This series presents a comprehensive, global and up-to-date history of English-language prose fiction and written ... by a international team of scholars ... -- dust jacket.

This innovative book is a pioneering study of political debate in an important Southeast Asian society. Now available in paperback it re-examines the formative period in Malay nationalism and argues against using nationalism as the paradigm of analysis.'This magnificent book is certainly essential reading for Malaysianists and Malaysians interested in the intrigues and mystique of Malay politics, in the past and at present.' Shamsul, A.B., Asian Studies Review'The Invention of Politics in Colonial Malaya is a model of its kind and will undoubtedly become a landmark in Malaysian studies and an example to those in other fields. It is a stylish and highly readable essay in cultural history.' William R Roff, Bulletin of the School of Oriental and African Studies

This is the first book to present in English a history of post-colonial and diasporic Chinese literatures in Singapore and Malaysia. The 12 essays collected in it provide an in-depth study of the emergence of the new Chinese literatures by looking at the origins, the themes, the major authors and their works, and how the creativity is closely connected with the experience of immigration and colonialization and the challenge of the post-colonial world. In examining a wide range of post-colonial texts and their relation to the cultures of diasporic Chinese and post-colonial society, the author shows that each of the new literatures has its own traditions which reflect local social, political and cultural history. The essays also show that the literature of Singapore or Malaysia has a tradition of its own, and writers of world class. Besides the Chinese literary tradition, a native literary tradition has been created successfully.

The Reese Witherspoon x Hello Sunshine Book Club Pick INSTANT NEW YORK TIMES BESTSELLER “A sumptuous garden maze of a novel that immerses readers in a complex, vanished world.” —Kirkus (starred review) An utterly transporting novel set in 1930s colonial Malaysia, perfect for fans of Isabel Allende and Min Jin Lee Quick-witted, ambitious Ji Lin is stuck as an apprentice dressmaker, moonlighting as a dancehall girl to help pay off her mother’s Mahjong debts. But when one of her dance partners accidentally leaves behind a gruesome souvenir, Ji Lin may finally get the adventure she has been longing for. Eleven-year-old houseboy Ren is also on a mission, racing to fulfill his former master’s dying wish: that Ren find the man’s finger, lost years ago in an accident, and bury it with his body. Ren has 49 days to do so, or his master’s soul will wander the earth forever. As the days tick relentlessly by, a series of unexplained deaths racks the district, along with whispers of men who turn into tigers. Ji Lin and Ren’s increasingly dangerous paths crisscross through lush plantations, hospital storage rooms, and ghostly dreamscapes. Yangsze Choo's The Night Tiger pulls us into a world of servants and masters, age-old superstition and modern idealism, sibling rivalry and forbidden love. But anchoring this dazzling, propulsive novel is the intimate coming-of-age of a child and a young woman, each searching for their place in a society that would rather they stay invisible. "A work of incredible beauty... Astoundingly captivating and striking... A transcendent story of courage and connection." —Booklist (starred review)

Leading scholars in the sociology of migration, Michaela Benson and Karen O’Reilly, re-theorise lifestyle migration through a sustained focus on postcolonialism at its intersections with neoliberalism. This book provides an in-depth analysis of the interplay of colonial traces and neoliberal presents, the relationship between residential tourism and economic development, and the governance and regulation of lifestyle migration. Drawing on ethnographic fieldwork undertaken by the authors among lifestyle migrants in Malaysia and Panama, they reveal the structural and material conditions that support migration and how these are embodied by migrant subjects, while also highlighting their agency within this process. This rigorous work marks an important contribution to emerging debates surrounding privileged migration and mobility. It will appeal to sociologists, social theorists, human and cultural geographers, economists, social psychologists, demographers, social anthropologists, tourism and migration studies specialists.

Now available in a single volume paperback, this advanced reference resource for the novel and novel theory offers authoritative accounts of the history, terminology, and genre of the novel, in over 140 articles of 500-7,000 words. Entries explore the history and tradition of the novel in different areas of the world; formal elements of the novel (story, plot, character, narrator); technical aspects of the genre (such as realism, narrative structure and style); subgenres, including the bildungsroman and the graphic novel; theoretical problems, such as definitions of the novel; book history; and the novel's relationship to other arts and disciplines. The Encyclopedia is arranged in A-Z format and features entries from an international cast of over 140 scholars, overseen by an advisory board of 37 leading specialists in the field, making this the most authoritative reference resource available on the novel. This essential reference, now available in an easy-to-use, fully indexed single volume paperback, will be a vital addition to the libraries of literature students and scholars everywhere.

This book offers a variety of essays and perspectives on some of the foreigners and traders who came to the Malay World and wrote fiction and “faction” (writing that portrays real people or events in a dramatised manner) during their sojourn – regardless of whether they continued to stay in the region, returned to their home country, or migrated to another country. The essays tend to cross generic and disciplinary boundaries as the contributors of this book are drawn from various fields within the arts and humanities, including history, geography, language and literature and translation. All of them, however, deal with colonial texts, the Malay World, or primarily cover the period from the 18th to the 20th century. Including readings of fiction, diaries, vignettes, letters written by traders or colonial officers, the uniqueness of this book lies in the personal, private and/or informal nature of the various documents studied. The encounters of these ‘outsiders’ with the ‘natives’ not only offer fascinating historical insights into the Malay World, but, to a significant degree, vividly express the views and personalities of the writers themselves, as mediated through their assigned commercial and colonial roles.

The Fiction of Imperialism attempts to promote dialogue between international relations and postcolonialism. It addresses the value of fiction to an inderstanding of the imperial relationship between the West and Asia and Africa. A wide range of fiction and crisicism is examined as it pertains to colonialism, the North/South engagement and contemporary Third World politics. The book begins by contrasting the treatment of cross-cultural relations in political studies and literary texts. It then examines the personal as a metaphor for the political in fiction depicting the imperial connection between Britain and India. This is paired with an analysis of African literary texts, which takes as its theme the relationship between culture and politics. The concluding chapters approach literature from the outside, considering its apparent silence on economics and realpolitik and assessing the utility of postcolonial reconceptualisations

The Fiction of History sets out a number of themes in the relationship between history and fiction, emphasising the tensions and dilemmas created in this relationship and examining how various writers have dealt with these. In the first part, two chapters discuss the philosophy behind the connection between fiction and history, whether history is fiction, and the distinction between the past and history. Part two goes on to discuss the relationship between history and literature using case studies such as Virginia Woolf and Charles Dickens. Part three looks at television and film (as well as other media) through case studies such as the film Welcome to Sarajevo and Soviet and Australian films. Part four considers a particular theme that has prominence in both history and literature, postcolonial studies, focusing on the issues of fictions of nationhood and civilization and the historical novel in postcolonial contexts. Finally, the fifth section comprises two interviews with novelists Penelope Lively and Adam Thorpe and discusses the ways in which their works explore the nature of history itself.