Art mirrors life; life returns the favor. How could nineteenth and twentieth century technologies foster both the change in the world view generally called postmodernism and the development of new art forms? Scholar and curator Faye Ran shows how interactions of art and technology led to cultural changes and the evolution of Installation art as a genre unto itself - a fascinating hybrid of expanded sculpture in terms of context, site, and environment, and expanded theatre in terms of performer, performance, and public.

""One of our most original social thinkers,"" according to the New York Times, Robert Nisbet offers a new approach to sociology. He shows that sociology is indeed an art form, one that has a strong kinship with literature, painting, Romantic history, and philosophy in the nineteenth century, the age in which sociology came into full stature. Sociology as an Art Form is an introduction for the initiated and the uninitiated in so-ciology.Nisbet explains the degree to which sociology draws from the same creative impulses, themes and styles (rooted in history), and actual modes of representa-tion found in the arts. He shows how the founding sociologists such as Marx, Weber, Durkheim, and Simmel constructed portraits (of the bourgeois, the worker, and the intellectual) and landscapes (of the masses, the poor, the factory system), all reflecting and contribut-ing to identical portraits and landscapes found in the literature and art of the period. In addition to marking the similarities between sociologists' and artists' efforts to depict motion or movement, Nisbet emphasizes the relation of sociology to the fin de siecle in art and literature, with examples such as alienation, anomie, and degeneration. He creates an elegant, brilliantly reasoned appraisal of sociology's contribution to modern culture.This book will be of interest to sociologists, artists, and anyone interested in how the fields relate to one another.

Description: If you find books such as Richard Dawkins' The God Delusion compelling but your faith heritage is also important to you, this book shows how you can affirm both. Taking a cue from Marcus Borg's contention that ""scriptural literalism"" is for many people a major impediment to authentic spirituality, Carl Jech describes how all religion can and should be much more explicit about its symbolic, metaphorical, and artistic nature. With a particular focus on mortality and the relationship of humans to eternity, the book affirms a postmodern understanding of ""God"" as ultimate eternal Mystery and of spirituality as an artistic, (w)holistic, visionary, and creative process of becoming at home in the universe as it really is with all its joys and sorrows. Religion as Art Form is a must-read for those who think of themselves as spiritual but not religious. Endorsements: ""If you're looking for a way to make sense of your life and your world, but you don't get much (or any) satisfaction from slick, glib, outdated, unworkable, arrogant, or cocksure religious 'answers, ' this is your book. If you're looking for trustworthy answers that don't demean, insult, or ridicule, this book is a good place to start. . . . By the time you finish this book, you'll find there are no supernatural, sacred cows left in the corral. What you will find is a new way of thinking about language and life."" --Michael Luther Sherer, editor emeritus of the MetroLutheran ""Critical issues central to the purpose of religion are woven in an intricate tapestry that utilizes every conceivable strand of expressive art available to elucidate the topics addressed. The style of writing itself is reflective of an art form, as ideas flood each page in a stream of consciousness, expressive of the dynamic, progressive posture that permeates each page. Readers seeking an alternative approach for expressing and experiencing their spirituality will find this book scintillating and stimulating."" --Robert H. Albers, Distinguished Visiting Professor of Pastoral Theology, United Theological Seminary of the Twin Cities ""Separating God from the sterile options between theism and atheism and seeing God as a verb to be lived, not a noun to be believed, are the themes of this book. Religion as Art Form is both groundbreaking and riveting."" --John Shelby Spong, author of The Fourth Gospel About the Contributor(s): Carl L. Jech (ThM, Harvard) is Instructor in Humanities at DeAnza College in Silicon Valley. He has served as parish pastor and college chaplain in Michigan, Wisconsin, and California, and has taught at other colleges in the San Francisco Bay Area.

Connecting aesthetic experience with our experience of nature or with other cultural artifacts, Aesthetics as Phenomenology focuses on what art means for cognition, recognition, and affect—how art changes our everyday disposition or behavior. Günter Figal engages in a penetrating analysis of the moment at which, in our contemplation of a work of art, reaction and thought confront each other. For those trained in the visual arts and for more casual viewers, Figal unmasks art as a decentering experience that opens further possibilities for understanding our lives and our world.

Originally intended as reference for his work as architect, sculptor, and teacher, Blossfeldt's exquisite sharp-focus photo studies of plant form — leaves, buds, stems, seed pods, tendrils and twigs — won acclaim with publication of the 1928 edition of this book. 120 full-page black-and-white plates. Original introduction. Publisher's Note. Captions.