H. G. Wells, a pioneer in the science fiction genre, presents a collection of his greatest works in 'The Greatest Science Fiction Classics of H. G. Wells (Unabridged)'. This comprehensive volume includes timeless classics such as 'The War of the Worlds', 'The Time Machine', and 'The Invisible Man', showcasing Wells' imaginative narratives and thought-provoking exploration of scientific concepts. Wells' writing style is characterized by a perfect blend of scientific speculation and social commentary, making his works not only entertaining but also intellectually stimulating. Set in various time periods and locations, these stories invite readers to ponder on the potential consequences of scientific advancements and the nature of humanity. Wells' ability to seamlessly weave together adventure, suspense, and social critique in his narratives solidifies his reputation as a master of the science fiction genre. The inclusion of all his major works in this collection provides readers with a comprehensive insight into Wells' literary legacy, making it a must-read for fans of science fiction and classic literature alike.

H. G. Wells' 'Greatest Science Fiction Classics of H. G. Wells' is a compelling collection of groundbreaking science fiction works. From the thrilling adventures in 'The War of the Worlds' to the prophetic vision of a dystopian future in 'The Time Machine,' Wells' literary style combines vivid imagination with social commentary. Set in the late 19th and early 20th centuries, these works reflect the author's fascination with scientific advancements and their potential consequences on society. In this collection, readers will explore themes of alien invasion, time travel, and social evolution, all presented with Wells' signature blend of suspense and intellect. This anthology serves as a testament to Wells' enduring impact on the science fiction genre and his ability to provoke thought and inspire awe through his storytelling. It is a must-read for those interested in the origins of speculative fiction and the enduring legacy of one of its pioneers.

We is a dystopian novel which is set in a dystopian future police state. D-503 lives in the One State, an urban nation constructed almost entirely of glass, which allows the secret police/spies to inform on and supervise the public more easily. The structure of the state is analogous to the prison design concept developed by Jeremy Bentham commonly referred to as the Panopticon. Furthermore, life is organized to promote maximum productive efficiency along the lines of the system advocated by the hugely influential F. W. Taylor. People march in step with each other and wear identical clothing. There is no way of referring to people save by their given numbers. Males have odd numbers prefixed by consonants; females have even numbers prefixed by vowels. Along with Jack London's The Iron Heel, We is generally considered to be the grandfather of the satirical futuristic dystopia genre. Yevgeny Zamyatin (1884-1937) was a Russian author of science fiction and political satire. Due to his use of literature to criticize Soviet society, Zamyatin has been referred to as one of the first Soviet dissidents.

This carefully crafted ebook: "We (A Dystopian Science Fiction Classic) - The Original 1924 Unabridged Edition" is formatted for your eReader with a functional and detailed table of contents. We is a dystopian novel which is set in a dystopian future police state. D-503 lives in the One State, an urban nation constructed almost entirely of glass, which allows the secret police/spies to inform on and supervise the public more easily. The structure of the state is analogous to the prison design concept developed by Jeremy Bentham commonly referred to as the Panopticon. Furthermore, life is organized to promote maximum productive efficiency along the lines of the system advocated by the hugely influential F. W. Taylor. People march in step with each other and wear identical clothing. There is no way of referring to people save by their given numbers. Males have odd numbers prefixed by consonants; females have even numbers prefixed by vowels. Along with Jack London's The Iron Heel, We is generally considered to be the grandfather of the satirical futuristic dystopia genre. Yevgeny Zamyatin (1884-1937) was a Russian author of science fiction and political satire. Due to his use of literature to criticize Soviet society, Zamyatin has been referred to as one of the first Soviet dissidents.

This book is written by a philosopher for other philosophers and for that section of the reading public who buy in large quantities and, no doubt, devour with great earnestness the popular books written by scientists for their enlightenment. We common readers, to adapt a phrase from Samuel Johnson, are fitted neither to criticize physical theories not to decide what precisely are their implications. We are dependent upon the scientists for an exposition of those developments which – so we find them proclaiming – have important and far-reaching consequences for philosophy. Unfortunately, however, our popular expositors do not always serve us very well. The two who are most widely read in this country are Sir Arthur Eddington and Sir James Jeans. They are not always reliable guides. Their influence has been considerable upon the reading public, upon theologians, and upon preachers; they have even misled philosopher who should have known better. Accordingly, it has seemed to me to be worth while to examine in some detail the philosophical views that they have put forth and to criticize the grounds upon which these views are based.