Edward S. Curtis's The North American Indian is the most ambitious photographic and ethnographic record of Native American cultures ever produced. Published between 1907 and 1930 as a series of twenty volumes and portfolios, the work contains more than two thousand photographs intended to document the traditional culture of every Native American tribe west of the Mississippi. Many critics have claimed that Curtis's images present Native peoples as a "vanishing race," hiding both their engagement with modernity and the history of colonial violence. But in this major reappraisal of Curtis's work, Shamoon Zamir argues instead that Curtis's photography engages meaningfully with the crisis of culture and selfhood brought on by the dramatic transformations of Native societies. This crisis is captured profoundly, and with remarkable empathy, in Curtis's images of the human face. Zamir also contends that we can fully understand this achievement only if we think of Curtis's Native subjects as coauthors of his project. This radical reassessment is presented as a series of close readings that explore the relationship of aesthetics and ethics in photography. Zamir's richly illustrated study resituates Curtis's work in Native American studies and in the histories of photography and visual anthropology.

We live in an age of global capitalism and terror. In a climate of consumption and fear the unknown Other is regarded as a threat to our safety, a client to assist, or a competitor to be overcome in the struggle for scarce resources. And yet, the Christian Scriptures explicitly summon us to welcome strangers, to care for the widow and the orphan, and to build relationships with those distant from us. But how, in this world of hostility and commodification, do we practice hospitality? In The Gift of the Other, Andrew Shepherd engages deeply with the influential thought of French thinkers Emmanuel Levinas and Jacques Derrida, and argues that a true vision of hospitality is ultimately found not in postmodern philosophies but in the Christian narrative. The book offers a compelling Trinitarian account of the God of hospitality--a God of communion who "makes room" for otherness, who overcomes the hostility of the world though Jesus' life, death, and resurrection, and who through the work of the Spirit is forming a new community: the Church--a people of welcome.

Winner of the 2007 Symposium Book Award presented by Symposium: Canadian Journal of Continental Philosophy The Gift of the Other brings together a philosophical analysis of time, embodiment, and ethical responsibility with a feminist critique of the way women's reproductive capacity has been theorized and represented in Western culture. Author Lisa Guenther develops the ethical and temporal implications of understanding birth as the gift of the Other, a gift which makes existence possible, and already orients this existence toward a radical responsibility for Others. Through an engagement with the work of Levinas, Beauvoir, Arendt, Irigaray, and Kristeva, the author outlines an ethics of maternity based on the givenness of existence and a feminist politics of motherhood which critiques the exploitation of maternal generosity.

Traces Western ideas of corporeal bodies from Plato to contemporary feminist and postructuralist writings, with the purpose of reexamining the good, identified in Plato as that which gives authority to knowledge and truth.

Traces the history of the idea of art as an ethical movement, interpreting the good as nature's abundance, giving rise to an ethics of inclusion, expressed in art.

“Extraordinary . . . No one but Chaim Potok could have written this strangely sweet, compelling, and deeply felt novel.”—The Cleveland Plain Dealer In his powerful My Name is Asher Lev, Chaim Potok gave the world an unforgettable character and a timeless story that The New York Times Book Review hailed as “little short of a work of genius.” The Chicago Sun-Times declared it “a story that had to be told.” Now, Chaim Potok’s beloved character returns to learn, to teach, to dream, in The Gift of Asher Lev. Twenty years have passed. Asher Lev is a world-renowned artist living with his young family in France. Still, he is unsure of his artistic direction. Success has not brought ease to his heart. Then Asher’s beloved uncle dies suddenly, and Asher and his family rush back to Brooklyn—and into a world that Asher thought he had left behind forever. It is a journey of confrontation and discovery as Asher purges his past in search of new inspiration for his art and begins to understand the true meaning of sacrifice and the painful joy in sharing the most precious gift of all. Praise for The Gift of Asher Lev “A masterwork.”—Newsday “Rivals anything Chaim Potok has ever produced. It is a book written with passion about passion. You’re not likely to read anything better this year.”—The Detroit News “Fascinating.”—The Washington Post Book World “Very moving.”—The Philadelphia Inquirer

Reexamines the good, tracing the history of the idea of truth as an ethical movement, and interpreting the good as nature's abundance, giving beauty and truth as gifts.

This is the fifth volume in an ongoing project reexamining the philosophic tradition from the standpoint of the good. The ongoing project seeks to understand humanity's relation to nature in a profoundly ethical way. This volume develops an understanding in ecological terms. It does so by examining the notion of giving in relation to having, calling into question the ways in which being human, and being itself, have been understood in terms of what one must have and possess in order to live well—goods, qualities, a body, a dwelling, freedom, land, children, family, things, knowledge, power, authenticity—all forms of genitivity. Having is explored in terms of ecstasy, squander, generosity, and sustenance, then as betrayal and forgiveness. Betrayal is understood as the expressiveness of things, always promised to circulation in abundance beyond containment, use or profit: the circulation of goods and commodities together with the circulation of images, meanings, language, and writing.