In The Germanic Hero Brian Murdoch looks at the role the warrior-hero plays within a set of predetermined political and social constraints. the hero is not a sword-wielding barbarian, bent only upon establishing his own fame; such fame-seekers (including some famous medieval literary figures) might even fall outside the definition of the Germanic hero, the real value of whose deeds are given meaning only within the political construct. Individual prowess is not enough. The hero must conquer the blows of fate because he is committed to the conquest of chaos, and over all to the need for social stability. Brian Murdoch discusses works in Old English, Old and Middle High German, Old Norse, Latin and Old French, deliberately going beyond what is normally thought of as 'heroic poetry' to include the German so-called 'minstrel epic', and a work by a writer who is normally classified as a late medieval chivalric poet, Konrad von Wurzburg, the comparison of which with Beowulf allows us to span half a millennium.

Among the plethora of heroes of different significance (religious, artistic, political, etc.), national archetypes stand out because they represent the outstanding traits of their fellow citizens and at the same time serve as role models for them. How these archetypes are formed in some countries, and what their specific features are, constitutes the starting point for this study. The book then enters a second phase with the narration of their jobs as literary heroes, culminating in a reflection on the possible effects that the archetype may have on the behaviour of workers and employers in the respective country. After the analysis of the five main European countries, the book undertakes a comparative study of other non-European archetypes, where the profiles are quite different.

In this study, the author looks at the role the warrior-hero plays within a set of predetermined political and social constraints. The hero if not a sword-wielding barbarian, bent only upon establishing his own fame; such fame-seekers (including some famous medieval literary figures) might even fall outside the definition of the Germanic hero, the real value of whose deeds are given meaning only within the political construct. Individual prowess is not enough. The hero must conquer the blows of fate because he is committed to the conquest of chaos, and over all to the need for social stability. Even the warrior-hero's concern with his reputation is usually expressed negatively: that the wrong songs are not sung about him. The author discusses works in Old English, Old and Middle High German, Old Norse, Latin and Old French, deliberately going beyond what is normally thought of as "heroic poetry" to include the German so-called "minstrel epic" and a work by a writer who is normally classified as a late medieval chivalric poet, Konrad von Wurzburg, the comparison of which with "Beowulf" allows us to span half a millennium.

In this book Rose illuminates the extraordinary creativity of Jewish intellectuals as they reevaluated Judaism with the tools of a German philosophical tradition fast emerging as central to modern intellectual life. While previous work emphasizes the "subversive" dimensions of German-Jewish thought or the "inner antisemitism" of the German philosophical tradition, Rose shows convincingly the tremendous resources German philosophy offered contemporary Jews for thinking about the place of Jews in the wider polity. Offering a fundamental reevaluation of seminal figures and key texts, Rose emphasizes the productive encounter between Jewish intellectuals and German philosophy. He brings to light both the complexity and the ambivalence of reflecting on Jewish identity and politics from within a German tradition that invested tremendous faith in the political efficacy of philosophical thought itself.

There are instances of heroic deeds that had no immediate witness, such as the Scholls's attempt in 1943 to raise their nation's conscience, suppressed by Hitler's propaganda machine. The Canadian physicist Dr. Slotin acted in 1946; but since 'the bomb' was supposed to be fail-safe, his feat was not released to the public. A KGB commissar gagged Captain Marinesco in 1945, just as Moscow's rulers silently did away with Colonel Maleter in 1956 as a hindrance for their political ambition. In the case of Parteigenosse Duckwitz in 1943, nobody discovered that he was behind the betrayal of the Nazi plan, and he wouldn't publicise his disloyalty to his Führer. It took faith and courage for a Palermo priest to go up against the Sicilian Mafia in 1993. Holding out against impossible odds was a Yankee pilot in a clapped-out aircraft in 1941, and a British battalion against an entire army in Korea 1951. And there is the sergeant who in 1916 blundered into an 'impregnable fortress' and then took it single-handedly. These are a few brave man and women who dared to stand up and be counted. Some had to pay a bitter price for remaining loyal to their principles, but all of them changed the course of history.

Any reader of scholarship on the ancient and early medieval world will be familiar with the term 'Germanic', which is frequently used as a linguistic category, ethnonym, or descriptive identifier for a range of forms of cultural and literary material. But is the term meaningful, useful, or legitimate? The term, frequently applied to peoples, languages, and material culture found in non-Roman north-western and central Europe in classical antiquity, and to these phenomena in the western Roman Empire’s successor states, is often treated as a legitimate, all-encompassing name for the culture of these regions. Its usage is sometimes intended to suggest a shared social identity or ethnic affinity among those who produce these phenomena. Yet, despite decades of critical commentary that have highlighted substantial problems, its dominance of scholarship appears not to have been challenged. This edited volume, which offers contributions ranging from literary and linguistic studies to archaeology, and which span from the first to the sixteenth centuries AD, examines why the term remains so pervasive despite its problems, offering a range of alternative interpretative perspectives on the late and post-Roman worlds.

The Pragmatic Philosophy of John Dewey Premium Collection: 20+ Books in One Volume is a comprehensive compilation of the influential works of American philosopher John Dewey, encompassing a wide range of topics such as education, democracy, ethics, and aesthetics. Dewey's writing style is clear, logical, and highly accessible, making his complex ideas approachable to a wide audience. His pragmatic approach to philosophy emphasizes the importance of experience, experimentation, and practicality in shaping our understanding of the world. A pioneer of pragmatism, Dewey's work remains relevant in contemporary philosophical debates and educational practices. John Dewey, a prominent figure in American philosophy and education, drew inspiration from his background in psychology, sociology, and aesthetics to develop his unique philosophical perspective. His advocacy for progressive education and democratic ideals is reflected in his numerous writings that challenge traditional ideas of knowledge and truth. Dewey's deep commitment to social reform and intellectual inquiry shines through in his prolific body of work. I highly recommend The Pragmatic Philosophy of John Dewey to readers interested in philosophy, education, and politics. This comprehensive collection provides valuable insights into Dewey's groundbreaking ideas and their enduring relevance in today's world.

The nineteenth century witnessed the birth of German nationalism and the unification of Germany as a powerful nation-state. In this era the reading public?s obsession with the most destructive and divisive war in its history?the Thirty Years? War?resurrected old animosities and sparked a violent, century-long debate over the origins and aftermath of the war. The core of this bitter argument was a clash between Protestant and Catholic historians over the cultural criteria determining authentic German identity and the territorial and political form of the future German nation. ø This groundbreaking study of modern Germany?s morbid fascination with the war explores the ideological uses of history writing, commemoration, and collective remembrance to show how the passionate argument over the ?meaning? of the Thirty Years? War shaped Germans' conception of their nation. The first book in the extensive literature on German history writing to examine how modern German historians reinterpreted a specific event to define national identity and legitimate political and ideological agendas, The Thirty Years? War and German Memory in the Nineteenth Century is a bold intellectual history of the confluence of history writing, religion, culture, and politics in nineteenth-century Germany.

History is told by the victors and dare to write about the losing side. Writer Mark Kurt dared to bring to the reader the book We Were Not Heroes, a fictional novel about the diabolical scenario of the Second World War where men and women were trying to survive the boundless cruelties. Never has so much detail been written about the strategy of a pack of German U-boats trying to intercept an Allied convoy, the cold-bloodedness during naval combat and the pursuit of their enemies with destroyers in an attempt to annihilate them. Mark Kurt in his narrative of suspense and intriguing describes the incursion of a German command in British territory led by Max as main character and in the pursuit of the Germans an intelligent and selfless British investigator in the attempt to stop them, but to each one of the characters is reserved a different destiny despite the same scenario of the Second World War.

AntiFascism and Memory in East Germany is a book about remembering and about forgetting, about war, and about the peace which eventually followed. In the unlikely setting of the German Democratic Republic (GDR), the Spanish Civil War became the subject of a debate which both predated and outlasted the Cold War, involving historians, veterans, politicains, censors, artists, writers, and Church activists. Examining these multiple memories and interpretations of Spain casts new and unexpected light on the legacy of the Spanish Civil War, and the relationship between history and memory under state socialism. The ruling Socialist Unity Party made full use of the antifascist legacy as legitimation for a non-democratic state. But despite dogged attempts at control and censorship, the state was unable to silence competing voices. All over East Germany, International Brigade veterans preserved their version of events - in letters to each other, in communications with the party, in discussions with friends and family around the kitchen table, and in memoirs written for the 'desk drawer'. For younger East Germans, the war retained an undeniably romantic aura. From their perspective, Spain was a far-away land to which they were forbidden to travel, the stuff of camp-fire singalongs and fantasies of adventure. This book dissects the relationship between state-sponsored history, the lobbying of veterans, cultural interpretations of war, and the memory traces left behind by marginalised or politically oppositional groups and individuals. It is a cultural history of memory under state socialism, a social history of veteran groups and their relationship with the state, and a political history of communist culture. Above all, it is the story of how post-war Europeans came to terms with the heavy burden of their pre-war past.