The Genius of Aldous Huxley is an attempt to make a critical analysis of Aldous Huxley’s novels, essays and plays. The significant results of his stance in terms of his critical heritage were threefold: the explicit message of the later fiction struck most readers as being detrimental to its artistry; criticism of Huxley’s craft often became indistinguishable from criticism of his ideas; the popular response to Huxley’s work continued to grow, but the critical reception declined. While they were looking to him for guidance, practically none of Huxley’s readers were prepared for the directions he took in the coming books. His critics had so consistently overlooked the deeper import of the earlier work that the new outspoken idealism seemed an abrupt reversal, if not a contradiction of attitudes. The shift of emphasis in Huxley’s work introduced during the war years a period of new ferment and trial for his critical reputation. The volume of response never slackened; if anything, it increased. He has revealed himself as one of the few capable makers of cultural synthesis in our time. His concern for mankind is so obvious that one can only think readers who see nothing in his later fiction but obsessions and bitterness are incapable of appreciating his intentions or his powers.

Aldous Huxley Annual is the official organ of the Aldous Huxley Society at the Centre for Aldous Huxley Studies in Munster, Germany. It publishes essays on the life, times, and interests of Aldous Huxley and his circle. It aspires to be the sort of periodical that Huxley would have wanted to read and to which he might have contributed. This issue features Aldous Huxley's and Beth Wendel's dramatization of The Genius and the Goddess never before published. It also includes several rather unknown travel essays by Aldous Huxley as well as Peter E. Firchow's opening lecture at the Third International Aldous Huxley Symposium held in Riga in July 2004.

Volume 17/18 begins with a section containing original Huxley documents: Below the Equator, an unpublished film story collaboration by Isherwood and Huxley, edited by James Sexton and Bernfried Nugel, to be followed by two pieces rediscovered and edited by James Sexton, viz. The Heroes, William R. Cox's screenplay adaptation of a lost Huxley story, and the translation of a 1960 interview held in French by the Canadian writer Hubert Aquin. Then Huxley nephew Piero Ferrucci kindly opens his family archives of original Huxley letters and photographs and contributes a remarkable essay on his coming of age with Aldous Huxley. Rounding off this section, Peter Wood introduces an unknown 1934 letter Huxley wrote to Ren'e Schickele, a forgotten German author in the writers' community at Sanary. The second section presents a further selection of papers from the Sixth International Aldous Huxley Symposium held at Almer'a in April 2017 as well as other critical articles.

Aldous Huxley, author of eleven novels, remains one of the towering figures of the twentieth century, his work resistant to passing fads in literature. This critical biography explores Huxley's lifelong quest for self-actualization by intertwining the events of his life and details of the creative period that produced each book. Considering Huxley's letters, essays and interviews in its examination of the thematic content of each novel, the text finds a man striving for the intellectual growth that would yield a sound philosophical and spiritual view of life, one he infused into his work.

It is Christmas Eve, and John Rivers is thinking about the past; about his sheltered upbringing; about an extraordinary time spent as a lab assistant to the great physicist Henry Maartens; about Maartens' beautiful wife, Katy, and about a love affair which shook Rivers to the core and caused him to question everything he once revered.

Aldous Huxley and Alternative Spirituality offers an incisive analysis of the full range of Huxley’s spiritual interests, spanning both mysticism (neo-Vedanta, Taoism, Mahayana and Zen Buddhism) and Western esotericism (mesmerism, spiritualism, the paranormal). Jake Poller examines how Huxley’s shifting spiritual convictions influenced his fiction, such as his depiction of the body and sex, and reveals how Huxley’s use of psychedelic substances affected his spiritual convictions, resulting in a Tantric turn in his work. Poller demonstrates how Huxley’s vision of a new alternative spirituality in Island, in which the Palanese select their beliefs from different religious traditions, anticipates the New Age spiritual supermarket and traces the profound influence of Huxley’s ideas on the spiritual seekers of the twentieth century and beyond.

Can religious belief survive in a scientific era? Aldous Huxley thought so. His early recognition of the profound significance of twentieth-century science and the need for moral and spiritual direction resulted in his espousal of mysticism. An examination of his fiction and nonfiction reveals Huxley's significance for cross-disciplinary debates between religion, science and literature and provides examples of the transmission or refraction of knowledge from one discourse to another.

This set comprises forty volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first sixty-eight volume set of Critical Heritage published by Routledge in October 1995.

A collection of critical essays on Huxley, his satires, and fiction works with a chronology of events in the author's life.

The grandson of biologist T. H. Huxley, Aldous Huxley had a privileged background and was educated at Eton and Oxford despite an eye infection that left him nearly blind. Having learned braille his eyesight then improved enough for him to start writing, and by the 1920s he had become a fashionable figure, producing witty and daring novels like CROME YELLOW (1921), ANTIC HAY (1923) and POINT COUNTER POINT (1928). But it is as the author of his celebrated portrayal of a nightmare future society, BRAVE NEW WORLD (1932), that Huxley is remembered today. A truly visionary book, it was a watershed in Huxley's world-view as his later work became more and more optimistic - coinciding with his move to California and experimentation with mysticism and psychedelic drugs later in life. Nicholas Murray's brilliant new book has the greatest virtue of literary biographies: it makes you want to go out and read its subject's work all over again. A fascinating reassessment of one of the most interesting writers of the twentieth century.