Previously published: London: J. Murray, 1890.

This eBook features the unabridged text of ‘The Expression of the Emotions in Man and Animals by Charles Darwin - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Charles Darwin’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Darwin includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Expression of the Emotions in Man and Animals by Charles Darwin - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Darwin’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

"Not only does Voss weave about these images a story on the development and presentation of Darwin's theory, she also addresses the history of Victorian illustration, the role of images in science, the technologies of production, and the relationship between specimen, words, and images."--Jacket.

Seeing a cat rubbing against a person, Charles Darwin described her as "in an affectionate frame of mind"; for Samuel Barnett, a behavioralist, the mental realm is beyond the grasp of scientists andbehavior must be described technically, as a physical action only. What difference does this difference make? In Eileen Crist's analysis of the language used to portray animal behavior, the difference "is that in the reader's mind the very image of the cat's 'body' is transfigured...from an experiencing subject...into a vacant object." Images of Animals examines the literature of behavioral science, revealing how works with the common aim of documenting animal lives, habits, and instincts describe "realities that are worlds apart." Whether the writer affirms the Cartesian verdict of an unbridgeable chasm between animals and humans or the Darwinian panorama of evolutionary continuity, the question of animal mind is ever present and problematic in behavioral thought. Comparing the naturalist writings of Charles Darwin, Jean Henri Fabre, and George and Elizabeth Peckham to works of classical ethology by Konrad Lorenz and Nikolaas Tinbergen and of contemporary sociobiology, Crist demonstrates how words matter. She does not attempt to defend any of these constructions as a faithful representation of animal existence, but to show how each internally coherent view molds the reader's understanding of animals. Rejecting the notion that "a neutral language exists, or can be constructed, which yields incontestably objective accounts of animal behavior," Crist argues that "language is not instrumental in the depiction of animals and, in particular, it is never impartial with respect to the question of animal mind."

‘What is emotion?’ pondered the young Charles Darwin in his notebooks. How were the emotions to be placed in an evolutionary framework? And what light might they shed on human-animal continuities? These were among the questions Darwin explored in his research, assisted both by an acute sense of observation and an extraordinary capacity for fellow feeling, not only with humans but with all animal life. After Darwin: Animals, Emotions, and the Mind explores questions of mind, emotion and the moral sense which Darwin opened up through his research on the physical expression of emotions and the human–animal relation. It also examines the extent to which Darwin’s ideas were taken up by Victorian writers and popular culture, from George Eliot to the Daily News. Bringing together scholars from biology, literature, history, psychology, psychiatry and paediatrics, the volume provides an invaluable reassessment of Darwin’s contribution to a new understanding of the moral sense and emotional life, and considers the urgent scientific and ethical implications of his ideas today.

“Vivid with a Mesozoic bestiary” (Tom Holland), this on-the-ground, page-turning narrative weaves together the chance discovery of dinosaurs and the rise of the secular age. When the twelve-year-old daughter of a British carpenter pulled some strange-looking bones from the country’s southern shoreline in 1811, few people dared to question that the Bible told the accurate history of the world. But Mary Anning had in fact discovered the “first” ichthyosaur, and over the next seventy-five years—as the science of paleontology developed, as Charles Darwin posited radical new theories of evolutionary biology, and as scholars began to identify the internal inconsistencies of the Scriptures—everything changed. Beginning with the archbishop who dated the creation of the world to 6 p.m. on October 22, 4004 BC, and told through the lives of the nineteenth-century men and women who found and argued about these seemingly impossible, history-rewriting fossils, Impossible Monsters reveals the central role of dinosaurs and their discovery in toppling traditional religious authority, and in changing perceptions about the Bible, history, and mankind’s place in the world.

Intellectual struggles with the "animal question"-- how humans can rethink and reconfigure their relationships with other animals-- first began to take hold in the 1970s. Over the next forty years, scholars from a wide range of fields would make sweeping reevaluations of the relationship between humans and other animals. The Oxford Handbook of Animal Studies brings these diverse evaluations together for the first time, paying special attention to the commodification of animals, the degradation of the natural world and a staggering loss of animal habitat and species extinction, and the increasing need for humans to coexist with other animals in urban, rural and natural contexts. Linda Kalof maps these themes into the five major categories that structure this volume: Animals in the Landscape of Law, Politics and Public Policy; Animal Intentionality, Agency and Reflexive Thinking; Animals as Objects in Science, Food, Spectacle and Sport; Animals in Cultural Representations; and Animals in Ecosystems. Written by international scholars with backgrounds in philosophy, law, history, English, art, sociology, geography, archaeology, environmental studies, cultural studies, and animal advocacy, the thirty chapters in this handbook investigate key issues and concepts central to understanding our current relationship with other animals and the potential for coexistence in an ecological community of living beings.

This book takes a multidisciplinary approach to emotion, with contributions from biologists, psychologists, neuroscientists, robot engineers, and artists. A wide range of emotional phenomena is discussed, including the notion that humans’ sophisticated sensibility, as evidenced by our aesthetic appreciation of the arts, is based at least in part on a basic emotional sensibility that is found in young children and perhaps even some non-human animal species. As a result, this book comprises a unique comparative perspective on the study of emotion. A number of chapters consider emotions in a variety of animal groups, including fish, birds, and mammals. Other chapters expand the scope of the book to humans and robots. Specific topics covered in these chapters run the gamut from lower-level emotional activity, such as emotional expression, to higher-level emotional activity, such as altruism, love, and aesthetics. Taken as a whole, the book presents manifold perspectives on emotion and provides a solid foundation for future multidisciplinary research on the nature of emotions.