This title was first published in 2000: A collection of articles by Russian and Western experts on nationalism. The objective of the work is to give an overview of the new Russian identity-building and of the historical continuities that lie behind this ongoing process. The main theme is the shift from empire and imperial consciousness, characteristic both of the imperial Russia and the Soviet Union, towards a new identity as a nation state. Ultra-nationalism and the threat posed by ultra-right extremists groups is also among the most important themes in the book. The rising nationalist extremism is one of the several major projects that seek to redefine the Russion nationhood. The ultra-nationalist challenge is examined in several articles; the anatomy of extreme Russian nationalism is also examined through a case study of a small militant group of extremists.

This collection brings together many of the world’s leading scholars on race and film to re-consider the legacy and impact of D.W. Griffith’s deeply racist 1915 epic The Birth of a Nation. While this film is often cited, there is a considerable dearth of substantial research on its initial impact and global reach. These essays fill important gaps in the history of the film, including essential work on its sources, international reception, and African American responses. This book is a key text in the history of the most infamous and controversial film ever made and offers crucial new insights to scholars and students working in film history, African American history and the history of race relations.

The issue of capital city relocation is a topic of debate for more than forty countries across the world. In this first book to discuss the issue, Vadim Rossman offers an in-depth analysis of the subject, highlighting the global trends and the key factors that motivate different countries to consider such projects, analyzing the outcomes and drawing lessons from recent capital city transfers worldwide for governments and policy-makers. Capital Cities studies the approaches and the methodologies that inform such decisions and debates. Special attention is given to the study of the universal patterns of relocation and patterns specific to particular continents and mega-regions and particular political regimes. The study emphasizes the role of capital city transfers in the context of nation- and state-building and offers a new framework for thinking about capital cities, identifying six strategies that drive these decisions, representing the economic, political, geographic, cultural and security considerations. Confronting the popular hyper-critical attitudes towards new designed capital cities, Vadim Rossman shows the complex motives that underlie the proposals and the important role that new capitals might play in conflict resolution in the context of ethnic, religious and regional rivalries and federalist transformations of the state, and is seeking to identify the success and failure factors and more efficient implementation strategies. Drawing upon the insights from spatial economics, comparative federalist studies, urban planning and architectural criticism, the book also traces the evolution of the concept of the capital city, showing that the design, iconography and the location of the capital city play a critical role in the success and the viability of the state.

In this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie. By going back to the original archives, particularly the NAACP and D. W. Griffith Papers, Stokes explodes many of the myths surrounding The Birth of a Nation (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in "live" theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr. and Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film. This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema.

This is a collection of essays on The Cantos by Poundian scholars of international standing. Their wide variety of approaches to Pound contain much new material and raise fundamental issues for a more accurate and richer appreciation of Pound's work. This collection brings together many contrasting and stimulating analyses of The Cantos and will be of interest to all who wish to increase their knowledge of Pound's poetry.

"The Fall of a Nation" is a silent drama set in America. In this book, America was unprepared for the invasion of the European Confederated Army and they were able to invade America causing the death of children and war veterans.

City normal schools and municipal colleges in the upward expansion of higher education for African Americans / Michael Fultz. -- Nooses, sheets, and blackface: white racial anxiety and black student presence at six midwest flagship universities, 1882-1937 / Richard M. Breaux. -- A nauseating sentiment, a magical device, or a real insight? Interracialism at Fisk University in 1930 / Lauren Kientz Anderson. -- "Only organized effort will find the way out!": faculty unionization at Howard University, 1918-1950 / Timothy Reese Cain. -- Competing visions of higher education: the College of Liberal Arts, faculty and the administration of Howard University, 1939-1960 / Louis Ray. -- The first black talent identification program: The National Scholarship Service and Fund for Negro Students, 1947-1968 / Linda M. Perkins.

This volume examines the evolution of higher education opportunities for African Americans in the early and mid-twentieth century. It contributes to understanding how African Americans overcame great odds to obtain advanced education in their own institutions, how they asserted themselves to gain control over those institutions, and how they persisted despite discrimination and intimidation in both northern and southern universities. Following an introduction by the editors are contributions by Richard M. Breaux, Louis Ray, Lauren Kientz Anderson, Timothy Reese Cain, Linda M. Perkins, and Michael Fultz. Contributors consider the expansion and elevation of African American higher education. Such progress was made against heavy odds—the "separate but equal" policies of the segregated South, less overt but pervasive racist attitudes in the North, and legal obstacles to obtaining equal rights.

Anatolii Fomenko is a distinguished Russian mathematician turned popular history writer, founder of the so-called New Chronology school, and part of the explosion of alternative historical writing that has emerged in Russia since the collapse of the Soviet Union. Among his more startling claims are that the Old Testament was written after the New Testament, that Russia is older than Greece and Rome, and that the medieval Mongol Empire was in fact a Slav-Turk world empire, a Russian Horde, to which Western and Eastern powers paid tribute. While academic historians dismiss Fomenko as a dangerous ethno-nationalist or post-modern clown, Fomenko's publications invariably outsell his conventional rivals. Just as Putin has restored Russia's faith in its future, Fomenko and an army of fellow alternative historians are determined to restore Russia's faith in its past. For Fomenko, the key to Russia's greatness in the future lies in ensuring that Russians understand the true greatness of their past. Fomenko and other pseudo-historians have built upon existing Russian notions of identity, specifically the widespread belief in the positive qualities of empire and the special mission of Russia. He has drawn upon previous attempts to establish a Russian identity, ranging from Slavophilism through Stalinism to Eurasianism. While fantastic, Fomenko's pseudo-history strikes many Russian readers as no less legitimate than the lies and distortions peddled by Communist propagandists, Tsarist historians and church chroniclers.