At the heart of Tolkienian fantasy is "recovery," a "cleaning of the windows" of our perception that we may learn to see the world again in all its strange and bewildering beauty. And, for Tolkien, to recover the world anew is to recover a sense of the world as a meaningful act of creation by a living and loving Creator. How does Tolkien accomplish this? Through "sub-creation" or mythopoeia, the "fashioning of myth." For it is in creating an imaginary world ourselves through poetry, fairy-story and myth that we come to "see" our "primary world" as itself an act of creation. In short, mythopoetic creation, far from being "lies breathed through silver," uncovers for us the truth of our world as a story of creation. This book is the first sustained attempt to show not only the centrality of recovery to Tolkien's fantasy but the way in which his fantasy affects that primal recovery in every reader. In doing so, this book not only reveals the marvelous philosophical and theological riches that underlie Tolkien's fantasy but shows how his mythopoetic fiction allows the recovery and enactment of these riches in our own lives. In these pages we learn how Tolkien's fantasy addresses fundamental problems such as the relation of language to reality, the nature of evil, the distinction between time and eternity and its relation to death and immortality, the paradox of necessity and free will in human action and the grounds for providential hope in a "happy ending." Indeed, The Fantasy of J.R.R. Tolkien shows how for Tolkien fantasy has within itself a healing power through which intellectual, moral and existential paradoxes are resolved and our intellectual and perceptual faculties are made whole again so that they may participate with renewed vigor in the life-giving work of creation of every sort.

The new edition of the definitive academic companion to Tolkien’s life and literature A Companion to J. R. R. Tolkien provides readers with an in-depth examination of the author’s life and works, covering Tolkien’s fiction and mythology, his academic writing, and his continuing impact on contemporary literature and culture. Presenting forty-one essays by a panel of leading scholars, the Companion analyzes prevailing themes found in The Hobbit and The Lord of the Rings, posthumous publications such as The Silmarillion and The Fall of Arthur, lesser-known fiction and poetry, literary essays, and more. This second edition of the Companion remains the most complete and up-to-date resource of its kind, encompassing new Tolkien publications, original scholarship, The Hobbit film adaptations, and the biographical drama Tolkien. Five entirely new essays discuss the history of fantasy literature, the influence of classical mythology on Tolkien, folklore and fairytales, diversity, and Tolkien fandom. This Companion also: Explores Tolkien’s impact on art, film, music, gaming, and later generations of fantasy fiction writers Discusses themes such as mythmaking, medieval languages, nature, war, religion, and the defeat of evil Presents a detailed overview of Tolkien’s legendarium, including Middle-earth mythology and invented languages and writing systems Includes a brief chronology of Tolkien’s works and life, further reading suggestions, and end-of-chapter bibliographies A Companion to J. R. R. Tolkien, Second Edition is essential reading for anyone formally studying or teaching Tolkien in academic settings, and an invaluable resource for general readers with interest in Tolkien’s works or fans of the films wanting to discover more.

This volume is a long overdue contribution to the dynamic, but unevenly distributed study of fantasy and J.R.R. Tolkien’s legacy in Central Europe. The chapters move between and across theories of cultural and social history, reception, adaptation, and audience studies, and offer methodological reflections on the various cultural perceptions of Tolkien’s oeuvre and its impact on twenty-first century manifestations. They analyse how discourses about fantasy are produced and mediated, and how processes of re-mediation shape our understanding of the historical coordinates and local peculiarities of fantasy in general, and Tolkien in particular, all that in Central Europe in an age of global fandom. The collection examines the entanglement of fantasy and Central European political and cultural shifts across the past 50 years and traces the ways in which its haunting legacy permeates and subverts different modes and aesthetics across different domains from communist times through today’s media-saturated culture.

A detailed work of reference and scholarship, this one volume Encyclopedia includes discussions of all the fundamental issues in Tolkien scholarship written by the leading scholars in the field. Coverage not only presents the most recent scholarship on J.R.R. Tolkien, but also introduces and explores the author and scholar's life and work within their historical and cultural contexts. Tolkien's fiction and his sources of influence are examined along with his artistic and academic achievements - including his translations of medieval texts - teaching posts, linguistic works, and the languages he created. The 550 alphabetically arranged entries fall within the following categories of topics: adaptations art and illustrations characters in Tolkien's work critical history and scholarship influence of Tolkien languages biography literary sources literature creatures and peoples of Middle-earth objects in Tolkien's work places in Tolkien's work reception of Tolkien medieval scholars scholarship by Tolkien medieval literature stylistic elements themes in Tolkien's works theological/ philosophical concepts and philosophers Tolkien's contemporary history and culture works of literature

This comprehensive biography of the author of The Lord of the Rings explores his life and work as a pioneering linguist and writer. In The Real J.R.R. Tolkien, biographer Jesse Xander presents a complete picture of the legendary author. Beginning with Tolkien’s formative years of home-schooling, the narrative continues through the spires of Oxford, his romance with his wife-to-be on the brink of the Great War, and onwards into his phenomenal academic success and his creation of the seminal high fantasy world of Middle Earth. This thoroughly researched biography delves into Tolkien’s influences, places, friendships, triumphs and tragedies, with particular emphasis on how his remarkable life and loves forged the worlds of The Hobbit and The Lord of the Rings. Using contemporary sources and comprehensive research, The Real JRR Tolkien offers a unique insight into the life and times of one of Britain’s greatest authors, from early life to immortal legacy.

The definitive Tolkien companion—an indispensable guide to The Hobbit, The Lord of the Rings, and more, from the author of The Road to Middle-earth. This “highly erudite celebration and exploration of Tolkien’s works [is] enormous fun,” declared the Houston Chronicle, and Tom Shippey, a prominent medievalist and scholar of fantasy, “deepens your understanding” without “making you forget your initial, purely instinctive response to Middle-earth and hobbits.” In a clear and accessible style, Shippey offers a new approach to Tolkien, to fantasy, and to the importance of language in literature. He breaks down The Lord of the Rings as a linguistic feast for the senses and as a response to the human instinct for myth. Elsewhere, he examines The Hobbit’s counterintuitive relationship to the heroic world of Middle-earth; demonstrates the significance of The Silmarillion to Tolkien’s canon; and takes an illuminating look at lesser-known works in connection with Tolkien’s life. Furthermore, he ties all these strands together in a continuing tradition that traces its roots back through Grimms’ Fairy Tales to Beowulf. “Shippey’s commentary is the best so far in elucidating Tolkien’s lovely myth,” wrote Harper’s Magazine. J.R.R. Tolkien: Author of the Century is “a triumph” (Chicago Sun-Times) that not only gives readers a deeper understanding of Tolkien and his work, but also serves as an entertaining introduction to some of the most influential novels ever written.

J.R.R. Tolkien is arguably the most influential and popular of all fantasy writers. Although his position and status have long been controversial, his popularity has not faded. His best-loved works, The Hobbit and The Lord of the Rings, have sold millions of copies around the world and continue to enthral readers young and old. This lively collection of original essays examines The Hobbit and The Lord of the Rings in the light of children's literature theory and approaches, as well as from adult and fantasy literature perspectives. Exploring issues such as gender, language, worldbuilding, and ecocriticism, the volume also places Tolkien's works in the context of a range of visual media, including Peter Jackson's film adaptations.

Bachelor Thesis from the year 2015 in the subject English Language and Literature Studies - Literature, grade: 1,7, University of Bonn (Anglistik), language: English, abstract: The following thesis aims at analysing Bilbo’s quest for identity and maturation in J.R.R. Tolkiens “The Hobbit”. It has been said that “The Hobbit” not only offers a fantasy world but also deals with the human psyche. First of all, the theoretical and more general part will be explaining the hero’s journey, the Monomyth of Campbell, its quest-plot, establishing the basis for the later analysis of Bilbo’s character. In the third chapter Bilbo’s quest will be examined, investigating his character as it is intermingled between the Baggins and Tookish part of his family. It will be displayed how his two natures are at first rather opposing each other and how Bilbo develops so that they complement each other. Furthermore, the most important stages of his development are presented: the trolls, Gollum, the spiders in Mirkwood and finally Smaug. It will be shown how the first three stages are crucial turning points and prepare Bilbo for his final ordeal Smaug and how they shaped his character for the rest of the journey and the rest of his life. Furthermore, the causes of Bilbo’s development will be investigated focusing on what made him do the things he did and what makes him let go of his immature way of life. In addition, the thesis will focus on the "back" of the story, Bilbo’s homecoming, examining how Bilbo changed throughout his journey, what he learnt, what he achieved, and how he is coming to peace as a better and mature hobbit. In the end, all thoughts and ideas will be summed up and it will be critically looked back at what the thesis dealt with. The hero’s journey is not an unfamiliar theme of investigation in literature and always enjoyed a vast popularity. Campbell’s Monomyth is the major concept of this paper to explain how the hero’s character is shaped throughout his journey. Tolkien, as well as many before him, was influenced by Campbell’s idea. Campbell’s theory did not only influence literature but also film and comic, such as Star Wars and The Ultimate Spider-Man. Genuinely, the idea of myths is to convey moral values and provide moral instruction. The idea of the Monomyth cannot only be applied to a literary hero but also to any other human being. The quest of Bilbo Baggins will serve as an example of the hero’s journey in which many features of the Monomyth can be found. Moreover, the idea of the journey is made clear through Bilbo’s quest as he not only has to take physical hurdles but also psychological ones.

Bachelor Thesis from the year 2013 in the subject English Language and Literature Studies - Literature, grade: 1,0, , course: English Philology, language: English, abstract: Who really was the man who wrote the “bible of fantasy” and what about his beautifully designed world of Middle-Earth? Aim of this work is to present the problem of good and evil in Tolkien's output. His work contributed to a number of fantastic novels, films and computer games in which we can find the motif of darkness and light. The first part of my work I will dedicate as a whole to the genre of fantasy. I will present a bibliography of the outstanding English philologist and writer. I will explain the importance of the fantasy genre and discuss the origins of his works, and how these books impact on other writers. This chapter will also contain the impact of fantasy on our dreams and what we really obtain while reading fantasy literature. In the second chapter I will start with Tolkien's biography. Then I am going to characterize the world which Tolkien presented in his works. Every character has to complete a specified mission and some of them are heroes. I will discuss major characters based on hero's journey, the term coined by Joseph Campbell. Relations between them mirror relations in the real world although distant. Tolkien created in his novels everything from geography, flora and fauna, human and superhuman races to complete histories, beliefs and traditions. In the third chapter I will analyze two concepts of the world of Middle-Earth that Tolkien has created in his novels, good and evil. They fit in literature's mainstream with universal messages, except that, all of considerations are a part of the fantasy genre convention. Each of these elements has many meanings in the works of Tolkien and acts as a symbol like the One Ring which will be fully described in my work.

Tolkien was a specialist in a recherché field. He did not, at least initially, write for a mass audience. Yet for many in the 60s his books, particularly Lord of the Rings, became a political badge and an interpretative text. Widely translated, his fiction won the accolade both of parody and of its own learned journal; rock bands took names from his characters; and "Tolkien" - or how he was read - demonstrably affected modern fantasy, in writing, film, video- and board-game. This book explores how his work came to be so diversely received. Dr Moseley's critical discussion examines Tolkien's view of fiction as "sub-creation", exploring his analysis of mythopoeia and of the status of art and literature in relation to his own practice. It is argued that in the critical concerns of Tolkien and his circle lie the key to important issues in his fiction. His use of linguistic game and literary pastiche is explored without obscuring his emotional commitment to the making of myths that expressed some of h