Landmark study of World War I, describing its effects on the nation.

Paul Fussell s award-winning landmark study of World War I, originally published in 1975, remains as original and gripping today as ever but now, for the first time, his literary and illuminating account comes in a beautifully illustrated edition. World War I changed a generation, ushered in the modern era, and revolutionized how we see the world. By drawing from a variety of primary sources including personal correspondence, newspapers, and literary works Fussell brings the period alive. Not only does he give us a more profound understanding of what the Great War meant to the people who lived through it, he also analyzes our modern perception of its impact. The wide selection of rare and fascinating images (approximately 160 of them) includes photographs, illustrations, and maps from period books, magazines, newspapers, advertisements, and other publications. Not only do they heighten the impact of Fussell s remarkable critical interpretation, they help us fully grasp the true scope of this aptly named and catastrophic war.

Winner of both the National Book Award and the National Book Critics Circle Award and named by the Modern Library one of the twentieth century's 100 Best Non-Fiction Books, Paul Fussell's The Great War and Modern Memory was universally acclaimed on publication in 1970. Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a generation, ushered in the modern era, and revolutionized how we see the world. This brilliant work illuminates the trauma and tragedy of modern warfare in fresh, revelatory ways. Exploring the work of Siegfried Sassoon, Robert Graves, Edmund Blunden, David Jones, Isaac Rosenberg, and Wilfred Owen, Fussell supplies contexts, both actual and literary, for those writers who--with conspicuous imaginative and artistic meaning--most effectively memorialized World War I as an historical experience. Dispensing with literary theory and elevated rhetoric, Fussell grounds literary texts in the mud and trenches of World War I and shows how these poems, diaries, novels, and letters reflected the massive changes--in every area, including language itself--brought about by the cataclysm of the Great War. For generations of readers, this work has represented and embodied a model of accessible scholarship, huge ambition, hard-minded research, and haunting detail. Restored and updated, this new edition includes an introduction by historian Jay Winter that takes into account the legacy and literary career of Paul Fussell, who died in May 2012.

The twenty-seven original contributions to this volume investigate the ways in which the First World War has been commemorated and represented internationally in prose fiction, drama, film, docudrama and comics from the 1960s until the present. The volume thus provides a comprehensive survey of the cultural memory of the war as reflected in various media across national cultures, addressing the complex connections between the cultural post-memory of the war and its mediation. In four sections, the essays investigate (1) the cultural legacy of the Great War (including its mythology and iconography); (2) the implications of different forms and media for representing the war; (3) ‘national’ memories, foregrounding the differences in post-memory representations and interpretations of the Great War, and (4) representations of the Great War within larger temporal or spatial frameworks, focusing specifically on the ideological dimensions of its ‘remembrance’ in historical, socio-political, gender-oriented, and post-colonial contexts.

The horrors and tragedies of the First World War produced some of the finest literature of the century: including Memoirs of an Infantry Officer; Goodbye to All That; the poetry of Wilfred Owen and Edward Thomas; and the novels of Ford Madox Ford. Collectively detailing every campaign and action, together with the emotions and motives of the men on the ground, these 'war books' are the most important set of sources on the Great War that we have. Through looking at the war poems, memoirs and accounts published after the First World War, Ian Andrew Isherwood addresses the key issues of wartime historiography-patriotism, cowardice, publishers and their motives, readers and their motives, masculinity and propaganda. He also analyses the culture, society and politics of the world left behind. Remembering the Great War is a valuable, fascinating and stirring addition to our knowledge of the experiences of WWI.

The course of events of the Great War has been told many times, spurred by an endless desire to understand 'the war to end all wars'. However, this book moves beyond military narrative to offer a much fuller analysis of of the conflict's strategic, political, economic, social and cultural impact. Starting with the context and origins of the war, including assasination, misunderstanding and differing national war aims, it then covers the treacherous course of the conflict and its social consequences for both soldiers and civilians, for science and technology, for national politics and for pan-European revolution. The war left a long-term legacy for victors and vanquished alike. It created new frontiers, changed the balance of power and influenced the arts, national memory and political thought. The reach of this acount is global, showing how a conflict among European powers came to involve their colonial empires, and embraced Japan, China, the Ottoman Empire, Latin America and the United States.

This book, the first to study women's historical involvement in postwar reconciliation, examines how patriarchy and the international relations system operated simultaneously to ensure postwar male privilege.

Drawing on both wartime discourse about women and the voices of individual women living at the Italian Front, Allison Belzer analyzes how women participated in the Great War and how it affected them. The Great War transformed women into purveyors and recipients of a new feminine ideal that emphasized their status as national citizens. Although Italian women did not gain the vote, they did encounter a less empowering form of female citizenship just after the war ended with Mussolini’s Fascism. Because of the Great War, many women seized the opportunity to participate in a society that continued to recognize them as guardians of the nation.

The Great War is a collection of seven original essays and three critical comments by senior scholars dealing with the greatest conflict in modern history to its time - the 1914-18 World War. The Great War is edited by the distinguished historian of the First World War, R.J.Q.Adams.

This study examines fictional recreations of the First World War in the interwar years and the phenomenal success of one play, Sheriff's Journey's End. The author challenges the notion of a 'modern' memory generated by the First World War by arguing that middlebrow texts formulated a set of images and ideas that eclipsed the wartime upheaval and imputed conservative 'meanings' to the collective memory.