Roland Tankowicz wasn’t even legally a person anymore. The aging cyborg had never really recovered from being betrayed and enslaved by his superiors in the Army, and the final insult of being permanently classified as “defunct military ordnance” had been a bitter pill to swallow. For the last three decades, he's avoided dealing with this by drinking beer and working as a fixer for the crime families in 25th-century Boston. It's easy money when you're the kind of guy who is bullet-proof and can pick up a house. But then Lucia Ribiero stumbles into his favorite watering hole dragging a squad of bounty hunters behind her. Shadows from his own dark past, and old debts still unpaid conspire to drive the old war-horse out for one more mission. Like any good soldier, the mission is all that matters for Roland. What follows is action and adventure on a scale the galaxy may never recover from. In this volume be prepared to see Roland fight cyborgs, gangsters, mercenaries, crime lords, mutants and at least one angry corporate executive as he starts down the ugly path to redemption. The guns will blaze and fists will fly, but before the dust settles a whole galaxy's worth of mad science gone awry will learn a painful lesson about letting sleeping dogs lie. Collected here are the first three full-length novels in the critically-acclaimed tech-noir phenomenon known as: THE FIXER

Dan Brereton’s lush, innovative, action-packed stories of supernatural menace and gritty heroics are finally collected in this first volume omnibus edition, starting with “Black Planet”, the Eisner-nominated graphic novel which kicked off years of captivating weird tales of horror and crime. The Nocturnals revolves around the mysterious quest of underworld enforcer and occult figure, Doc Horror; his supernaturally-gifted daughter Evening (aka Halloween Girl) who carries a pumpkin full of haunted toys; the Gunwitch, a silent, two-gun revenant with an itch to kill monsters; the lissome wraith Polychrome, and a host of hard-boiled inhuman players battling hidden evils lurking on the outskirts of human knowledge. Collects the previously published Nocturnals volumes: Black Planet, Witching Hour, Carnival of Beasts, Troll Bridge, and The Dark Forever.

Philip Davis tells the story of Bernard Malamud (1914-1986), the self-made son of poor Jewish immigrants who went on to become one of the foremost novelists and short-story writers of the post-war period. The time is ripe for a revival of interest in a man who at the peak of his success stood alongside Saul Bellow and Philip Roth in the ranks of Jewish American writers. Nothing came easily to Malamud: his family was poor, his mother probably committed suicide when Malamud was 14, and his younger brother inherited her schizophrenia. Malamud did everything the second time round - re-using his life in his writing, even as he revised draft after draft. Davis's meticulous biography shows all that it meant for this man to be a writer in terms of both the uses of and the costs to his own life. It also restores Bernard Malamud's literary reputation as one of the great original voices of his generation, a writer of superb subtlety and clarity. Bernard Malamud: A Writer's Life benefits from Philip Davis's exclusive interviews with family, friends, and colleagues, unfettered access to private journals and letters, and detailed analysis of Malamud's working methods through the examination of hitherto unresearched manuscripts. It is very much a writer's life. It is also the story of a struggling emotional man, using an extraordinary but long-worked-for gift, in order to give meaning to ordinary human life.

This set treats the whole of American literature, from the European discovery of America to the present, with entries in alphabetical order. Each of the 350 substantive essays is a major interpretive contribution. Well-known critics and scholars provide clear and vividly written essays thatreflect the latest scholarship on a given topic, as well as original thinking on the part of the critic. The Encyclopedia is available in print and as an e-reference text from Oxford's Digital Reference Shelf.At the core of the encyclopedia lie 250 essays on poets, playwrights, essayists, and novelists. The most prominent figures (such as Whitman, Melville, Faulkner, Frost, Morrison, and so forth) are treated at considerable length (10,000 words) by top-flight critics. Less well known figures arediscussed in essays ranging from 2,000 to 5,000 words. Each essay examines the life of the author in the context of his or her times, looking in detail at key works and describing the arc of the writer's career. These essays include an assessment of the writer's current reputation with abibliography of major works by the writer as well as a list of major critical and biographical works about the writer under discussion.A second key element of the project is the critical assessments of major American masterworks, such as Moby-Dick, Song of Myself, Walden, The Great Gatsby, The Waste Land, Their Eyes Were Watching God, Death of a Salesmanr, or Beloved. Each of these essays offers a close reading of the given work,placing that work in its historical context and offering a range of possibilities with regard to critical approach. These fifty essays (ranging from 2,000 to 5,000 words) are simply and clearly enough written that an intelligent high school student should easily understand them, but sophisticatedenough that a college student or general reader in a public library will find the essays both informative and stimulating.The final major element of this encyclopedia consists of fifty-odd essays on literary movements, periods, or themes, pulling together a broad range of information and making interesting connections. These essays treat many of the same authors already discussed, but in a different context; they alsogather into the fold authors who do not have an entire essay on their work (so that Zane Grey, for example, is discussed in an essay on Western literature but does not have an essay to himself). In this way, the project is truly "encyclopedic," in the conventional sense. These essays aim forcomprehensiveness without losing anything of the narrative force that makes them good reading in their own right.In a very real fashion, the literature of the American people reflects their deepest desires, aspirations, fears, and fantasies. The Oxford Encyclopedia of American Literature gathers a wide range of information that illumines the field itself and clarifies many of its particulars.

Featuring full-color images from the best moments in graphic novel history, this comprehensive reference explores everything from dragons, cow races, and monstrous rats to insider secrets from Casanova himself. Includes top ten must-reads for every popular genre.

Enter a world where drug lords and sex traffickers collide, and danger is at every turn in this completed three book series. Katie was born into this underbelly and will do whatever it takes to survive. She plays along with her father's deadly games, willing to do anything to protect those she loves. Forced to leave the love of her life, her father traded her to a man who could be more dangerous. Ramone found his place among the crime lords, the inner circle he worked hard to enter. Ripped away from the woman he never expected to love, his world is upturned and all he wants to do is survive and save Katie from her fate. His own secrets come into play, and he is forced to use every contact he has just to survive. Betrayal is at every turn, including the people he trusted the most. Hunted for crimes he didn’t commit, can he make his way back to Katie and save them both? This dark, romantic suspense is intended for mature readers and contains violence, profanity, drugs, abuse, and sexually explicit material.