A murder brings the past back into focus for Darcy Sweet... While Misty Hollow is gearing up for the fourth of July, Darcy and Jon are expecting visitors from out of town for a small dinner party. Things don't go exactly as planned when someone from their past turns up dead. And it's definitely murder! It's not clear what the motive is. The victim was not a popular person and anyone from town could be the killer. As much as Darcy does not want to, she must once again cross over to the other side. Only there will she find the ghost of the victim and the information she seeks. Will Darcy and Jon be able to solve the mystery and put the ghost of the past to rest? The Ghost of Murders Past is the twenty-third book in the Darcy Sweet Cozy Mystery series. If you love cozy mysteries with paranormal, and a touch of romance you'll love the Darcy Sweet Cozy Mystery series. Pick up The Ghost of Murders Past to read Darcy's latest adventure today!

"Rebecka Martinsson: the new Scandi-noir heroine to rival Saga Noren and Sarah Lund" iNews "In a television world now awash in female coppers, there aren't many as interesting and human as Rebecka" Wall Street Journal In the first thaw of spring the body of a young woman surfaces in the River Torne in the far north of Sweden. Rebecka Martinsson is working as a prosecutor in nearby Kiruna, her sleep troubled by visions of a shadowy, accusing figure. Could the body belong to the girl in her dream? Joining forces with Police Inspector Anna-Maria Mella, Martinsson will need all her courage to face a killer who will kill again to keep the past buried under half a century of silent ice and snow. "Well written, atmospheric and gripping to the end." ***** Reader Review "The first book I read by Asa Larsson and I expect to read all the others." ***** Reader Review "One of those books that I did not want to end." ***** Reader Review The novels that inspired Rebecka Martinsson: Arctic Murders - the major TV series Translated from Swedish by Laurie Thompson

Octavia is a work of exceptional historical and dramatic interest. It is the only surviving complete example of the Roman historical drama known as the fabula praetexta. Written shortly after Nero's death by an unknown author, the play deals with events at the court of Nero in the decisive year 62 CE, for which it is the earliest extant (almost contemporary) literary source; its main themes are sex, murder, politics, power and the perceptions and constructions of history. It is a powerful, lyrical and spectacular play. This is the first critical edition of Octavia, with verse translation and commentary, which aims to elucidate the text dramatically as well as philologically, and to locate it firmly in its historical and theatrical context. The verse translation is designed for both performance and serious study.

This book describes different instances of trauma that may have occurred several generations ago. It explores the work of several psychoanalysts who have written on the negative effect that unknown or unremembered grandparents can have upon the life of their grandchildren.

Montana’s favorite fly fisherman detective is back on the case in the second installment of the Sean Stranahan Mystery Series When the graves of two men are discovered on Sphinx Mountain, Sheriff Martha Ettinger suspects murder. But with the only evidence a hole in a skull that might or might not have been caused by a bullet, she once more finds herself turning to private investigator Sean Stranahan for help. Stranahan already has a case, having been hired by a group of eccentric fly fishermen called The Madison River Liars and Fly Tiers Club to find a valuable fly that they suspect has been stolen. Could the disappearance of a vintage Gray Ghost from a riverside cabin in the Madison Valley be connected to the gray ghosts who haunt Sphinx Mountain? Stranahan will cross paths, and arms, with some of the most powerful people in the valley to find out, in a novel that is sure to capture new fans for one of the mystery genre’s rising stars.

The haunting effects of crime, violence, and death in our history, memory, and media spaces From Abu Ghraib and Holocaust death camps to Marjory Stoneman Douglas High School and slave plantations, spaces where violent crimes have occurred can often become forever changed, or “haunted,” in the public imagination. In this volume, Michael Fiddler, Travis Linnemann, and Theo Kindynis bring together an interdisciplinary group of distinguished scholars to study this phenomenon, exploring the origins, theory, and methodology of ghost criminology. Featuring Jeff Ferrell, Michelle Brown, Eamon Carrabine, and other prominent scholars, Ghost Criminology takes us inside spaces where the worst crimes have imprinted themselves on our history, memory, and media spaces. Contributors explore a wide range of these hauntological topics from a criminological perspective, including the excavation of graffiti in the London underground, the phantom of Robert E. Lee in Charlottesville, VA, during the 2017 riots, and the ghostly evidentiary traces of crime in motel rooms. Ultimately, Fiddler, Kindynis, and Linnemann offer ghost criminology as another way of seeing, and better understanding, the lingering impact of violence, oppression, and history in today’s world. Ghost Criminology curates cutting-edge research to break exciting new terrain.

This book carries an ethnographic signature in approach and style, and is an examination of a small Brooklyn, New York, African-American, Pentecostal church congregation and is based on ethnographic notes taken over the course of four years. The Pentecostal Church is known to outsiders almost exclusively for its members’ “bizarre” habit of speaking in tongues. This ethnography, however, puts those outsiders inside the church pews, as it paints a portrait of piety, compassion, caring, love—all embraced through an embodiment perspective, as the church’s members experience these forces in the most personal ways through religious conversion. Central themes include concerns with the notion of “spectacle” because of the grand bodily display that is highlighted by spiritual struggle, social aspiration, punishment and spontaneous explosions of a variety of emotions in the public sphere. The approach to sociology throughout this work incorporates the striking dialectic of history and biography to penetrate and interact with religiously inspired residents of the inner-city in a quest to make sense both empirically and theoretically of this rapidly changing, surprising and highly contradictory late-modern church scene. The focus on the individual process of becoming Pentecostal provides a road map into the church and canvasses an intimate view into the lives of its members, capturing their stories as they proceed in their Pentecostal careers. This book challenges important sociological concepts like crisis to explain religious seekership and conversion, while developing new concepts such as “God Hunting” and “Holy Ghost Capital” to explain the process through which individuals become tongue-speaking Pentecostals. Church members acquire “Holy Ghost Capital” and construct a Pentecostal identity through a relationship narrative to establish personal status and power through conflicting tongue-speaking ideas. Finally, this book examines the futures of the small and large, institutionally affiliated Pentecostal Church and argues that the small Pentecostal Church is better able to resist modern rationalizing forces, retaining the charisma that sparked the initial religious movement. The power of charisma in the small church has far-reaching consequences and implications for the future of Pentecostalism and its followers.

In the first of two short stories horror stories, "Warface," urban legend has it that eons ago Samuel Ketchum killed and tortured countless Indians on remote Indian Island. Not even women and children were spared. Years later, tales of bizarre disappearance and drowning surfaced. Locals tell of a tribal witch doctor Ketchum burned alive on that very island and speculate he now roams the land seeking vengeance for his death by collecting innocent souls for eternity. He is Chief Warface, and he's out there haunting Indian Island. In the story "Links to My Past," while visiting a graveyard during a class trip to Old Bethpage Village Restoration, a group of students notice the name on a headstone is the same as one of the students'. That student, Richard Valentine, starts having dreams and goes back to the time dated on the tombstone of 1887. This cemetery contains graves of the unwanted; murderers, rapists, and those possessed by witchcraft. What Valentine sees changes him forever.

Looming onto the television landscape in 2011, American Horror Story gave viewers a weekly dose of psychological unease and gruesome violence. Embracing the familiar horror conventions of spooky settings, unnerving manifestations and terrifying monsters, series co-creators Ryan Murphy and Brad Falchuk combine shocking visual effects with an engaging anthology format to provide a modern take on the horror genre. This collection of new essays examines the series' contribution to television horror, focusing on how the show speaks to social concerns, its use of classic horror tropes and its reinvention of the tale of terror for the 21st century.

A guide to understanding the major genres of the story world by the legendary writing teacher and author of The Anatomy of Story, John Truby. Most people think genres are simply categories on Netflix or Amazon that provide a helpful guide to making entertainment choices. Most people are wrong. Genre stories aren’t just a small subset of the films, video games, TV shows, and books that people consume. They are the all-stars of the entertainment world, comprising the vast majority of popular stories worldwide. That’s why businesses—movie studios, production companies, video game studios, and publishing houses—buy and sell them. Writers who want to succeed professionally must write the stories these businesses want to buy. Simply put, the storytelling game is won by mastering the structure of genres. The Anatomy of Genres: How Story Forms Explain the Way the World Works is the legendary writing teacher John Truby’s step-by-step guide to understanding and using the basic building blocks of the story world. He details the three ironclad rules of successful genre writing, and analyzes more than a dozen major genres and the essential plot events, or “beats,” that define each of them. As he shows, the ability to combine these beats in the right way is what separates stories that sell from those that don’t. Truby also reveals how a single story can combine elements of different genres, and how the best writers use this technique to craft unforgettable stories that stand out from the crowd. Just as Truby’s first book, The Anatomy of Story, changed the way writers develop stories, The Anatomy of Genres will enhance their quality and expand the impact they have on the world.