Examines how Union veterans of the Army of the Cumberland employed the extinction of slavery in the trans-Appalachian South in their memory of the Civil War Robert Hunt examines how Union veterans of the Army of the Cumberland employed the extinction of slavery in the trans-Appalachian South in their memory of the Civil War. Hunt argues that rather than ignoring or belittling emancipation, it became central to veterans’ retrospective understanding of what the war, and their service in it, was all about. The Army of the Cumberland is particularly useful as a subject for this examination because it invaded the South deeply, encountering numerous ex-slaves as fugitives, refugees, laborers on military projects, and new recruits. At the same time, the Cumberlanders were mostly Illinoisans, Ohioans, Indianans, and, significantly, Kentucky Unionists, all from areas suspicious of abolition before the war. Hunt argues that the collapse of slavery in the trans-Appalachian theater of the Civil War can be usefully understood by exploring the post-war memories of this group of Union veterans. He contends that rather than remembering the war as a crusade against the evils of slavery, the veterans of the Army of the Cumberland saw the end of slavery as a by-product of the necessary defeat of the planter aristocracy that had sundered the Union; a good and necessary outcome, but not necessarily an assertion of equality between the races. Some of the most provocative discussions about the Civil War in current scholarship are concerned with how memory of the war was used by both the North and the South in Reconstruction, redeemer politics, the imposition of segregation, and the Spanish-American War. This work demonstrates that both the collapse of slavery and the economic and social post-War experience convinced these veterans that they had participated in the construction of the United States as a world power, built on the victory won against corrupt Southern plutocrats who had impeded the rightful development of the country.

New York Times Bestseller: A “superb” blow-by-blow account of how Tip O’Neill and his colleagues impeached Richard Nixon after Watergate (Chicago Tribune). Not long after burglars were caught raiding the Democratic National Committee headquarters at the Watergate Hotel, Congressman Tip O’Neill noticed that Democratic fundraising efforts for the 1972 election had stalled. Major contributors were under IRS investigation, and Republican lackeys were threatening further trouble if those donors didn’t close their checkbooks. O’Neill sensed a conspiracy coming from the Nixon administration, but it wasn’t until the scandal broke that he connected the threatened donors with the Watergate burglary. In the boldest move of his career, he did something that would shock the nation: O’Neill decided to impeach the President. To his fellow members of the House of Representatives, this was an ugly idea. But as evidence mounted against Nixon and his cronies, O’Neill led the charge against the President. This blow-by-blow, conviction-by-conviction account is a gripping reminder of how O’Neill and his colleagues brought justice to those who abused their power, and revived America after the greatest political scandal in its history. This ebook features an illustrated biography of Jimmy Breslin including rare photos and never-before-seen documents from the author’s personal collection.

Seneca's dialogues--as his epistolary essays have traditionally been known--offer an ideal path into the philosophical thought of first-century Rome's most famous Stoic, whose compelled suicide in 65 CE (by order of his former pupil Emperor Nero) drew comparisons to the death of Socrates. Notable for, among other things, their portrait of a providential universe and defense of the life of virtue, the nine dialogues included in this volume illustrate the deeply intertwined cosmological and moral arguments of ancient Rome’s chief philosophical alternative to Epicureanism and Academic Skepticism. Peter J. Anderson's new translation conveys the distinctive character of Seneca's style, while striving for accuracy and consistency in its renderings of key terms. His Introduction discusses the dialogues as works of art and situates them in the context of ancient Stoic philosophy as well as the wider philosophical scene. Notes and a glossary are also included.

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)

Renowned editor Lawrence Harbison brings together approximately one hundred never-before-published men’s monologues for actors to use for auditions and in class, all from recently produced plays. The selections include monologues from plays by both well-known playwrights such as Don Nigro, Theresa Rebeck, Rob Ackerman, Len Jenkin, Stephen Belber, and Tim Blake Nelson, and future stars such as David MacGregor, Reina Hardy, Chris Daftsios, Frank Basloe, and Will Arbery. There are terrific comic and dramatic pieces, and all represent the best of contemporary playwriting. This collection is an invaluable resource for aspiring actors hoping to ace their auditions and impress directors and teachers with contemporary pieces.

Reprint of the original.

Collects biographies of outstanding Blacks from all over the world, from Marcus Garvey to Akhenaton.