Featuring striking images of twentieth-century icons, such as Janis Joplin, Bob Dylan, Jimi Hendrix, Timothy Leary, Allen Ginsburg, Grace Slick, and others, The Haight is an indispensable gallery of legendary photographer Jim Marshall’s iconic sixties-era San Francisco photography—now available in a smaller, easy-to-carry size perfect for students, tourists, and other readers on-the-go. The counterculture movement of the 1960s is one of the most continually fascinating and endlessly examined milestones of the twentieth century. The footprint of that movement reverberates strongly today in music, fashion, literature, art, and society as a whole. Widely regarded as the cradle of revolution, California’s Haight-Ashbury grew in the sixties from a small neighborhood in San Francisco to a worldwide phenomenon—a concept that extended far beyond the boundaries of the street intersection itself. Jim Marshall visually chronicled the neighborhood as perhaps no one else did. Renowned for his powerful portraits of some of the greatest musicians of the era, Marshall covered Haight-Ashbury with the same unique eye that allowed him to amass a staggering archive of music photography and Grammy recognition for his lifework. In this one-of-a-kind book, the full extent of Marshall’s Haight-Ashbury archive is stunningly displayed; powerful candids, intimate portraits, and images of live concerts, street scenes, crash pads, alleyways, and the Human Be-In are collected in the definitive photographic record of a watershed moment in time. Featuring hundreds of striking images of icons, ranging from Jimi Hendrix, Janis Joplin, Bill Graham, Grace Slick, and the Jefferson Airplane to the Beatles, Allen Ginsberg, Timothy Leary, and Bob Dylan, The Haight tells the complete and comprehensive story of the street, creative, cultural, and revolutionary aspects of the day. Written by best-selling San Francisco music journalist Joel Selvin, the story behind each and every one of these incomparable images is disclosed through an intimate and revealing narrative, lending the images a fascinating context and perspective. Bold and beautifully crafted, The Haight captures the full scope and nuance of Marshall’s San Francisco photography and offers fresh insight into the Summer of Love, Haight-Ashbury, and beyond.

Jesus' identity is not simply "out there" to be discovered scientifically. Jesus' identity is shaped historically in believers' experience with him. Interpretation of Jesus of Nazareth, the significance of Jesus Christ, and Christian identity operate and interact in the same fashion as the hermeneutical circle. These elements simultaneously call forth and justify themselves and each other. This book addresses twenty-first-century Christians who are challenged intellectually and spiritually to read the Gospels' story of Jesus in light of what contemporary scholarship offers for understanding the first-century prophet from Nazareth. The invaluable move from precritical and dogmatic readings to rigorous historical-critical readings is applauded. But contemporary Christians are not convinced by approaches that begin with negative assumptions about the suitability of Christian sources for construction of the story of Jesus because of the bias of those sources. In a postmodern epoch, our critical reductionist approach to history is absorbed in a more satisfying and comprehensive approach. The data and relational sequences discovered by "modern" categories of historiography are enriched by a higher ordering, a mentality that includes but is not limited to our charting. Book jacket.

The book explores the variables and invariables of the church. Its argument is that self-awareness of the church was often a matter of change, depending on historical circumstances. It encourages appreciating plurality in the church and sets the system of coordinates for identifying the ecclesial 'self'.

In 1978, San Francisco, a city that has seen more than its share of trauma, plunged from a summer of political tension into an autumn cascade of malevolence that so eluded human comprehension it seemed almost demonic. The battles over property taxes and a ballot initiative calling for a ban on homosexuals teaching in public schools gave way to the madness of the Jonestown massacre and the murders of Mayor George Moscone and city supervisor Harvey Milk at the hands of their former colleague, Dan White. In the year that followed this season of insanity, it made sense that a band called Dead Kennedys played Mabuhay Gardens in North Beach, referring to Governor Jerry Brown as a "zen fascist," calling for landlords to be lynched and yuppie gentrifiers to be sent to Cambodia to work for "a bowl of rice a day," critiquing government welfare and defense policies, and, at a time when each week seemed to bring news of a new serial killer or child abduction, commenting on dead and dying children. But it made sense only (or primarily) to those who were there, to those who experienced the heyday of "the Mab." Most histories of the 1970s and 1980s ignore youth politics and subcultures. Drawing on Bay Area zines as well as new interviews with the band and many key figures from the early San Francisco punk scene, Michael Stewart Foley corrects that failing by treating Dead Kennedys' first record, Fresh Fruit for Rotting Vegetables, as a critical historical document, one that not only qualified as political expression but, whether experienced on vinyl or from the stage of "the Mab," stimulated emotions and ideals that were, if you can believe it, utopian.

America’s fascination with the stock market dates back to the Gilded Age. Winner of the BAAS Book Prize of the British Association of American Studies Americans pay famously close attention to “the market,” obsessively watching trends, patterns, and swings and looking for clues in every fluctuation. In Reading the Market, Peter Knight explores the Gilded Age origins and development of this peculiar interest. He tracks the historic shift in market operations from local to national while examining how present-day ideas about the nature of markets are tied to past genres of financial representation. Drawing on the late nineteenth-century explosion of art, literature, and media, which sought to dramatize the workings of the stock market for a wide audience, Knight shows how ordinary Americans became both emotionally and financially invested in the market. He analyzes popular investment manuals, brokers’ newsletters, newspaper columns, magazine articles, illustrations, and cartoons. He also introduces readers to fiction featuring financial tricksters, which was characterized by themes of personal trust and insider information. The book reveals how the popular culture of the period shaped the very idea of the market as a self-regulating mechanism by making the impersonal abstractions of high finance personal and concrete. From the rise of ticker-tape technology to the development of conspiracy theories, Reading the Market argues that commentary on the Stock Exchange between 1870 and 1915 changed how Americans understood finance—and explains what our pervasive interest in Wall Street says about us now.

The story of literature in sixteen acts—from Homer to Harry Potter, including The Tale of Genji, Don Quixote, The Communist Manifesto, and how they shaped world history In this groundbreaking book, Martin Puchner leads us on a remarkable journey through time and around the globe to reveal the how stories and literature have created the world we have today. Through sixteen foundational texts selected from more than four thousand years of world literature, he shows us how writing has inspired the rise and fall of empires and nations, the spark of philosophical and political ideas, and the birth of religious beliefs. We meet Murasaki, a lady from eleventh-century Japan who wrote the first novel, The Tale of Genji, and follow the adventures of Miguel de Cervantes as he battles pirates, both seafaring and literary. We watch Goethe discover world literature in Sicily, and follow the rise in influence of The Communist Manifesto. Puchner takes us to Troy, Pergamum, and China, speaks with Nobel laureates Derek Walcott in the Caribbean and Orhan Pamuk in Istanbul, and introduces us to the wordsmiths of the oral epic Sunjata in West Africa. This delightful narrative also chronicles the inventions—writing technologies, the printing press, the book itself—that have shaped people, commerce, and history. In a book that Elaine Scarry has praised as “unique and spellbinding,” Puchner shows how literature turned our planet into a written world. Praise for The Written World “It’s with exhilaration . . . that one hails Martin Puchner’s book, which asserts not merely the importance of literature but its all-importance. . . . Storytelling is as human as breathing.”—The New York Times Book Review “Puchner has a keen eye for the ironies of history. . . . His ideal is ‘world literature,’ a phrase he borrows from Goethe. . . . The breathtaking scope and infectious enthusiasm of this book are a tribute to that ideal.”—The Sunday Times (U.K.) “Enthralling . . . Perfect reading for a long chilly night . . . [Puchner] brings these works and their origins to vivid life.”—BookPage “Well worth a read, to find out how come we read.”—Margaret Atwood, via Twitter

Detailed analyses of Karl Krolow's autobiographical poetry, 1945-1958. Among others: «Selbstbildnis 1945», «Niemand wird helfen» (1950), «Robinson I-III» (1958). To ascertain the foreign influence, poems of the fifties are compared to French poems of similar theme, Krolow had translated. Example: Reverdy's «Monsieur X». Marked differences in content and analytical methods: Sole focus on Krolow's autobiographical poetry, 1945-1958. Detailed interpretations of the same. Comparison with relevant French poems. By contrast: A. Rümmler, Die Entwicklung der Metaphorik in der Lyrik Karl Krolows (1942-1962) (Lang, 1972) and unpublished dissertation of T. Drevikovsky.

Barron’s Regents Exams and Answers: U.S. History and Government provides essential review for students taking the U.S. History Regents, including actual exams administered for the course, thorough answer explanations, and comprehensive review of all topics. This edition features: Five actual, administered Regents exams so students can get familiar with the test Comprehensive review questions grouped by topic, to help refresh skills learned in class Thorough explanations for all answers Score analysis charts to help identify strengths and weaknesses Study tips and test-taking strategies Looking for additional practice and review? Check out Barron’s Regents U.S. History and Government Power Pack two-volume set, which includes Let’s Review Regents: U.S. History and Government in addition to the Regents Exams and Answers: U.S. History and Government book.