The Glossa Ordinaria, the medieval glossed Bible first printed in 1480/81, has been a rich source of biblical commentary for centuries. Circulated first in manuscript, the text is the Latin Vulgate Bible of St. Jerome with patristic commentary both in the margins and within the text itself. This study, the first of its kind, introduces the reader to the Glossa Ordinaria both historically and through the lens of contemporary hypertext theory, arguing that the Glossa Ordinaria is a hypertext of the mind. By application of ancient, medieval and modern theories, this study encourages the reader to engage the Glossa Ordinaria in new and exciting ways. This book serves both as primer on the Glossa Ordinaria and examination of the text in light of modern theories.

In this translation of glosses on the Song of Songs, Mary Dove offers a readily accessible and inexpensive resource for students and scholars. Anselm of Laon, possibly assisted by his brother Ralph, is credited with compiling the Glossa Ordinaria on the Song of Songs, drawing from earlier commentaries by Origen, Gregory the Great, Bede, Alcuin, Hrabanus Maurus, Haimo of Auxerre, and Robert of Tombelaine as well as contributing his own readings of the text. As Dove notes in her introduction, the text is quite complicated, with each manuscript page divided into three columns - the biblical text in large letters in the center column, with space left for interlinear glosses, and glosses in smaller letters in both the right- and left-hand columns. (This format is not reproduced in this translation.) The number of surviving manuscripts (over seventy) shows that plenty of readers enjoyed the challenges the text offered, and for modern readers, the Glossa Ordinaria is the first place to go to find medieval interpretation of biblical texts.

The Glossa Ordinaria on the Bible was the ubiquitous text of the Middle Ages. Compiled in twelfth-century France, this multi-volume work, containing the entire text of Scripture surrounded by a commentary drawn from patristic and medieval authors, is still extant in thousands of manuscripts, testifying to the centrality of the work for generations of medieval scholars. Although the Glossa has been the subject of modern study, it is surrounded by myth. This book, based on manuscript evidence, is the first to draw together the history of this monumental work, its authorship, content, layout, production and use. Raising new questions, and pointing the way to further research, it opens up the Glossa to all students of medieval religion and intellectual history.

This book makes available to scholars the unpublished proto-scholastic "Commentary on the Psalms," composed by one of the outstanding figures of the early twelfth century, Gilbert of Poiters (Gilbert Porreta). The commentary had its origins in the atmosphere of experimentation which characterized the schools of Laon, Chartres and Paris in the first decades of the century. Its unique "mise en page," its methodology and its connection to other texts - especially glossed classical texts, the "Glossa ordinaria" and the writings of Peter Lombard - are explored. Gilbert's "Commentary" is a text critical for the understanding of the development of the discipline of theology in the twelfth century schools.

The Gloss on Romans is a collection of sources from many periods and places, which accounts for its inconsistencies. And this is what gives the Gloss much of its charm ... The twelfth century was an age of gathering sources and commentaries, in theology (Lombard's Sentences), canon law (Gratian's Decretum), and biblical studies (the Glossa ordinaria). Education began to flourish into what would become universities, where the master's role was to elucidate traditional, authoritative texts. And chief among these was the Bible, not standing alone but with the accompanying Gloss." - from the introduction

Like medieval maps with their intricate illustrations, unusual proportions, and omission of seemingly crucial details, medieval works of theology were designed to provide not an objective lay of the land for disinterested study but an itinerary for individuals traveling a specific route. To read was to be taken by the hand and to join fellow travelers on a journey of participation -- and ultimately union -- with God.

Gratian the Theologian shows how one of the best-known canonists of the medieval period was also an accomplished theologian. Well into the twelfth century, compilations of Church law often dealt with theological issues. Gratian's Concordia discordantium canonum or Decretum, which was originally compiled around 1140, was no exception, and so Wei claims in this provocative book. The Decretum is the fundamental canon law work of the twelfth century, which served as both the standard textbook of canon law in the medieval schools and an authoritative law book in ecclesiastical and secular courts. Yet theology features prominently throughout the Decretum, both for its own sake and for its connection to canon law and canonistic jurisprudence.

The Days of Creation examines the history of Christian interpretation of the seven-day framework of Genesis 1:1–2:3 in the Hebrew Bible/Old Testament from the post-apostolic era to the debates surrounding Essays and Reviews (1860). Included in the survey are patristic, medieval, Renaissance/Reformation, eighteenth-century Enlightenment and finally early to mid-nineteenth-century interpretations of the days of creation. This study enables an insight into the mighty career of a biblical text of seminal importance, and fills a significant niche in reception-historical research.

Offers a new take on the identities and life histories of medieval people, in their multi-layered and sometimes contradictory dimensions.