Anthony Woodiwiss's pathbreaking book was the first substantive contribution to a sociology of human rights. In it, he takes up the question of whether so-called Asian values are compatible with human rights discourse and argues against human rights issues being the major obstacle to East-West co-operation. Dr Woodiwiss's sociological and post-structuralist approach to the concept of rights, and his incorporation of the transnational dimension into sociological theory, enable him to demonstrate how the global human rights regime can accommodate Asian patriarchalism, while Pacific Asia is itself adapting by means of what he calls 'enforceable benevolence'. His studies of Hong Kong, the Philippines, Malaysia, and Singapore highlight similarities between Pacific-Asian and Western societies and offer a positive view of the social forces obtaining in these territories.

Despite widespread recognition that we are living in an era of mass globalization, there has been a startling resurgence of nationalism in many regions of the world. Alongside this development, many new national museums are being built or refurbished, pointing to the critical role the telling of history plays in processes of building national identity. From new museum construction to the re-purposing of colonial monuments, and from essentialized narratives to spaces which encourage visitors to dream, this book explores the development and influence of national museums in three contemporary Asian societies – Singapore, Hong Kong, and Macau.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

This volume examines Hong Kong cinema in transnational, historical, and artistic contexts.

Global Hong Kong locates Hong Kong in the contemporary globalizing world. Hong Kong, as the authors argue, is an archetypal place, sitting at the intersection of East and West. It is also a major center for global capital flows and world trade. Moreover, in recent years, the island's global cultural power has become increasingly evident, as Hong Kong popular culture has spread to the West via a booming film industry. While looking at issues of postcoloniality, transnationalism and economic globalization, Wong and McDonogh focus on the new cultures and social formations of contemporary Hong Kong, as well as the transformation of the physical city itself. They also trace the new interconnections - economic, demographic, social and cultural - between Hong Kong and other parts of the worldthat have benn fostered by globalization. Books in this series look at how nations and regions across the world are navigating the tumultuous currents of globalization. Concise, descriptive, interdisciplinary, and theoretically informed, they serve as ideal introductions to the peoples and places of our increasingly globalized world.

Rewriting Hong Kong's history from the bottom up, the chapters investigate vital, but hitherto obscured, aspects of the colony's rise. They cover the Chinese collaboration with the colonial regime, legal discrimination and intimidation, rural politics, social movements, government-business relations, industrial policy, flexible manufacturing and colonial historiography. Drawing together contributions from historians, sociologists and political scientists, the book highlights the role played by a variety of social actors in Hong Kong's history and differs both from recent celebrations of British colonialism and anti-colonial Chinese nationalism.

Under the 1984 Sino-British Joint Declaration on the future of Hong Kong the previous capitalist system and life-style shall remain unchanged for 50 years. This concept has been embedded in the Basic Law of Hong Kong. The future of the Common Law judicial system in Hong Kong depends on the perceptions of it by Hong Kong's Chinese population; judicial developments prior to July 1, 1997, when Hong Kong passes from British to Chinese control; and the Basic Law itself. All of these critical issues are addressed in this book. It applies survey and statistical analysis to the study of the attitudes toward, and the values inherent to, the Common Law judicial system in the unique cultural and economic milieu of Hong Kong in transition.

The relationship between religion and modern culture remains a controversial issue within Christian theology. Using the concept of “cultural modernity,” Francis Ching-Wah Yip reconstructs Paul Tillich’s interpretation of modernity and shows that Tillich’s notion of theonomy served to underscore the problems of modernity and to develop a response.

Although Christianity has been a minority religion in Chinese societies, Christians have been powerful catalysts of social activism in seeking to establish democracy and rule of law in mainland China, Taiwan, Hong Kong, and diasporic communities. The chapters gathered in this collection reveal the vital influence of Christian individuals and groups on social, political, and legal activism in Chinese societies. Written from a range of disciplinary and geographical perspectives, the chapters develop a coherent narrative of Christian activism that illuminates its specific historical, theological, and cultural contexts. Analyzing campaigns for human rights, universal suffrage, and other political reforms, this volume uncovers the complex dynamics of Christian activism, highlighting its significant contributions to the democratization of Greater China.