Sometimes we need to see other people do something that's scary first, and then we can take that first step into the unknown ourselves. Conventional wisdom says one must "fight" breast cancer, but fighting is not for everyone. For some, falling apart proves to be the better response. The Heroics of Falling Apart: One Couple's Breast Cancer Journey is the story of how one couple found their own authentic way to survive the ordeal of coping with a life-threatening illness. In separate voices, Judy and Dan Gordon relate and reflect on their yearlong journey with Judy's cancer, from diagnosis through the end of treatment. The Heroics of Falling Apart examines the broad range of experiences from the surprisingly different viewpoints of patient and caregiver, and does so with a candidness and humor that others facing a similar journey will find touching and inspiring, as well as informative. In the wake of a cancer diagnosis, there is an overwhelming amount of things to do-decisions to be made, questions to ponder, and emotions and people with which to cope. Often, simply knowing that there is no right or wrong way to get through it makes the journey bearable, a fact made strikingly clear through the Gordons' deeply personal and detailed account of their journey.

In this book, Vincent Wimbush seeks to problematize what we call "scriptures," a word first used to refer simply to "things written," the registration of basic information. In the modern world the word came to be associated almost exclusively with the center- and power-defining "sacred" texts of "world religions." Wimbush argues that this narrowing of the valence of the term was a decisive development for western culture. His purpose is to reconsider the initially broad and politically charged use of the term. "Scriptures" are excavated not merely as texts to be read but understood as discourse: as mimetic rituals and practices, as ideologically-charged orientations to and prescribed behaviors in the world, as structures of relationships and social formations, as forms of communication. Wimbush is naming and constructing a new transdisciplinary critical project, which uses the historical and modern experiences of the Black Atlantic as resources for framing, categorization, and analysis. Using Chinua Achebe's novel Things Fall Apart as a touchstone, each chapter offers a close reading and analysis of a representative moment in the formation of the Black Atlantic, regarded as part of a history of modern human consciousness and conscientization. Such a history, Wimbush says, is reflected in the major turns in what he calls scripturalectics, part of the construction of the modern world, defined as efforts to manage or control knowledge and meaning.

"All my life," writes Conor Cruise O'Brien, "I have been fascinated and puzzled by nationalism and religion; by the interaction of the two forces, sometimes in unison, sometimes antagonistic." In these wide-ranging and penetrating essays, O'Brien examines how throughout the world today these age-old forces are once again threatening democracy, the rule of law, and freedom of expression -- particularly in the United States, the nation founded on Enlightenment values. He weaves together beautifully written discussions on these and other timely, related topics. Enlivening his grim predictions with dry wit, he nevertheless conveys an apocalyptic sense of the threats facing democracy as we approach the third millennium.

Falling for Football brings together 44 different writers who revisit the teams that made them fall in love with the beautiful game in the first place. From World Cup-winners to works of fiction, from the 1950s to the present day - the teams may be different, but the obsession remains reassuringly the same.

The authoritative, dramatic, and previously untold story of the bloodiest battle in American history: the epic fight for the Meuse-Argonne in World War I On September 26, 1918, more than one million American soldiers prepared to assault the German-held Meuse-Argonne region of France. Their commander, General John J. Pershing, believed in the superiority of American "guts" over barbed wire, machine guns, massed artillery, and poison gas. In thirty-six hours, he said, the Doughboys would crack the German defenses and open the road to Berlin. Six weeks later, after savage fighting across swamps, forests, towns, and rugged hills, the battle finally ended with the signing of the armistice that concluded the First World War. The Meuse-Argonne had fallen, at the cost of more than 120,000 American casualties, including 26,000 dead. In the bloodiest battle the country had ever seen, an entire generation of young Americans had been transformed forever. To Conquer Hell is gripping in its accounts of combat, studded with portraits of remarkable soldiers like Pershing, Harry Truman, George Patton, and Alvin York, and authoritative in presenting the big picture. It is military history of the first rank and, incredibly, the first in-depth account of this fascinating and important battle.

Family & health.

The first major biography of the famous and controversial director John Huston, whose thirty-seven films—including The Maltese Falcon, Key Largo, and The African Queen—are considered classics and garnered him fifteen Academy Award nominations and two wins.

The Black Bruins chronicles the inspirational lives of five African American athletes who faced racial discrimination as teammates at UCLA in the late 1930s. Best known among them was Jackie Robinson, a four‐star athlete for the Bruins who went on to break the color barrier in Major League Baseball and become a leader in the civil rights movement after his retirement. Joining him were Kenny Washington, Woody Strode, Ray Bartlett, and Tom Bradley—the four played starring roles in an era when fewer than a dozen major colleges had black players on their rosters. This rejection of the “gentleman’s agreement,” which kept teams from fielding black players against all-white teams, inspired black Angelinos and the African American press to adopt the teammates as their own. Kenny Washington became the first African American player to sign with an NFL team in the post–World War II era and later became a Los Angeles police officer and actor. Woody Strode, a Bruins football and track star, broke into the NFL with Washington in 1946 as a Los Angeles Ram and went on to act in at least fifty‐seven full-length feature films. Ray Bartlett, a football, basketball, baseball, and track athlete, became the second African American to join the Pasadena Police Department, later donating his time to civic affairs and charity. Tom Bradley, a runner for the Bruins’ track team, spent twenty years fighting racial discrimination in the Los Angeles Police Department before being elected the first black mayor of Los Angeles.

Here today, gone tomorrow A dead future leads to sorrow. Things are disappearing, and their disappearance is not being noticed, as parts of history are being erased. Somehow, the powerful mages discover this problem and know they must act in order to prevent the future from being erased altogether. To do this, someone must travel back in time to the time of the dragon wars, where the origin of the problem seems to originate. Arch Mage Kazin is once again called upon to seek out the problem and neutralize it before its too late. Kazin recruits some of his former companions and goes further back in time where they must work very carefully so as not to adversely affect history themselves. Before long, they realize that things are not happening as they should be. History is being altered. Whether directly or indirectly responsible, they soon find themselves chasing a foe far more powerful and omnipotent than they realize. Join Kazin on this new quest, Spirit Blade, Book III of The Dragon Mage Trilogy, where the past and future collide with explosive fury! Check out www.dragonmagetrilogy.com

Writing London and the Thames Estuary is an ambitious study of place and identity which resonates deeply against the troubled politics of contemporaneity. Drawing on a broad range of cultural materials including novels, film, theatre, tourist literature, topography, chorology and sociological writing, Len Platt traces the making of the estuary as margin by a metropolis that has been dependent on this region, sometimes for its very survival. Drawing on writers and artists ranging from Middleton, Defoe, Pepys, Dickens, Conrad and T.S. Eliot through to such contemporary figures as Iain Sinclair, Nicola Barker, Tracy Emin and Billy Childish, Platt offers a fascinating insight into the formation of ‘estuary grotesque’, the social dismissal out of which post-Brexit politics have emerged to such controversy.