A History of the Red Army, Soviet Army and Russian Army in 100 Years of Conflict From the chaos of the civil war to the political manoeuvring of the Cold War, Russia's armed forces have shaped the future not only of Russia but of countless other countries around the globe. The Great Bear at War: The Russian and Soviet Army, 1917–Present explores the development and struggles of Soviet and Russian armed forces across the numerous conflicts which mark its history. It charts the great historical events that have defined the Red/Russian Army, especially World War II and the Cold War, but also the post-communist insurgencies and wars in which the Russian military has redeveloped its outlook and mission. The post-Soviet development of the Russian military into a modern force is explored in detail, including its controversial campaigns in Chechnya (1999–2009), Georgia (2008), and Ukraine (from 2014). Sewn into the narrative are details about the equipment, uniforms, training, service conditions and weaponry of the Soviet/Russian soldiers, bringing personal experience and technological context to the broader history. At a time when the world is closely focused upon Russian military behaviour, The Great Bear at War is both timely and fascinating.

Flying With The Eagle, Racing the Great Bear is a continent-spanning collection of sixteen thrilling tales in which young men must face great enemies, find the strength and endurance within themselves to succedd, and take their place by the side of their elders.

This book offers a descriptive analysis of the Soviet/Russian wars in Afghanistan, Chechnya, and Georgia, as well as an in-depth exploration of the ways in which these wars are framed in the collective consciousness created by global popular culture. Russian and Western modalities of remembrance have been, and remain, engaged in a world war that takes place (not exclusively, but intensively) on the level of popular culture. The action/reaction dynamic, confrontational narratives and othering between the two “camps” never ceased. The Cold War, in many ways and contrary to the views of many others who hoped for the end of history, never really ended.

Fully illustrated, this study assesses the Soviet and Waffen-SS troops who contested the cities of Kharkov and Rostov-on-Don on the Eastern Front during 1942–43. As the Axis invasion of the Soviet Union unfolded, two places that suffered exceptionally severely were Kharkov (now Kharkiv) in Ukraine and Rostov-on-Don in Russia. In total, Kharkov would change hands violently four times between October 1941 and August 1943, and Rostov-on-Don also four times between November 1941 and February 1943. In this book, Chris McNab examines the fighting men of the Red Army and the Waffen-SS who clashed in three battles – one for Rostov (July 1942) and two for Kharkov (February–March and August). He clearly explains the key differences between these two opponents – training, tactics, weaponry, ideology and motivation – and examines how these differences played out in the three engagements, which ranged from open-terrain combined-arms battles to close-quarters street fighting in major urban zones. The text is complemented by specially commissioned artwork and mapping and carefully chosen archive photographs.

"The fun and easy way to decipher the predictions of this 16th-century prophet"--Cover subtitle.

A Companion to German Cinema A Companion to German Cinema regards the shifting terrain of German filmmaking and film studies against their larger social contexts with twenty-two newly commissioned essays by well-established and younger scholars in the field. While several of these focus on classic topics such as Weimar cinema, Fifties cinema, New German Cinema and its legacy, and Holocaust film, the collection is distinguished by its focus on new developments and the innovative light they may shed on earlier practices. A Companion to German Cinema includes essays on Berlin Film, Neue Heimat Film, New Comedy, post-Wall documentaries, the post-Wende RAF genre, and Rabenmutter imagery, as well as on the persistently overlooked and under-theorized Indianerfilme, post-AIDS documentaries, sexploitation films, and new multicultural and transnational films produced in Germany under the auspices of the European Union. Organized into three “movements” representing the significance of these developments for their aesthetic theorization, A Companion to German Cinema challenges its readers to address critical gaps in the field with the aim of opening it further onto new terrains of intellectual engagement.

The Best of English Poetry:Shakespeare's SonnetsThe Works of Lord ByronThe Complete Works of Henry Wadsworth LongfellowThe Works of Robert BrowningThe Works of John Dryden

DigiCat presents to you this unique and meticulously edited collection of "Classics Retold" which includes world's best-known classics in simplified and captivating language for our young listeners and readers: The Iliad of Homer Odysseus, the Hero of Ithaca (Homer) The Arabian Nights Entertainments (Andrew Lang) Viking Tales (Jennie Hall) Tales of King Arthur and the Round Table (Andrew Lang) Chaucer for Children: A Golden Key (Geoffrey Chaucer) Tales from Shakespeare (Charles and Mary Lamb) Don Quixote (Miguel Cervantes) The Pilgrim's Progress (John Bunyan) Robinson Crusoe (Daniel Defoe) Gulliver's Travels: Voyage to Lilliput (Jonathan Swift) Little Goody Two-Shoes &Mrs Margery Two-Shoes (Oliver Goldsmith) Charles Dickens' Children Stories (Charles Dickens) The Story of Hiawatha (Henry Wadsworth Longfellow and Winston Stokes) Uncle Tom's Cabin (Harriet Beecher Stowe) The Story of Pocahontas and Captain John Smith (E. Boyd Smith)

The long-awaited and much-demanded sequel to A PLAGUE OF ANGELS, continuing the story of Abasio, once a farmboy, now, so Blue, his talking horse, is happy to inform people, a man who goes hither and thither helping orphans in this world where renascent mythical beasts and fairy tale 'archetypes' now live. ... And when he comes agross little Xulai from Tingawan, one of the Ten Thousand Islands, far across the western Sea, she informs him that she too is an orphan, and implores his help carrying out the last request of the Princess Xu-i-lok, who has been dying since the day she married Duke Justinian, who refused the royal order to marry Alicia, the Prince's sister. Xulai is Princess Xu-i-lok's Soul Carrier, and the task she must complete means visiting the scary forest in the dead of night - but it is the only thing that will bring the princess a measure of peace. Abasio, helper of orphans, promises though she must do this alone, he will be near, to aid her if necessary ... and it is, for there are dark things abroad ... And Xulai's job is not yet done, for with the princess now dead, the grieving Duke is left a widower - and Alicia, Duchess Altamont, still wishes to marry him. It's not just the man she wants, but his lands too ... and her plans do not bode well for anyone except her ...