In The Green Years, 1964–1976, Gregg Coodley and David Sarasohn offer the first comprehensive history of the period when the United States created the legislative, legal, and administrative structures for environmental protection that are still in place over fifty years later. Coodley and Sarasohn tell a dramatic story of cultural change, grassroots activism, and political leadership that led to the passage of a host of laws attacking pollution under President Johnson. At the same time, with Stewart Udall as secretary of the interior, the Wilderness Act, the Wild and Scenic Rivers Act, and other land-protection measures were passed and the department shifted its focus from western resource development to broader national conservation issues. The magnitude of what was accomplished was without precedent, even under conservation-minded presidents like the two Roosevelts. The fast-paced story the authors tell is not only about the Democratic Party; in this era there was still a vital Republican conservation tradition. In the 1960s, Republicans were chronologically as close to Teddy Roosevelt as to Donald Trump. In both the House and Senate and in the Nixon and Ford administrations, Republicans played vital roles. It was President Nixon who established the Environmental Protection Agency and signed into law the 1970 Clean Air Act, revisions in 1972 to the Clean Water Act, and the 1973 Endangered Species Act. Under Nixon, actions were taken to protect the oceans, forests, coastal zones, and grasslands while regulating chemicals, pesticides, and garbage. The authors analyze the full range of transformations during the “Green Years,” from the creation of entirely new pollution-control industries to backpacking becoming mass recreation to how revelations about chemical exposure spurred the natural food movement. And not least, the tectonic shift in the political landscape of the United States with the western states becoming Republican bastions and centers of ongoing backlash against the federal government. The Green Years, 1964–1976 is the story of environmental progress in the midst of war and civil unrest, and of the lessons we can learn for our future.

When eight-year-old Harry Spencer’s father returns from WWI with a missing arm, his father’s bitterness shatters their relationship. Though confused and brokenhearted, Harry is determined to make something of himself. Endeavoring with heart and sometimes-humorous results, he sets out on his path in life, working in his granddad’s store, selling medicinal salves, washing windows, and falling in love. This historical coming-of-age story set against the backdrop of small-town life will tug at your heartstrings as Harry discovers who he is, who his father is, and how to heal the past.

Originally published in 1945, The Green Years is one of A J Cronin’s best-loved novels. It tells the story of Robert Shannon, a young Irish Catholic boy, who, orphaned at the age of seven, is brought to live with his mother’s estranged family in Scotland. As he grows up in a dour Presbyterian town, only his great-grandfather, an incorrigible, swaggering, charming, larger-than-life character, seems able to rescue him from the narrow interests of the people who try to shape his life in their own image. Disappointed in love and in his burning ambition to study medicine, the eighteen-year-old Robert sees his future as a blank wall. But, once again, he is saved from despair by his fiery relative, much to the chagrin of the rest of the family. This compassionate story of a boy’s growth to manhood, set against the harsh reality of life at the turn of the century, shows A J Cronin at his masterly best, creating a vivid gallery of characters with his customary blend of imagination, insight and tenderness. In the magnificent narrative tradition of The Citadel, The Stars Look Down and Cronin’s other classic novels, The Green Years is a great book by a much-loved author

It's the 80's just before the advent of AIDS, and we are behind the scenes at the entrancing Mitchell Brothers' O'Farrell Theater, which gonzo journalist Hunter S. Thompson has declared to be "the Carnegie Hall of public sex in America." The theater and its steamy live shows are a countercultural venue for celebrities in entertainment and sports, and for San Francisco politicians and journalists. They are drawn by the beautiful strippers and the backroom hospitality of their outrageous porn king hosts, Artie and Jim Mitchell–who directed the groundbreaking porn film, Behind the Green Door, starring Marilyn Chambers. Simone Corday, who danced at the O'Farrell and was a girlfriend of the late Artie Mitchell for nearly a decade, shares her unique story and her insights. She is the only woman insider to write about this insular but captivating world during this period, when she was close to the impulsive Mitchells, and a friend of the O'Farrell's honorary Night Manager, Hunter Thompson. Corday's unusual background of having an MA in English, along with her honesty, irreverent sense of humor, and keen focus as an observer, make this a delicious expose. Corday gives vivid accounts of three Mitchell Brothers' films she took part in. They include the disastrous Behind the Green Door, the Sequel, a grandiose safe-sex epic with characters from Greek mythology, and their documentary on Hunter Thompson, titled The Crazy Never Die. She shares memories of her unconventional, passionate relationship with "Party Artie" Mitchell. His affectionate personal and domestic side, along with his love for his children, are remembered fondly. His taste for cocaine and advancing alcoholism–that led him to disappear on binges with a succession of young dancers–is also recaptured, as well as his volatile temper, his impish sense of fun, and his charismatic, macho persona. Corday sheds light on Jim Mitchell's motives for shooting Art to death, and on the murder trial that follows. She reflects on her experience in the sex industry, and on her relationship with a notorious club owner. From the fun she had performing in the O'Farrell's spotlight as the theater's nemesis, then-San Francisco Mayor Dianne Feinstein, to her heartbreak visiting Artie's grave a few short years later, this is a sensational ride.

A.J. Cronin, author of some of the best-loved novels of the mid-twentieth century and the creator of Dr Finlay, has been unjustly overlooked by literary biographers. In this, the first full-length life of this eminent and unjustly neglected writer, Alan Davies recounts the story of Cronin's Scottish childhood as the son of a Protestant mother and Catholic father, his subsequent medical career and his rise to literary prominence, emphasizing throughout the importance of holding at arm's length many of the apocryphal tales that have accumulated around the memory of the author of Hatter's Castle, The Citadel and The Stars Look Down, many of which are based on mistaken autobiographical readings of Cronin's fiction itself.Incorporating an account of Cronin's tempestuous relationship with his publisher, Victor Gollancz, and new revelations about the author's private life, Davies's book paints a clearer portrait of both Cronin the writer and Cronin the man.

Confined by behavioural norms and professional restrictions, women in Renaissance Italy found a welcome escape in an alternative world of play. This book examines the role of games of wit in the social and cultural experience of patrician women from the early sixteenth to the early eighteenth century. Beneath the frivolous exterior of such games as occasions for idle banter, flirtation, and seduction, there often lay a lively contest for power and agency, and the opportunity for conventional women to demonstrate their intellect, to achieve a public identity, and even to model new behaviour and institutions in the non-ludic world. By tapping into the records and cultural artifacts of these games, George McClure recovers a realm of female fame that has largely escaped the notice of modern historians, and in so doing, reveals a cohort of spirited, intellectual women outside of the courts.

This resource is ideal for anyone working with young people in grades 9-12, whether in schools or in non-formal educational settings. Richly illustrated, it offers fifty teaching strategies that promote learning about natural systems and foster critical thinking about environmental issues, both local and global. It contains new approaches to learning, strategies for living sustainably, and numerous activities that promote interdisciplinary learning. In addition, the book provides suggestions for how best to green individual subject areas, develop integrated learning programs, or replicate exemplary programs created by innovative schools and communities. Containing contributions from over sixty educators from across North America, the book’s strength lies in its diverse content. Readers learn how best to apply systems thinking, teach about controversial issues, and use a step-by-step approach to creative problem-solving in environmental projects. Also provided are instructions for measuring the ecological footprint of a high school, creating an indoor “living system” that cleans water, monitoring air quality with lichens, and using green technologies to help green school campuses. Many articles and activities engage teenagers in outdoor learning and community restoration projects. Suggestions are included for connecting students with special needs to the environment around them. Readers will find accessible background information and suggestions for many practical projects and activities. It is sure to appeal to a wide range of teachers, educators, and parents seeking innovative ideas for incorporating green themes into their programs. Tim Grant and Gail Littlejohn are the editors of Green Teacher magazine, North America’s award-winning environmental teaching resource.

This was the first bibliography and guide to the American mass market paperback book, and it remains one of the most definitive. The major index is by author, and lists: author, title, publisher, book number, year of publication, and cover price. The title index lists titles and authors only. The publisher index provides a history of that imprint, with addresses, number ranges, and general physical description of the books issued. This is the place that all study of the American paperback must begin.