First published in 1909, The Great Illusion sets out to answer one of the greatest questions in human history: Why is there war? Specifically, Angell wishes to discuss why there is war between the countries of Europe, which seem to always be at one another's throats. Angell refutes the belief that military power results in greater wealth and instead proposes that advanced economies based on trade and contract law can only generate value in the absence of military upset. War destroys any wealth that conquerors may have wanted to obtain, making the whole enterprise pointless. A deep understanding of this would, then, end the need for war. Students of history, political science, and peace studies will find much to ponder and much to argue with in this classic text. British journalist and politician SIR RALPH NORMAN ANGELL (1872-1967) was an executive for the World Committee against War and Fascism and a member of the executive committee of the League of Nations Union. Knighted in 1931, he was awarded the Nobel Peace Prize in 1933. From 1905 to 1912, he was the Paris editor for the Daily Mail, and served as a Labour MP from 1929 to 1931. He is also the author of Peace Theories and the Balkan War and The Fruits of Victory.

The love between Klaus and Uma, children of Slavic émigrés in Berlin, collides with the Twentieth Century and emerges defeated. Crushed by a cumbersome past and the looming present, they cannot have a future together, but only two individual lives, separated by the Wall, erected in the middle of officially pacified Europe with no declared wars. Their story will resume, with tragic implications, after reunification and the illusion of a world finally free of confrontation and violence. The rush of events will overwhelm their generation and the next, particularly the lives of Franz and Olga, who are inextricably linked to a Destiny that has quietly worked in the shadows throughout the century, marking the events and decisions of grandparents, fathers, sons and grandchildren.

Prohibition was imposed by eager temperance movements organizers who sought to shape public behavior through alcoholic beverage control in the 19th and early 20th centuries. The success of reformers' efforts resulted in National Prohibition in America from 1920 to 1933, but it also resulted in a thriving illegal business in the manufacture and distribution of illegal liquor. The history of Prohibition and the resulting illegal drinking is frequently told through the lens of crime and violence in Chicago and other major East Coast cities. Often neglected are the effects of Prohibition on the Western part of the United States and how Westerners rose to the challenge of avoiding the consequences of illegal drinking. Illegal liquor was imported from abroad, made in stills using strange ingredients that were sometimes poisonous to the unlucky drinker. This history includes stories ranging from serious to quirky, and provides an entertaining account of how misguided efforts resulted in numerous unintended consequences.

With the passing of the Volstead Act, the United States embraced Prohibition as the law of the land. From 1920 to 1933, the well-intentioned ban of the manufacture, sale, and transportation of intoxicating liquors gave rise to a flourishing culture of bootleggers, gangsters, and corrupt officials. This witty and perceptive history by Herbert Asbury, the bestselling author of The Gangs of New York, offers a wide-ranging survey of the Prohibition era that covers not only twentieth-century events but also the movement's inception in colonial times and its transformation into a religious crusade. A considerable portion of Americans viewed the end of liquor trafficking as an act of obedience to God's will and anticipated a new era of peace and prosperity. Instead, a vast criminal network of black market profiteers took root, promoting a spirit of lawlessness throughout the country. The Great Illusion charts all aspects of the period's moral decline, from the activities of rumrunners who supplied speakeasies to those of crooked politicians and police who profited from the failed experiment of Prohibition.

A new and groundbreaking approach to the history of grand opera, Grand Illusion: Phantasmagoria in Nineteenth-Century Opera explores the illusion and illumination behind the form's rise to cultural eminence. Renowned opera scholar Gabriela Cruz argues that grand opera worked to awaken memory and feeling in a way never before experienced in the opera house, asserting that the concept of "spectacle" was the defining cultural apparatus of the art form after the 1820s. Parisian audiences at the Académie Royale de Musique were struck by the novelty and power of grand opera upon the introduction of gaslight illumination, a technological innovation that quickly influenced productions across the Western operatic world. With this innovation, grand opera transformed into an audio-visual spectacle, delivering dream-like images and evoking the ghosts of its audiences' past. Through case studies of operas by Giacomo Meyerbeer, Richard Wagner, and Giuseppe Verdi, Cruz demonstrates how these works became an increasingly sophisticated medium by which audiences could conjure up the past and be transported away from the breakdown of modern life. A historically informed narrative that traverses far and wide, from dingy popular theatres in post-revolutionary Paris, to nautical shows in London, and finally to Egyptian mummies, Grand Illusion provides a fresh departure from previous scholarship, highlighting the often-neglected visual side of grand opera.

Dudley Carnforth, gifted beyond the average with the 'gift of the gab', and also a 'jack-of-all-trades' scientific and master of none, decides that the time has come to end his grasshopper leaping from one job to another and do something really arresting which will put him on top of the world. Born in an age where space travel is just around the corner but not yet accomplished, he conceives the notion of pooling the many sciences he almost understands and producing therefrom a master plan for the conquest of space...

First published in 1996. The First World War was the single most important event of the twentieth century. This volume concentrates on non-U.S. aspects of the conflict. Organized alphabetically, its more than 600 detailed entries offer information and insight on such subjects as the causes of the conflict, major battles and campaigns, weapons systems (including military aviation, chemical warfare, the submarine, and the tank), and the terms of the peace. Some 350 biographies provide information on the roles played in the conflict by generals, admirals, and civilian leaders. There are also biographies of individuals who were shaped by the war, such as Charles De Gaulle, Adolf Hitler, Benito Mussolini, and Joseph Stalin; essays on each of the countries involved in the conflict; new appraisals of such subjects as military medicine and artillery tactics; and essays on such diverse subjects as art, literature, and music in the war. Each entry has references for additional reading, and a subject index provides easy access. The volume is an excellent reference source for scholar and neophyte alike.

"It is VERY good. Fine piece of work. I have edited many books but this is the only one that has the jewel and the lotus and the muddy pool all in harmony. Rings true throughout my spiritual mountain climb and resonates with the ones whom I noticed were ahead of me. This is a handbook for people who have been round the track a few times. Blessings, Douglas. " -Author, teacher, healer, Douglas Buchanan.