The first three chapters of this book elucidate the scholastic goals of both classical cultures during the Roman Imperial period. Apuleius' works share the stage in these chapters with representatives of the second-century Greek cultural paradigm. They define patterns of discourse and fit selected examples of analogous Apuleian strategies into the broader cultural framework. Subsequent chapters focus closely on the complete Apuleian corpus under the general headings of Apuleius in the roles of orator, philosopher and novelist. Two of Apuleius' philosophical works and his novel the Golden Ass provide an unparalleled opportunity to analyze the methods of translation and adaptation employed by the major Latin writer of the second half of the second century.

This book traces the transmission and reception of one of the most influential novels in Western literature. The Golden Ass, the only ancient Roman novel to survive in its entirety, tells of a young man changed into an ass by magic and his bawdy adventures and narrow escapes before the goddess Isis changes him back again. Its centerpiece is the famous story of Cupid and Psyche. Julia Gaisser follows Apuleius' racy tale from antiquity through the sixteenth century, tracing its journey from roll to codex in fourth-century Rome, into the medieval library of Monte Cassino, into the hands of Italian humanists, into print, and, finally, over the Alps and into translation in Spanish, French, German, and English. She demonstrates that the novel's reception was linked with Apuleius' reputation as a philosopher and the persona he projected in his works. She relates Apuleius and the Golden Ass to a diverse cast of important literary and historical figures--including Augustine, Fulgentius, Petrarch, Boccaccio, Bessarion, Boiardo, and Beroaldo. Paying equal attention to the novel's transmission (how it survived) and its reception (how it was interpreted), she places the work in its many different historical contexts, examining its representation in art, literary imitation, allegory, scholarly commentary, and translation. The volume contains several appendixes, including an annotated list of the manuscripts of the Golden Ass. This book is based on the author's Martin Classical Lectures at Oberlin College in 2000.

The Metamorphoses or Golden Ass of Apuleius (ca. 170 CE) is a Latin novel written by a native of Madauros in Roman North Africa, roughly equal to modern Tunisia together with parts of Libya and Algeria. Apuleius’ novel is based on the model of a lost Greek novel; it narrates the adventures of a Greek character with a Roman name who spends the bulk of the novel transformed into an animal, traveling from Greece to Rome only to end his adventures in the capital city of the empire as a priest of the Egyptian goddess Isis. Apuleius’ Florida and Apology deal more explicitly with the African provenance and character of their author while also demonstrating his complex interaction with Greek, Roman, and local cultures. Apuleius’ philosophical works raise other questions about Greek vs. African and Roman cultural identity. Apuleius in Africa addresses the problem of this intricate complex of different identities and its connection to Apuleius’ literary production. It especially emphasizes Apuleius’ African heritage, a heritage that has for the most part been either downplayed or even deplored by previous scholarship. The contributors include philologists, historians, and experts in material culture; among them are some of the most respected scholars in their fields. The chapters give due attention to all elements of Apuleius’ oeuvre, and break new ground both on the interpretation of Apuleius’ literary production and on the culture of the Roman Empire in the second century. The volume also includes a modern, sub-Saharan contribution in which "Africa" mainly means Mediterranean Africa.

Rome, the Greek World, and the East: Volume 2: Government, Society, and Culture in the Roman Empire

Original and comprehensive, Magic in the Ancient Greek World takes the reader inside both the social imagination and the ritual reality that made magic possible in ancient Greece. Explores the widespread use of spells, drugs, curse tablets, and figurines, and the practitioners of magic in the ancient world Uncovers how magic worked. Was it down to mere superstition? Did the subject need to believe in order for it to have an effect? Focuses on detailed case studies of individual types of magic Examines the central role of magic in Greek life

Apuleius and Antonine Rome features outstanding scholarship by Keith Bradley on the Latin author Apuleius of Madauros and on the second-century Roman world in which Apuleius lived. Bradley discusses Apuleius' work in the context of social relations (especially the family and household), religiosity in all its diversity and complexity, and cultural interactions between the imperial centre and the provincial periphery. These essays examine the Apology, the speech Apuleius made when he defended himself on the criminal charge of having enticed a wealthy widow to marry him through magical means; the fragments of his speeches known as the Florida; and the remarkable serio-comic novel Metamorphoses (better known as The Golden Ass). Altogether, Apuleius and Antonine Rome effectively illustrates how socio-cultural history can be recovered from works of literature.

The Greek World After Alexander 323–30 BC examines social changes in the old and new cities of the Greek world and in the new post-Alexandrian kingdoms. An appraisal of the momentous military and political changes after the era of Alexander, this book considers developments in literature, religion, philosophy, and science, and establishes how far they are presented as radical departures from the culture of Classical Greece or were continuous developments from it. Graham Shipley explores the culture of the Hellenistic world in the context of the social divisions between an educated elite and a general population at once more mobile and less involved in the political life of the Greek city.