Politics in Rutherford County were heated a century ago: the developing textile industry, the growing population, an agricultural crisis and race relations inflamed everyone. Mills Higgins Flack, a leader of the Farmers' Alliance and the county's first Populist in the state House, was allegedly murdered on August 28, 1900, by Avery Mills, an African American. This book documents the murder and the lynching of Avery Mills. The author (Flack's great-great-grandson) considers the phenomena of racial lynching, the Populist movement in the county, the white supremacy movement of the state's Democratic party and the county's KKK activities.

In Troubled Ground, Claude A. Clegg III revisits a violent episode in his hometown's history that made national headlines in the early twentieth century but disappeared from public consciousness over the decades. Moving swiftly between memory and history, between the personal and the political, Clegg offers insights into southern history, mob violence, and the formation of American race ideology while coming to terms on a personal level with the violence of the past. Three black men were killed in front of a crowd of thousands in Salisbury, North Carolina, in 1906, following the ax murder of a local white family for whom the men had worked. One of the lynchers was prosecuted for his role in the execution, the first conviction of its kind in North Carolina and one of the earliest in the country. Yet Clegg, an academic historian who grew up in Salisbury, had never heard of the case until 2002 and could not find anyone else familiar with the case. In this book, Clegg mines newspaper accounts and government records and links the victims of the 1906 case to a double-lynching in 1902, suggesting a complex history of lynching in the area while revealing the determination of the city to rid its history of a shameful and shocking chapter. The result is a multi-layered, deeply personal exploration of lynching and lynching prosecutions in the United States.

A history of lynching in America over the course of three centuries, from colonial Virginia to twentieth-century Texas. After observing the varying reactions to the 1998 death of James Byrd Jr. in Texas, called a lynching by some, denied by others, Ashraf Rushdy determined that to comprehend this event he needed to understand the long history of lynching in the United States. In this meticulously researched and accessibly written interpretive history, Rushdy shows how lynching in America has endured, evolved, and changed in meaning over the course of three centuries, from its origins in early Virginia to the present day. “A work of uncommon breadth, written with equally uncommon concision. Excellent.” —N. D. B. Connolly, Johns Hopkins University “Provocative but careful, opinionated but persuasive . . . Beyond synthesizing current scholarship, he offers a cogent discussion of the evolving definition of lynching, the place of lynchers in civil society, and the slow-in-coming end of lynching. This book should be the point of entry for anyone interested in the tragic and sordid history of American lynching.” —W. Fitzhugh Brundage, author of Lynching in the New South: Georgia and Virginia, 1880-1930 “A sophisticated and thought-provoking examination of the historical relationship between the American culture of lynching and the nation’s political traditions. This engaging and wide-ranging meditation on the connection between democracy, lynching, freedom, and slavery will be of interest to those in and outside of the academy.” —William Carrigan, Rowan University “In this sobering account, Rushdy makes clear that the cultural values that authorize racial violence are woven into the very essence of what it means to be American. This book helps us make sense of our past as well as our present.” —Jonathan Holloway, Yale University

Of all mankinds' vices, racism is one of the most pervasive and stubborn. Success in overcoming racism has been achieved from time to time, but victories have been limited thus far because mankind has focused on personal economic gain or power grabs ignoring generosity of the soul. This bibliography brings together the literature.

Why did some offenses in the South end in mob lynchings while similar crimes led to legal executions? Why did still other cases have nonlethal outcomes? In this well-researched and timely book, Margaret Vandiver explores the complex relationship between these two forms of lethal punishment, challenging the assumption that executions consistently grew out of-and replaced-lynchings. Vandiver begins by examining the incidence of these practices in three culturally and geographically distinct southern regions. In rural northwest Tennessee, lynchings outnumbered legal executions by eleven to one and many African Americans were lynched for racial caste offenses rather than for actual crimes. In contrast, in Shelby County, which included the growing city of Memphis, more men were legally executed than lynched. Marion County, Florida, demonstrated a firmly entrenched tradition of lynching for sexual assault that ended in the early 1930s with three legal death sentences in quick succession. With a critical eye to issues of location, circumstance, history, and race, Vandiver considers the ways that legal and extralegal processes imitated, influenced, and differed from each other. A series of case studies demonstrates a parallel between mock trials that were held by lynch mobs and legal trials that were rushed through the courts and followed by quick executions. Tying her research to contemporary debates over the death penalty, Vandiver argues that modern death sentences, like lynchings of the past, continue to be influenced by factors of race and place, and sentencing is comparably erratic.

This book tells the story of African Americans' evolving attitudes towards lynching from the 1880s to the present. Unlike most histories of lynching, it explains how African Americans were both purveyors and victims of lynch mob violence and how this dynamic has shaped the meaning of lynching in black culture.

Tells the story of a deaf African-American man born in the Jim Crow South who, though sane, was incarcerated in a North Carolina state hospital for the insane for nearly all of his life.

Born in Roanoke County, Virginia, on the eve of the Emancipation Proclamation, Richard L. Davis was an early mine labor organizer in Rendville, Ohio. One year after the 1884 Great Hocking Valley Coal Strike, which lasted nine months, Davis wrote the first of many letters to the National Labor Tribune and the United Mine Workers Journal. One of two African Americans at the founding convention of United Mine Workers of America in 1890, he served as a member of the National Executive Board in 1886-97. Davis called upon white and black miners to unite against wage slavery. This biography provides a detailed portrait of one of America's more influential labor organizers.

How could the peace and quiet of Ashe County, North Carolina (in the mountains, at the Virginia-Tennessee corner), turn into a nightmare of crime and drugs, and the old copper mine itself become a dumping ground for the dead? In 1982, two bodies had been chipped from an icy grave and brought up from the 250-foot mine shaft where they had been thrown while still alive. Now, there were rumors of 21 bodies still down there. If the mine was ever re-opened, what would they find--copper or bodies? Murder, drugs, prostitution and gangs come together in the history of the Ore Knob Mine. A small Appalachian community became the heart of a vicious drug ring ruled by the Outlaws motorcycle gang from Chicago. Ashe County made national headlines when a police informant came forward confessing that he had pushed a man alive into the Ore Knob Mine shaft. This book is the full story.

Dwight Hamilton Diller is a musician from West Virginia devoted to traditional Appalachian fiddle and banjo music, and a seminary-trained minister steeped in local Christian traditions. For the past 40 years, he has worked to preserve archaic fiddle and banjo tunes, teaching his percussive, primitively rhythmic style to small groups in marathon banjo workshops. This book tells of Diller's life and music, his personal challenges and his decades of teaching an elusive musical form.