This work examines the background of the Ethiopian eunuch in Acts 8:26–40. For a comprehensive study, it utilizes echoic allusion, cultural background, and narrative criticism. It explores the textual tradition of Deut 23:1–8 in Jewish literature, with a particular focus on Isaiah’s inclusive presentation of “eunuchs” and “foreigners” in contrast to the Deuteronomy stipulation for the assembly of the Lord. This work also explores the ancient practice of castration, the Jewish exiles in Elephantine, and Jewish pilgrimage to reconstruct the cultural background of the Ethiopian eunuch. Additionally, it focuses on Luke’s authorial role in presenting the gospel’s geographic, ethnic, and religious expansion to identify the Ethiopian’s ethnic and religious identity in the narrative development of the three trajectories. The conclusion drawn is that the Ethiopian eunuch cannot be identified as an uncircumcised gentile. Instead, he is more like an African man of Jewish descent, included in the Abrahamic covenant but excluded from the cultic setting of worship in the temple.

The essays in Bible Trouble all engage queer theories for purposes of biblical interpretation, a rare effort to date within biblical scholarship. The title phrase “Bible Trouble” plays on Judith Butler's Gender Trouble, gesturing toward a primary text for contemporary queer theory. The essays consider, among others, the Lazarus story, the Ethiopian eunuch, “gender trouble” in Judges 4 and 5, the Song of Songs, and an unorthodox coupling of the books of Samuel and the film Paris Is Burning. This volume “troubles” not only the boundaries between biblical scholarship and queer theory but also the boundaries between different frameworks currently used in the analysis of biblical literature, including sexuality, gender, race, class, history, and literature. The contributors are Ellen T. Armour, Michael Joseph Brown, Sean D. Burke, Heidi Epstein, Deryn Guest, Jione Havea, Teresa J. Hornsby, Lynn R. Huber, S. Tamar Kamionkowski, Joseph A. Marchal, Jeremy Punt, Erin Runions, Ken Stone, Gillian Townsley, Jay Twomey, and Manuel Villalobos.

This work examines the background of the Ethiopian eunuch in Acts 8:26–40. For a comprehensive study, it utilizes echoic allusion, cultural background, and narrative criticism. It explores the textual tradition of Deut 23:1–8 in Jewish literature, with a particular focus on Isaiah’s inclusive presentation of “eunuchs” and “foreigners” in contrast to the Deuteronomy stipulation for the assembly of the Lord. This work also explores the ancient practice of castration, the Jewish exiles in Elephantine, and Jewish pilgrimage to reconstruct the cultural background of the Ethiopian eunuch. Additionally, it focuses on Luke’s authorial role in presenting the gospel’s geographic, ethnic, and religious expansion to identify the Ethiopian’s ethnic and religious identity in the narrative development of the three trajectories. The conclusion drawn is that the Ethiopian eunuch cannot be identified as an uncircumcised gentile. Instead, he is more like an African man of Jewish descent, included in the Abrahamic covenant but excluded from the cultic setting of worship in the temple.

A comprehensive and challenging look at the significance of the Bible for blacks, and the importance of blacks in the Bible. "Timely . . . serious and creative".--The Catholic Journal.