Portrays the struggle to defend Italian lands against the Eastern Goths and barbarians from the North.

Celebrated author and veteran historian Diane Moczar takes you on a fast-paced and provocative ride through the development of Christian civilization from its emergence within the Roman Empire through its medieval springtime and summer. Indeed, within five hundred years of Nero’s persecutions of the first disciples, Christian civilization permeated every aspect of European culture with kings and commoners alike paying allegiance to the Catholic Church. A master storyteller with an entertaining and evocative style, Dr. Moczar introduces you to the celebrated intellectuals and mystics, the magnificent artists and writers, and the greatest heroes and villains who forever changed Christianity and the West. You’ll also explore the dreadful heresies and sinful practices—both inside the Church and out—that developed cracks that would become great fissures, leading to the bitter autumn that followed a most glorious age. Most of all, these pages will increase your love of God—who is the source of all truth—through a deeper understanding of Catholic history. And they will renew your confidence that the Church is indeed Christ acting in the world and that no matter how many Neros are sent her way by Satan, she will not be defeated but will endure until the end of time.

"Pioneering. . . . An important and timely collection that profiles the lives and professional careers of women medievalists in the last centuries."--Maureen Mazzaoui, University of Wisconsin-Madison

A vivid portrait of political and cultural life in the 10th century

Recreates the 9th-century world of Charlemagne through portraits of outstanding figures of the age

Published just after the Second World War, European Literature and the Latin Middle Ages is a sweeping exploration of the remarkable continuity of European literature across time and place, from the classical era up to the early nineteenth century, and from the Italian peninsula to the British Isles. In what T. S. Eliot called a "magnificent" book, Ernst Robert Curtius establishes medieval Latin literature as the vital transition between the literature of antiquity and the vernacular literatures of later centuries. The result is nothing less than a masterful synthesis of European literature from Homer to Goethe. European Literature and the Latin Middle Ages is a monumental work of literary scholarship. In a new introduction, Colin Burrow provides critical insights into Curtius's life and ideas and highlights the distinctive importance of this wonderful book.

Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography.

Medieval Art and Architecture after the Middle Ages explores the endurance of and nostalgia for medieval monuments through their reception in later periods, specifically illuminating the myriad ways in which tangible and imaginary artifacts of the Middle Ages have served to articulate contemporary aspirations and anxieties. The essays in this interdisciplinary collection examine the afterlife of medieval works through their preservation, restoration, appropriation, and commodification in America, Great Britain, and across Europe from the sixteenth to the twentieth century. From the evocation of metaphors and tropes, to monumental projects of restoration and recreation—medieval visual culture has had a tremendous purchase in the construction of political, religious, and cultural practices of the Modern era. The authors assembled here engage a diverse spectrum of works, from Irish ruins and a former Florentine prison to French churches and American department stores, and an equally diverse array of media ranging from architecture and manuscripts to embroidery, monumental sculpture, and metalwork. With applications not only to the study of art and architecture, but also encompassing such varied fields as commerce, city planning, education, literature, collecting and exhibition design, this copiously illustrated anthology comprises a significant contribution to the study of medieval art and medievalism.