Confession is a history of penance as a virtue and a sacrament in the United States from about 1634, when Catholicism arrived in Maryland, to 2015, fifty years after the major theological and disciplinary changes initiated by the Second Vatican Council. Patrick W. Carey argues that the Catholic theology and practice of penance, so much opposed by the inheritors of the Protestant Reformation, kept alive the biblical penitential language in the United States at least until the mid-1960s when Catholic penitential discipline changed. During the nineteenth and early twentieth centuries, American Catholics created institutions that emphasized, in opposition to Protestant culture, confession to a priest as the normal and almost exclusive means of obtaining forgiveness. Preaching, teaching, catechesis, and parish revival-type missions stressed sacramental confession and the practice became a widespread routine in American Catholic life. After the Second Vatican Council, the practice of sacramental confession declined suddenly. The post-Vatican II history of penance, influenced by the Council's reforms and by changing American moral and cultural values, reveals a major shift in penitential theology; moving from an emphasis on confession to emphasis on reconciliation. Catholics make up about a quarter of the American population, and thus changes in the practice of penance had an impact on the wider society. In the fifty years since the Council, penitential language has been overshadowed increasingly by the language of conflict and controversy. In today's social and political climate, Confession may help Americans understand how far their society has departed from the penitential language of the earlier American tradition, and consider the advantages and disadvantages of such a departure.

A discussion of the expansion of Catholicism in the West Dialogue on the Frontier is a remarkable departure from previous scholarship, which emphasized the negative aspects of the relationship between Protestants and Catholics in the early American republic. Author Margaret C. DePalma argues that Catholic-Protestant relations took on a different tone and character in the late eighteenth and early nineteenth centuries. She focuses on the western frontier territory and explores the positive interaction of the two religions and the internal dynamics of Catholicism. When Father Stephen T. Badin arrived in the Kentucky frontier in 1793, intent on expanding Catholicism among the pioneers, he brought only his faith and courage, a capacity to work long hard hours, and an understanding of the need for meaningful interaction with his Protestant neighbors. He established the groundwork for the later arrivals of Edward D. Fenwick, the first bishop of Cincinnati, and Archbishop John B. Purcell. The interaction between these priests and the frontier Protestant community resulted in a dialogue of mutual necessity that allowed for the growth of the region, the nation, and the church. The ministries and stories of these three priests are representative of the problems the Catholic Church faced in overcoming anti-Catholic sentiment and the solutions it found in its efforts to lay a permanent foundation in the West. This book will be of great interest to scholars of the early republic and religious life and of the urban landscape of the Midwest.

Just five weeks after its publication in January 1836, Awful Disclosures of the Hotel Dieu Nunnery, billed as an escaped nun's shocking exposé of convent life, had already sold more than 20,000 copies. The book detailed gothic-style horror stories of licentious priests and abusive mothers superior, tortured nuns and novices, and infanticide. By the time the book was revealed to be a fiction and the author, Maria Monk, an imposter, it had already become one of the nineteenth century's best-selling books. In antebellum America only one book, Uncle Tom's Cabin, outsold it. The success of Monk's book was no fluke, but rather a part of a larger phenomenon of anti-Catholic propaganda, riots, and nativist politics. The secrecy of convents stood as an oblique justification for suspicion of Catholics and the campaigns against them, which were intimately connected with cultural concerns regarding reform, religion, immigration, and, in particular, the role of women in the Republic. At a time when the term "female virtue" pervaded popular rhetoric, the image of the veiled nun represented a threat to the established American ideal of womanhood. Unable to marry, she was instead a captive of a foreign foe, a fallen woman, a white slave, and a foolish virgin. In the first half of the nineteenth century, ministers, vigilantes, politicians, and writers--male and female--forged this image of the nun, locking arms against convents. The result was a far-reaching antebellum movement that would shape perceptions of nuns, and women more broadly, in America.

Susan Bernstein examines the gendered power relationships embedded in confessional literature of the Victorian period. Exploring this dynamic in Charlotte Bronta's Villette, Mary Elizabeth Braddon's Lady Audley's Secret, George Eliot's Daniel Deronda, and Thomas Hardy's Tess of the d'Urbervilles, she argues that although women's disclosures to male confessors repeatedly depict wrongdoing committed against them, they themselves are viewed as the transgressors. Bernstein emphasizes the secularization of confession, but she also places these narratives within the context of the anti-Catholic tract literature of the time. Based on cultural criticism, poststructuralism, and feminist theory, Bernstein's analysis constitutes a reassessment of Freud's and Foucault's theories of confession. In addition, her study of the anti-Catholic propaganda of the mid-nineteenth century and its portrayal of confession provides historical background to the meaning of domestic confessions in the literature of the second half of the century. Originally published in 1997. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.