth century. Entries focus on the interconnections between life and writing and trace the writers' personal response to the cultural, intellectual and political concerns of the day, as well as to the traditions and literary styles that shaped their imagination. Provides a condensed assessment of the authors' aesthetic and personal preferences as shown through their writings.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.