"Should there be any doubt that Gertrude Jekyll was among the greatest practitioners of the art of gardening (there isn't, of course), a survey of this book will quickly confirm her almost totemic status in twentieth-century ornamental horticulture."--Wayne Winterrowd, Horticulture, The Magazine of American Gardening "[This book] is scholarly, well-written, and based on original research. The Gardens of Gertrude Jekyll is the most innovative study of the patron saint of modern gardeners since Jane Brown's pioneering Gardens of a Golden Afternoon appeared ten years ago. . . . [Bisgrove's] is the most detailed and comprehensive analysis ever made of Gertrude Jekyll's gardening."--Charles Quest-Ritson, Gardens Illustrated "The Gardens of Gertrude Jekyll serves as a living complement to her gardening ideas, indicating the scope and variety her gardening vision could assume. Richard Bisgrove has mined extensive archives for Jekyll's most effective planning schemes, and illustrates them with photographs of her existing gardens. He helpfully divides chapters by types of gardenincluding formal gardens, rose gardens, wild gardens, steps and walks, and sun and shade."--Ann Geneva, Literary Review "Gertrude Jekyll is famous the world over as the mother of the lush English garden. . . . The stage is set for an updated revival of the Jekyll cult. Her philosophical commitment to native plants and gardens that incorporate existing heathland and woods makes her environmentally up to date."--Diana Ketcham, New York Times "The most comprehensive study I have seen of the garden-making ideas of this astonishingly prolific lady . . . This is a book that can be read cover to cover -- but one to which people will refer time and again over the years."--Arthur Hellyer, Financial Times "Richard Bisgrove must now be firmly established as one of our most authoritative, painstaking yet easy-to-read garden historians . . . The writing is a happy combination of scholarship and art . . . readers must be equally delighted with Andrew Lawson's magnificent photographs."--Graham Stuart Thomas, The Garden

Fascinating account of the faithful restoration of a Gertrude Jekyll Garden working to the original plans. Filled with practical advice.

The spirit of a race or an age can be reflected even in the choice and use of plants: with the coming ofZen Buddhism, the Japanese practically ceased to grow flowers in their gardens, an attitude which Le Notre, garden designer ofVersailles, who once said 'flowers are for nursemaids' would doubtless have appreciated. In this fascinating and highly informative book, Christopher Thacker tells the history of gardens from their origins in the 'natural' paradises of Greek myth to the present day. Studying individual gardens or garden topics which are rep~ntative of an age or region, he builds up a comprehensive survey of the gardens and garden theories of an era. Whether Dr Thacker is discussing garden philosophers and designers (Alberti, Mollet, de Vries, Capability Brown, Genrude Jekyll, Russell Page, and many others), or bringing to life the lost gardens of the past, like the Yuan Ming Yuan in Peling, or William Shenstone's the Leasowes, or surveying the weird and mysterious statuary of Bomarzo, his text is always absorbing and authoritative. Profusely illustrated, this book should become a classic on its subject.

“The ever-alluring Arts and Crafts garden…is profoundly relevant to our 21st-century needs.” —Sam Watters, author of Gardens for a Beautiful America In Gardens of the Arts and Crafts Movement, landscape scholar Judith B. Tankard surveys the inspirations, characteristics, and development of garden design during this iconic movement. Tankard presents a selection of houses and gardens of the era from Great Britain and North America. With almost 300 illustrations and photographs, and an emphasis on the diversity of designers who helped forge the movement, Gardens of the Arts and Crafts Movement is an essential resource for this truly distinct approach to garden design.

A collection of photographs taken by Jekyll herself of her work, showing her vision of borders, woodland and terrace plantings, pathways, and architectural features in the garden. Introductory essays examine her continuing influence.

This representative collection of her writings, taken from all her works, was made by a distinguished contemporary gardener who has specifically kept in mind today's garden needs and interests. --

The object of George Dillstone's 1920 work is to assist the owners of small garden plots in devising ways of laying them out so that the greatest possible use may be made of the space in the most picturesque way.

The Lady Gardeners are those women who, from the eighteenth century to the present day, have been working in a garden, from imagining and creating it, to sowing, planting, pruning, painting and photographing plants, and moving from garden design to more urgent themes such as landscape conservation and environmental issues.

They are sometimes called storksbills and originated in South Africa. They may be star-shaped or funnel-shaped, and they range in color from white, pink, and orange-red to fuchsia and deep purple. The geranium and its many species, much loved and also much loathed, have developed since the seventeenth century into one of the most popular garden plants. In this book, Kasia Boddy tells the story of geranium’s seemingly inexorable rise, unearthing the role it has played in everything from plant-hunting and commercial cultivation to alternative medicine, the philanthropic imagination, and changing styles in horticultural fashion. Boddy shows how geraniums became the latest fad for wealthy collectors and enterprising nurserymen after they were first collected by Dutch plant-hunters on the sandy flats near present-day Cape Town. She explains that the flower would not be rare for long—scarlet hybrids were soon found on every cottage windowsill and in every park bedding display, and the backlash against the innocent plant followed quickly on the heels of its ubiquity. Today, geraniums can be found throughout the world, grown as annuals in the regions too cold for them to regenerate. In addition to exploring the history of geraniums, Boddy reveals the plant’s other uses, including how they are cultivated and distilled for their scents of citrus, mint, pine, rose, and various spices to use in perfumes. With their edible leaves, they are also used to flavor desserts, cakes, jellies, and teas, and some people believe that certain species provide an effective treatment for a cough. Featuring over one hundred illustrations, Geranium shows how the plant is portrayed in painting, literature, film, and popular culture, and provides an intriguing example of the global industrialization of plant production.