INTRODUCTION. MANY works have been written on Expression, but a greater number on Physiognomy,—that is, on the recognition of character through the study of the permanent form of the features. With this latter subject I am not here concerned. The older treatises, [ 1] which I have consulted, have been of little or no service to me. The famous 'Conferences' [ 2] of the painter Le Brun, published in 1667, is the best known ancient work, and contains some good remarks. Another somewhat old essay, namely, the 'Discours,' delivered 1774-1782, by the well-known Dutch anatomist Camper, [ 3] can hardly be considered as having made any marked advance in the subject. The following works, on the contrary, deserve the fullest consideration. Sir Charles Bell, so illustrious for his discoveries in physiology, published in 1806 the first edition, and in the third edition of his 'Anatomy and Philosophy of Expression.' [ 4] He may with justice be said, not only to have laid the foundations of the subject as a branch of science, but to have built up a noble structure. His work is in every way deeply interesting; it includes graphic descriptions of the various emotions, and is admirably illustrated. It is generally admitted that his service consists chiefly in having shown the intimate relation which exists between the movements of expression and those of respiration. One of the most important points, small as it may at first appear, is that the muscles round the eyes are involuntarily contracted during violent expiratory efforts, in order to protect these delicate organs from the pressure of the blood. This fact, which has been fully investigated for me with the greatest kindness by Professors Donders of Utrecht, throws, as we shall hereafter see, a flood of light on several of the most important expressions of the human countenance. The merits of Sir C. Bell's work have been undervalued or quite ignored by several foreign writers, but have been fully admitted by some, for instance by M. Lemoine, [ 5] who with great justice says:—"Le livre de Ch. Bell devrait etre medite par quiconque essaye de faire parler le visage de l'homme, par les philosophes aussi bien que par les artistes, car, sous une apparence plus legere et sous le pretexte de l'esthetique, c'est un des plus beaux monuments de la science des rapports du physique et du moral."

Previously published: London: J. Murray, 1890.

The Expression of the Emotions in Man and Animals by Charles Darwin: The Expression of the Emotions in Man and Animals is a scientific work by Charles Darwin that examines the expression of emotions in humans and animals. Published in 1872, the book explores the evolutionary origins and universality of facial expressions, providing insights into the communication of emotions across species and shedding light on the nature of human emotions. Key Aspects of the Book "The Expression of the Emotions in Man and Animals": Evolutionary Perspective: The book applies an evolutionary framework to the study of emotions, considering their adaptive value and tracing their origins across different species. Facial Expressions: Darwin's detailed analysis of facial expressions and their connection to specific emotions offers valuable insights into the universality and nonverbal communication of emotions. Psychology and Ethology: The Expression of the Emotions in Man and Animals bridges the fields of psychology and ethology, contributing to our understanding of emotions and their expression in both humans and animals. Charles Darwin (1809-1882) was an English naturalist, geologist, and biologist, best known for his theory of evolution and his book On the Origin of Species. The Expression of the Emotions in Man and Animals represents Darwin's exploration of the intersection between biology, psychology, and animal behavior, highlighting his multidisciplinary approach to scientific inquiry.

Reproduction of the original.

Emotions remain largely invisible in the management of criminal justice practice. This book seeks to uncover some of the underground emotional work of practitioners and make visible the impact of both positive and negative emotions, which play a crucial role in practitioner-offender relationships. Exploring how practitioners understand, regulate and work with emotion, Knight argues that the 'soft skills' of emotion are more likely to achieve motivation and change in offenders than the 'hard' skills of punishment, monitoring and surveillance. The book examines some of the gendered implications of this practice and develops an argument for the explicit building of emotional resources within organizations to sustain the development, enhancement and support of emotional literacy in the workforce. Using practice examples, Knight reveals how practitioners can benefit from having an understanding of their own emotions and how these can impact on their practice. This unique and accessible book will be a valuable resource to practitioners across the criminal justice sector including probation officers, youth justice workers, police and prison officers, social workers, policymakers and managers, as well as scholars working within criminology, criminal justice and probation.

Theories of Emotion is a philosophical introduction to the most influential theories of emotion of the past 60 years in philosophy, psychology, and biology. This multi-disciplinary approach provides the reader with a one-stop shop for encountering the key debates and cutting-edge ideas in what is becoming a central focus of contemporary thought. An introductory chapter on definitions of emotion is followed by three main sections on the way emotions are expressed, subjectively experienced, and related to action and motivation. This accessible but probing approach integrates philosophical analysis with innovative research in psychology and cognitive science, contextualizing current debates in the history of ideas from Darwin to pragmatism. Each section is introduced by a detailed illustration of a foundational thinker's work on emotion (Charles Darwin, William James, and John Dewey, respectively), showing how their insights and discoveries have shaped current views and suggesting ways in which they might still enrich contemporary approaches.

This book, Victorians and Their Animals: Beast on a Leash, investigates the notion that British Victorians did see themselves as naturally dominant species over other humans and over animals. They conscientiously, hegemonically were determined to rule those beneath them and the animal within themselves albeit with varying degrees of success and failure. The articles in this collection apply posthuman and other theories, including queer, postcolonialism, deconstruction, and Marxism, in their exploration of Victorian attitudes toward animals. They study the biopolitical relationships between human and nonhuman animals in several key Victorian literary works. Some of this book’s chapters deal with animal ethics and moral aesthetics. Also being studied is the representation of animals in several Victorian novels as narrative devices to signify class status and gender dynamics, either to iterate socially acceptable mores or to satirize hypocrisy or breach of behavior or to voice social protest. All of the chapters analyse the interdependence of people and animals during the nineteenth century.

Since the early 1970s, when Deaf history as a formal discipline did not exist, the study of Deaf people, their culture and language, and how hearing societies treated them has exploded. Deaf History Unveiled: Interpretations from the New Scholarship presents the latest findings from the new scholars mining this previously neglected, rich field of inquiry. The sixteen essays featured in Deaf History Unveiled include the work of Harlan Lane, Renate Fischer, Margret A. Winzer, William McCagg, and twelve other noted historians who presented their research at the First International Conference on Deaf History in 1991.

*A New York Times bestseller* A compelling look at the important role that dogs have played in America's most recent military conflicts, replete with the touching stories of individual dogs and their handlers/soldiers Under the cover of night, deep in the desert of Afghanistan, a US Army handler led a Special Forces patrol with his military working dog. Without warning an insurgent popped up, his weapon raised. At the handler's command, the dog charged their attacker. There was the flash of steel, the blur of fur, and the sound of a single shot; the handler watched his dog take a bullet. During the weeks it would take the dog to heal, the handler never left its side. The dog had saved his life. Loyal and courageous, dogs are truly man's best friend on the battlefield. While the soldiers may not always feel comfortable calling the bond they form love, the emotions involved are strong and complicated. In War Dogs, Rebecca Frankel offers a riveting mix of on-the-ground reporting, her own hands-on experiences in the military working dog world, and a look at the science of dogs' special abilities--from their amazing noses and powerful jaws to their enormous sensitivity to the emotions of their human companions. The history of dogs in the US military is long and rich, from the spirit-lifting mascots of the Civil War to the dogs still leading patrols hunting for IEDs today. Frankel not only interviewed handlers who deployed with dogs in wars from Vietnam to Iraq, but top military commanders, K-9 program managers, combat-trained therapists who brought dogs into war zones as part of a preemptive measure to stave off PTSD, and veterinary technicians stationed in Bagram. She makes a passionate case for maintaining a robust war-dog force. In a post-9/11 world rife with terrorist threats, nothing is more effective than a bomb-sniffing dog and his handler. With a compelling cast of humans and animals, this moving book is a must read for all dog lovers--military and otherwise.