Grace Hammer lives a sweet enough life with her four children in London's dank and dirty East End, dipping into the pockets of wealthy strangers foolish enough to venture there. She keeps a clean house and a tight hold on her magpie nature, restricting her interests to wallets and pocket watches - at night she dreams of shiny things. Unbeknown to Grace, her most audacious crime will soon return to haunt her and old enemies come knocking. Out in the dark countryside Mr Blunt rocks in his chair, grinding his teeth, vowing furious retribution. He has never forgotten his scarlet treasure, or the harlot that stole it from him. At night he dreams of slitting her lily-white throat...

'You must cross my palm with silver first, my pretty miss.' London, 1860s. The capital's high society ladies like nothing more than to while away an evening at a private supper party, drinking sweet wine, sharing confidences - and having their fortunes read. But palm-reading is a perilous business: the lines of the left hand can unlock secrets and reveal futures best kept hidden. When fortune-teller Miss Rose Lee is called to entertain Lady Quayle and her guests at Portland Place, she sees in the palm of shy, cautious Emily a future she is forced to keep to herself. 'A quiet life, my dear' is what she tells the girl. But she spies two little crosses that spell something quite different - fearful, violent death. As Rose's predictions start coming true, her own fortunes become embroiled in the suspect fates of others and the future suddenly seems a dark and dangerous place. With a plucky heroine and a rollicking story, Sara Stockbridge's second novel is a cauldron of subterfuge and mysticism.

Crime Fiction in the City: Capital Crimes expands upon previous studies of the urban space and crime by reflecting on the treatment of the capital city, a repository of authority, national identity and culture, within crime fiction. This wide-ranging collection looks at capital cities across Europe, from the more traditional centres of power - Paris, Rome and London - to Europe's most northern capital, Stockholm, and also considers the newly devolved capitals, Dublin, Edinburgh and Cardiff. The texts under consideration span the nineteenth-century city mysteries to contemporary populist crime fiction. The collection opens with a reflective essay by Ian Rankin and aims to inaugurate a dialogue between Anglophone and European crime writing; to explore the marginalised works of Irish and Welsh writers alongside established European crime writers and to interrogate the relationship between fact and fiction, creativity and criticism, within the crime genre.

"Self-assured and self-revealing, Waltzing the Cat will gratify Pam Houston’s many admirers, and it will lure plenty of new readers into her wild rivers" —Portland Oregonian In this remarkable follow-up to the best-selling Cowboys Are My Weakness, Pam Houston traces the story of peripatetic photographer Lucy O’Rourke through eleven linked fictions “full of memorable paragraphs and…sentences worth underlining” (Rocky Mountain News). Lucy is prone to the wrong decisions at critical times—not to mention natural disasters—but a surprise encounter with Carlos Castenada sends her back to her beloved Rocky Mountains, where she takes comfort in animals, the jagged landscape of Colorado, and the sage advice of women friends. Houston serves up her characteristic blend of relationships and adventure in this story of one woman’s struggle for balance in a world that keeps pitching and rolling under her feet.

A New York Times bestseller: "Udall masterfully portrays the hapless foibles and tragic yearnings of our fellow humans." —San Francisco Chronicle Golden Richards, husband to four wives, father to twenty-eight children, is having the mother of all midlife crises. His construction business is failing, his family has grown into an overpopulated mini-dukedom beset with insurrection and rivalry, and he is done in with grief: due to the accidental death of a daughter and the stillbirth of a son, he has come to doubt the capacity of his own heart. Brady Udall, one of our finest American fiction writers, tells a tragicomic story of a deeply faithful man who, crippled by grief and the demands of work and family, becomes entangled in an affair that threatens to destroy his family’s future. Like John Irving and Richard Yates, Udall creates characters that engage us to the fullest as they grapple with the nature of need, love, and belonging. Beautifully written, keenly observed, and ultimately redemptive, The Lonely Polygamist is an unforgettable story of an American family—with its inevitable dysfunctionality, heartbreak, and comedy—pushed to its outer limits.

“A terrific debut, full of energy and colour, as propulsive as a thriller.”—Guardian In this unforgettable debut novel about the pain, joy, and occasional beauty of childhood, two girls are set on an unimaginable path. Spoiled but emotionally neglected Gemma, who seems to have everything, and semi-feral Pauline, who has less than nothing, are two very different ten-year-old girls growing up in a tough Yorkshire town in the 1970s. Pauline longs for the simple luxuries of Gemma’s life: her neatly folded socks and her clean hair. Gemma, upset by her parents’ breakup, loses herself in fantasies of meeting the child television star Lallie Paluza. When Lallie shoots a movie in their hometown, Gemma and Pauline grab the chance for their wildest dreams to come true. But the film becomes a catalyst for the forces of the dysfunctional adult world and its impact on both girls as playground bullying escalates with terrible consequences.

“An absorbing, generous, ravishing book by a high priestess of you-have-to-read-this prose." —Cheryl Strayed, author of Wild Pam Houston, an "early master of the art of rendering fiercely independent, brilliant women in love with the wrong men" (Sarah Norris, Barnes & Noble Review), delivers a novel that whisks us from one breathtaking precipice to the next. Along the way, we unravel the story of Pam (a character not unlike the author), a fearless traveler aiming to leave her metaphorical baggage behind as she seeks a comfort zone in the air. With the help of a loyal cast of friends, body workers, and a new partner who helps her to be at home, she finally finds something like ground under her feet.

"Steeped in the tradition of the Indian epic, yet modern and vastly entertaining." —The Times (London) In her fiction debut, Alice Albinia weaves a multithreaded epic tale that encompasses divine saga and familial discord and introduces an unforgettable heroine. Leela—alluring, taciturn, haunted—is moving from New York back to Delhi. Worldly and accomplished, she has been in self-imposed exile from India and her family for decades; twenty-two years earlier, her sister was seduced by the egotistical Vyasa, and the fallout from their relationship drove Leela away. Now an eminent Sanskrit scholar, Vyasa is preparing for his son’s marriage. But when Leela arrives for the wedding, she disrupts the careful choreography of the weekend, with its myriad attendees and their conflicting desires. Gleefully presiding over the drama is Ganesh—divine, elephant-headed scribe of the Mahabharata, India’s great epic. The family may think they have arranged the wedding for their own selfish ends, but according to Ganesh it is he who is directing events—in a bid to save Leela, his beloved heroine, from Vyasa. As the weekend progresses, secret online personas, maternal identities, and poetic authorships are all revealed; boundaries both religious and continental are crossed; and families are ripped apart and brought back together in this vibrant and brilliant celebration of family, love, and storytelling.

" ... About an able, ambitious and powerful man who pounds out success and wealth but brings his wife, his daughter and his mistress to the edge of destruction. Within the tough and corrupt world of the New York garment industry, Leonard Weiler drives ahead in his insatiable way, always using money, the golden hammer, to replace the love he cannot feel or give."--Jacket