After an introduction to the major issues confronting intellectuals, this book explores the various aspects of the intellectual's role including: * philosophers and academics who have tried to define the function of the intellectual * how intellectuals have assumed the status of the conscience of the nation and the voice of the oppressed * the interaction of intellectuals with Marxism * the place of the intellectual in American society Covering regions as diverse as Israel, Algeria, Britain, Ireland, central Europe and America, this collection considers the question of whether the intellectual can still lay claim to the language of truth. In answering, this study tells us much about the modern world in which we live. Coverage includes the following thinkers: Gramsci, Weber, Yeats, Auden, Levy, Mailer, Walzer, Marx and many more.

This book shows that the rise of the intelligentsia occurred earlier than is normally thought, and that by 1922, rather than 1932, the underlying principles of the new Soviet government's policies towards culture had already emerged and "proto-Stalinism" was increasingly important.

The gripping untold story of a terrorist leader whose death would catapult his brother—Lenin—to revolution. In 1886, Alexander Ulyanov, a brilliant biology student, joined a small group of students at St. Petersburg University to plot the assassination of Russia’s tsar. Known as “Second First March” for the date of their action, this group failed disastrously in their mission, and its leaders, Alexander included, were executed. History has largely forgotten Alexander, but for the most important consequence of his execution: his younger brother, Vladimir, went on to lead the October Revolution of 1917 and head the new Soviet government under his revolutionary pseudonym “Lenin.” Probing the Ulyanov family archives, historian Philip Pomper uncovers Alexander’s transformation from ascetic student to terrorist, and the impact his fate had on Lenin. Vividly portraying the psychological dynamics of a family that would change history, Lenin’s Brother is a perspective-changing glimpse into Lenin’s formative years—and his subsequent behavior as a revolutionary.

Soviet Composers and the Development of Soviet Music (1970) is a thought-provoking review of Soviet music and musicians. This scholarly and readable distillation of factual information and well-reasoned conclusions is the result of many years of exhaustive study of reference works, monographs and journals, as well as musical scores both published and unpublished, all supplemented by interviews and personal participation in Soviet musical life. The author presents a cogent, critical analysis of the relationship between extra-musical pressures and the theory and practice of artistic autonomy. The lives and works of some two dozen major Soviet composers are discussed, and insight is provided into Soviet thinking about music, and thinking about the arts.

No British periodical or weekly magazine has a richer and more distinguished archive than The New Statesman, which has long been at the centre of British political and cultural life. Some astonishing things were first published in its pages: great poems such as W.B. Yeats' "Easter 1916"and Edward Thomas's "Adlestrop"; H.G. Wells' interview with Stalin in 1934; C.P. Snow's "Two Cultures" essay; Christopher Hitchens' final interview, conducted by Richard Dawkins; and Hugh Grant's "The bugger bugged". Most of the great political and cultural writers of the recent past have written for The New Statesman. Many have been on its staff or were associates of it: George Bernard Shaw, John Maynard Keynes, V.S. Pritchett, Paul Johnson and John Gray. The most significant intellectual and cultural currents of the age ripple through its pages. Many of the radical causes of our times were launched in association with or in the pages of The New Statesman. For example, the Campaign for Nuclear Disarmament (CND) and Charter 88. There is, too, a rich history of illustration and cartoons to draw on, from Low's sketches of the great and the good to the gonzo art of Ralph Steadman and Will Self's early comic strips. The book is more than an anthology. It tells the story of the New Statesman, from the eve of the First World War to the long aftermath of 9/11 and the Great Recession through which we are still passing. It looks forward as well as back, offering a unique and unpredictable perspective on the world.