In this book, Dante, Seamus Heaney and Derek Walcott engage in an eloquent and meaningful conversation. Dante's capacity for being faithful to the collective historical experience and true to the recognitions of the emerging self, the permanent immediacy of his poetry, the healthy state of his language, which is so close to the object that the two are identified, and his adamant refusal to get lost in the wide and open sea of abstraction - all these are shown to have affected, and to continue to affect, Heaney's and Walcott's work. The Flight of the Vemacular, however, is not only a record of what Dante means to the two contemporary poets but also a cogent study of Heaney's and Walcott's attitude towards language and of their views on the function of poetry in our time. Heaney's programmatic endeavour to be adept at dialect and Walcott's idiosyncratic redefinition of the vernacular in poetry as tone rather than as dialect - apart from having Dantean overtones - are presented as being associated with the belief that poetry is a social reality and that langauge is a living alphabet bound to the opened ground of the world.

The 11th ISVS (International Seminar for Vernacular Settlements) that was hosted by the School of Environmental Design and Architecture, Navrachana University brought together some important ideas and concerns as related to questions of development at large and vernacular settlements. From questions of ecological balance, use of resources and the way of the pastoral to the ones concerning technology, design and materiality of built environment. The 11th ISVS will be remembered as one that brought whole generation of young and talented scholars in the foreground. Many of them had carried out extensive field work to support their research. The seminar was also remarkable from the point of view of extensive representation of vernacular traditions in different part of the Indian Sub-continent and Southeast Asia along with a range of theoretical concerns.

Vernacular religion is religion as people experience, understand, and practice it. It shapes everyday culture and disrupts the traditional boundaries between 'official' and 'folk' religion. The book analyses vernacular religion in a range of Christian denominations as well as in indigenous and New Age religion from the nineteenth century to today. How these differing expressions of belief are shaped by their individual, communal and national contexts is also explored. What is revealed is the consistency of genres, the persistence of certain key issues, and how globalization in all its cultural and technological forms is shaping contemporary faith practice. The book will be valuable to students of ethnology, folklore, religious studies, and anthropology.

Making babies was a mysterious process in early modern England. Mary Fissell employs a wealth of popular sources - ballads, jokes, witchcraft pamphlets, Prayer Books, popular medical manuals - to produce the first account of women's reproductive bodies in early-modern cheap print. Since little was certain about the mysteries of reproduction, the topic lent itself to a rich array of theories. The insides of women's reproductive bodies provided a kind of open interpretive space, a place where many different models of reproductive processes might be plausible. These models were profoundly shaped by cultural concerns; they afforded many ways to discuss and make sense of social, political, and economic changes such as the Protestant Reformation and the Civil War. They gave ordinary people ways of thinking about the changing relations between men and women that characterized these larger social shifts. Fissell offers a new way to think about the history of the body by focusing on women's bodies, showing how ideas about conception, pregnancy, and childbirth were also ways of talking about gender relations and thus all relations of power. Where other histories of the body have focused on learned texts and male bodies, this study looks at the small books and pamphlets that ordinary people read and listened to - and provides new ways to understand how such people experienced political conflicts and social change.

Considers photography as a "vernacular" practice, drawing from a collection of 4000 images including snapshots, wedding photographs, news and advertising images, insurance pictures, family pictures, travel albums, grade-school class portraits, and pin-up photographs. Includes essays by Ross Barrett, Stacey McCarroll Cutshaw, Rernard L. Herman, and Daile Kaplan.

The posthumous memoirs of a World War II Pathfinder pilot and Distinguished Flying Cross recipient who flew target-marking missions in enemy territory. Denys A. Braithwaite was born of a well-to-do Yorkshire family and joined the Auxiliary Air Force on his eighteenth birthday in 1939. On the occasion of Chamberlain’s speech to the British nation on September 3, the situation changed dramatically and from being a “super weekend club,” his squadron was assigned coastal patrol duties. In October he was posted to Peterborough to learn to fly with the regular RAF. There followed a period of convoy protection flying Blenheims and then flying with the meteorological flight based at Bircham Newington on the Norfolk coast. Here he flew a Gloster Gladiator with a flight that had the reputation of “flying even when the birds wouldn’t.” Now a Squadron Leader, Braithwaite became acquainted with the legendary de Havilland Mosquito and flew long-range weather reconnaissance flights (PAMPA) under the control of Coastal Command. These patrols involved a lone aircraft flying deep into enemy territory to observe the meteorological conditions in advance of bombing raids or naval action. PAMPA Flight 1409 moved to Oakington and transferred to Bomber Command and operated under the command of Air Commodore Donald Bennett and became one of the elite Pathfinder units. Braithwaite’s lengthy and successful tour included many exciting episodes described here in thrilling detail. After being transferred to the United States, Braithwaite was posted to India where he contracted a tropical disease that ended his flying career. The recipient of the Distinguished Flying Cross, Braithwaite died before being able to see his memoirs in print.