During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.

Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately. Order the 2 volume set here

"On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument's subsequent history? Two extant instruments contend for the title 'First Fleet piano' ; which of these made the epic journey to Botany Bay in 1787-88? 'The First Fleet piano : a musician's view' answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove" -- Back cover.

Leading and emerging, early career scholars in Classical Reception Studies come together in this volume to explore the under-represented area of the Australasian Classical Tradition. They interrogate the interactions between Mediterranean Antiquity and the antipodean worlds of New Zealand and Australia through the lenses of literature, film, theatre and fine art. Of interest to scholars across the globe who research the influence of antiquity on modern literature, film, theatre and fine art, this volume fills a decisive gap in the literature by bringing antipodean research into the spotlight. Following a contextual introduction to the field, the six parts of the volume explore the latest research on subjects that range from the Lord of the Rings and Xena: Warrior Princess franchises to important artists such as Sidney Nolan and local authors whose work offers opportunities for cross-cultural and interdisciplinary analysis with well-known Western authors and artists.

During the late eighteenth century, a musical-cultural phenomenon swept the globe. The English square piano--invented in the early 1760s by an entrepreneurial German guitar maker in London--not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life's counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument's subsequent history? Two extant instruments contend for the title 'First Fleet piano'; which of these made the epic journey to Botany Bay in 1787-88? During the late eighteenth century, a musical-cultural phenomenon swept the globe. The English square piano--invented in the early 1760s by an entrepreneurial German guitar maker in London--not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life's counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.

During the late eighteenth century, a musical-cultural phenomenon swept the globe. The English square piano--invented in the early 1760s by an entrepreneurial German guitar maker in London--not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life's counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument's subsequent history? Two extant instruments contend for the title 'First Fleet piano'; which of these made the epic journey to Botany Bay in 1787-88? The First Fleet Piano: A Musician's View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano's conjunction with the forces of history. Note: Volume 1 and 2 are sold as a set ($120 for both) and cannot be purchased separately.

Women are an essential part of the history of the piano—but how many women pianists can you name? Throughout most of the piano’s history, women pianists lacked access to formal training and were excluded from male-dominated performance spaces. Even the modern piano’s keys were designed without consideration of women’s typically smaller hands. Yet despite their music being largely confined to the domestic sphere, women continued to play, perform, and compose on their own terms. Celebrated pianist and author Susan Tomes traces fifty such women across the piano’s history. Including now-famous names such as Clara Schumann and Fanny Mendelssohn, Tomes also highlights overlooked women: from Hélène de Montgeroult, whose playing saved her life during the French Revolution, to Leopoldine Wittgenstein, influential Viennese salonnière, and Hazel Scott, the first Black performer in the United States to have a nationally syndicated TV show. From Maria Szymanowska to Nina Simone, and including interviews with women performing today, this is a much-needed corrective to our understanding of the piano—and a timely testament to women’s musical lives.

Professor John Croucher gives an account of the first and continuing history of the first peoples to live in the region now known as New South Wales, as well as its history from the days of British settlement and its more recent history, of the waves of other immigrants who have made New South Wales their home. Each section in the book focuses on a different cultural or historical aspect which is examined thoroughly from the beginnings of British settlement. The complete development of the state is told, weaving through these various areas of focus, along with the important people and events. Remarkable pioneers have helped shape not only the state but the country as a whole and their voices, some coming to us via oral history, others via historical documents, make fascinating reading.

A history of the Lied and its interpretation, with a guide to available recordings.

**Winner, 2023 Ernest Scott Prize ** **Winner, 2023 NSW Premier's History Awards, Australian History Prize** **Shortlisted, 2023 Prime Minister's Literary Awards, Australian History Prize** A landmark and revealing joint biography of Elizabeth and John Macarthur, from one of Australia’s most respected historians. Elizabeth and John Macarthur were the first married couple to travel voluntarily from Europe to Australia, arriving in 1790, both aged 23, within three years of the initial invasion. John Macarthur soon became famous in New South Wales and beyond as a wool pioneer, a politician, and a builder of farms at Parramatta and Camden. For a long time, Elizabeth’s life was regarded as contingent on John’s and, more recently, John’s on Elizabeth’s. In the multi-award-winning Elizabeth and John, acclaimed historian Alan Atkinson draws on his work on the Macarthur family over 50 years to explore the dynamics of their strong and sinewy marriage, and family life across two generations. With the truth of Elizabeth and John Macarthur’s relationship much more complex and deeply human than other writers have suggested, Atkinson provides a finely drawn portrait of a powerful partnership. ‘Based on fifty years of research and reflection by one of this country’s most original and creative scholars and finest writers, here is the story of the world made by settler Australia’s greatest family, the Macarthurs. No Australian historian has ever explored the inner lives of a married couple, their family and their milieu with such skill, passion and intensity. No one has brought to any subject in Australian history deeper insight into dreams, ambitions and tragedy that the British occupation of this continent entailed. Elizabeth and John is a stunning achievement by one of Australia’s greatest-ever historians.’ – Frank Bongiorno ‘Professor Atkinson’s portrait is intimate and affectionate. It reads well while maintaining the highest standards of academic rigour.’ – The Canberra Times ‘Through this remarkable study of two key figures in the history of early colonial New South Wales and especially of their marriage, Alan Atkinson here conducts a master class in connecting the personal, the intimate and the local with worldwide processes of colonisation, migration and capitalist expansion. In his capacious historical vision, family life and connections in all their complexity become the thread that holds colonial history, and perhaps history generally, together.’ – Ann Curthoys ‘This magisterial work takes us into a captivating world of 19th-century Australia through a compelling, eloquent, and beautifully drawn study of the remarkable lives of John and Elizabeth Macarthur.’ – Joy Damousi ‘Nobody sees as far into the minds and hearts of the early Australian colonists as Alan Atkinson. In this fascinating double-portrait, based on a lifetime’s research, he reveals Australia’s first power-couple as never before: together and apart; as they saw themselves and as they were seen by their friends and enemies; at the apex of a fast-developing colony and at the far edge of global networks of family affection, commercial ambition and imperial power. A tour de force of scholarship, imagination, and literary power.’ – Graeme Davison ‘With trademark lyricism, Alan Atkinson builds a rich and moving picture of the social, intellectual and material world of the Macarthurs. Elizabeth and John transforms our understanding of early New South Wales and two of its most significant figures.’ – Lisa Ford ‘The Macarthurs have long been the subjects of caricature, even wilful distortion. In this superb book, Alan Atkinson has restored their humanity, exploring their characters, their relationships between themselves and with others, the ideas and influences that shaped them and how they in turn helped shape colonial Australia. This is history at its best, based on vast research and deep understanding.’ – Stephen Foster ‘This was evidently a labour of love and a fascination for Atkinson. The reader is treated to such a detailed level of knowledge and understanding that one could easily think Atkinson knew Elizabeth and John, personally. Possibly, after all his research, Atkinson felt he did.’ – Hearsay ‘As with a novel, I found myself wondering what the characters were doing while I was away from the book.’ – Inside Story ‘Enthralling and powerful. Alan Atkinson writes with the easy, lyrical elegance that comes of deep historical understanding and fine, slow history. In Elizabeth and John he weaves together the lives of the Macarthurs with the life of the mind, and brilliantly navigates the mysterious mirror maze between them.’ – Grace Karskens ‘Elizabeth and John is a truly amazing work of history. A triumph. This is historical scholarship at its dazzling best. Beautifully produced and written, Alan Atkinson’s intimate portrait of Elizabeth and John Macarthur’s marriage also opens windows on to the wider worlds of 19th-century England, the European Enlightenment and early New South Wales during the years of the British invasion and occupation. Attentive to his subjects’ inner selves and sensibilities and the imperatives of an imperial and patriarchal order, Atkinson’s book is truly a tour de force.’ – Marilyn Lake ‘At once intimate and epic, inspired and deeply compassionate, this is the kind of book that can only come from a lifetime of close reading. Meticulously researched, imaginatively conceived and breathtaking in its ability to retrieve past worlds – both private and public. An exceptional work of biography and history written by one of Australia’s most original historians.’ – Mark McKenna