From 1938 until 1943 - before the German occupation and accompanying Holocaust - Fascist Italy drafted and enforced a comprehensive set of anti-Semitic laws. Notwithstanding later rationalizations, the laws were administered with a high degree of severity and resulted in serious damage to the Italian Jewish community. Written from the perspective of an American legal scholar, this book constitutes the first truly comprehensive survey of the Race Laws in the English language. Based on an exhaustive review of Italian legal, administrative and judicial sources, together with archives of the Italian Jewish community, Professor Michael A. Livingston demonstrates the zeal but also the occasional ambivalence and contradictions with which the Race Laws were applied by the Italian legal order and ordinary citizens. Although frequently depressing, the history of the Race Laws contains numerous examples of personal courage and idealism, providing a useful and timely study of what happens when otherwise decent people are confronted with an evil and unjust legal order.

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Mining new sources, Klein tells the dramatic story of Italy's Jews, from emancipation to Fascism, the Holocaust, and postwar myth-making.

This book is the first collection of multi-disciplinary research on the experience of Italian-Jewish musicians and composers in Fascist Italy. Drawing together seven diverse essays from both established and emerging scholars across a range of fields, this book examines multiple aspects of this neglected period of music history, including the marginalization and expulsion of Jewish musicians and composers from Italian theatres and conservatories after the 1938–39 Race Laws, and their subsequent exile and persecution. Using a variety of critical perspectives and innovative methodological approaches, these essays reconstruct and analyze the impact that the Italian Race Laws and Fascist Italy’s musical relations with Nazi Germany had on the lives and works of Italian Jewish composers from 1933 to 1945. These original contributions on relatively unresearched aspects of historical musicology offer new insight into the relationship between the Fascist regime and music.

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This book explores the use of antisemitism by Britain's interwar fascists and the ways in which the country's Jews reacted to this, examining the two alongside one another for the first time and locating both within the broader context of contemporary events in Europe. Daniel Tilles challenges existing conceptions of the antisemitism of Britain's foremost fascist organisation, the British Union of Fascists. He demonstrates that it was a far more central aspect of the party's thought than has previously been assumed. This, in turn, will be shown to be characteristic of the wider relationship between interwar European fascism and antisemitism, a thus far relatively neglected issue in the burgeoning field of fascist studies. Tilles also argues that the BUF's leader, Sir Oswald Mosley, far from being a reluctant convert to the anti-Jewish cause, or simply a cynical exploiter of it, as much of the existing scholarship suggests, was aware of the role antisemitism would play in his fascist doctrine from the start and remained in control of its subsequent development. These findings are used to support the notion that, contrary to prevailing perceptions, Jewish opposition to the BUF played no part in provoking the fascists' adoption of antisemitism. Britain's Jews did, nevertheless, play a significant role in shaping British fascism's path of development, and the wide-ranging and effective anti-fascist activity they pursued represents an important alternative narrative to the dominant image of Jews as mere victims of fascism.

“A History of Fascism is an invaluable sourcebook, offering a rare combination of detailed information and thoughtful analysis. It is a masterpiece of comparative history, for the comparisons enhance our understanding of each part of the whole. The term ‘fascist,’ used so freely these days as a pejorative epithet that has nearly lost its meaning, is precisely defined, carefully applied and skillfully explained. The analysis effectively restores the dimension of evil.”—Susan Zuccotti, The Nation “A magisterial, wholly accessible, engaging study. . . . Payne defines fascism as a form of ultranationalism espousing a myth of national rebirth and marked by extreme elitism, mobilization of the masses, exaltation of hierarchy and subordination, oppression of women and an embrace of violence and war as virtues.”—Publishers Weekly

This book explores the complex ways in which people lived and worked within the confines of Benito Mussolini’s regime in Italy, variously embracing, appropriating, accommodating and avoiding the regime’s incursions into everyday life. The contributions highlight the experiences of ordinary Italians – midwives and schoolchildren, colonists and soldiers – over the course of the Fascist era, in settings ranging from the street to the farm, and from the kitchen to the police station. At the same time, this volume also provides a framework for understanding the Italian experience in relation to other totalitarian dictatorships in twentieth-century Europe and beyond.

“I was probably less than five years old when my father fired a shot at my head.” From this first line, Dan Vittorio Segre’s memoir moves from one startling turning point to the next. The child of aristocratic parents, Segre fled Fascist Italy and Mussolini’s anti-Semitic laws only to be thrust into the pioneering culture of Palestine, completely unprepared for the dangers of life in Israel during World War II. Beautifully narrated, Memoirs of a Fortunate Jew is an ironic, philosophical meditation on the historical reverberations of the twentieth century. “Taut and illuminating . . . memorable . . . written with the humility of he who confesses himself and with the honesty of he who bore witness.”—Primo Levi “The writing of memoirs is a difficult art that Dan Segre fully possesses. Under his pen, history and psychology merge in one captivating narrative which illuminates the turmoils, fears and triumphs of his generation.”—Elie Wiesel “Beautifully written. . . . [A] labyrinthine, spell-binding autobiography, full of passionate tenderness.”—New York Review of Books “An unusually attractive book—attractive in its irony, its energy and its moral insight. Mr. Segre had some rich material to work with, and he has done it justice.”—New York Times

Twelve years have gone by since the passing of George L. Mosse, yet his work still provides essential tools for historical analysis and influences contemporary research. This volume provides a re-examination of his historiographical production and an analysis of his influence in the context of Italian history.