The Hidden Debate is a fresh and cutting-edge comparative analysis of the ongoing and highly charged social conflict over affirmative action in South Africa and the United States. The debate over affirmative action has raged for over 30 years in the United States and since the early 1990s in South Africa with minimal agreement or resolution. In part this discord remains because scholars, journalists, politicians, and other social analysts have failed to properly specify and examine the problem.

Challenging the received notions of International Relations theory about a central tradition - Realism - Molloy demonstrates how a belief in a mode of theorization has distorted Realism, forcing the theory of power politics in IR into a paradigmatic strait-jacket that is simply inadequate and inappropriate to the task of encompassing its diversity.

This book is a fiction romance novel that tells a beautiful love story. As the streets that lead from the Strand to the Embankment are very slim, it's better no longer to walk down them arm-in-arm. If you persevere, lawyers' clerks will have to make flying leaps into the mud; young female typists will have to fidget in the back of you. In the streets of London wherein beauty is going unregarded, eccentricity must pay the penalty, and it is higher no longer to be very tall, to put on a long blue cloak, or to conquer the air together with your left hand. One afternoon in the beginning of October whilst the traffic was turning brisk a tall guy strode alongside the edge of the pavement with a lady on his arm. Angry glances struck upon their backs.

Ranging from the earliest days of the cinema to the present, The Hidden Foundation reestablishes class as a fundamental aspect of film history. Featuring prominent film scholars and historians, this volume is unique in its international scope, diversity of perspectives and methodologies, and the sweep of its analysis. The Hidden Foundation begins with a review of the history of class in social and political thought, going on to chronicle its disappearance from film and cultural studies. Subsequent essays consider topics ranging from American and Soviet silent film through Chinese and American film in the fifties, to the restructuring of the working class that was a feature of films of the 1980s in both the United States and Great Britain.

There is a very general recognition, which is growing and becoming more widespread, that there is a sort of hidden power somewhere which lays within our ability. However, to fully realize how much of our present daily life consists in symbols means to find the answer to the ancient question, "What is Truth?" This book will lead you towards the Truth by placing a strong emphasis on concrete material changes in the circumstances of life. Get in touch with your hidden power and change your life now! unfoldment. The Hidden Power The Perversion of Truth The "I Am" Affirmative Power Submission Completeness The Principle of Guidance Desire as the Motive Power Touching Lightly Present Truth Yourself Religious Opinions A Lesson from Browning The Spirit of Opulence Beauty Separation and Unity Externalisation Entering into the Spirit of It The Bible and the New Thought Jachin and Boaz Hephzibah Mind and Hand The Central Control What is Higher Thought The Law and the Word The Creative Process in the Individual The Edinburgh Lectures on Mental Science The Dore Lectures on Mental Science Bible Mystery and Bible Meaning

While Richard Nixon's culpability for Watergate has long been established—most recently by PBS in 2003—what's truly remarkable that after almost forty years, conventional accounts of the scandal still don't address Nixon's motive. Why was President Nixon willing to risk his reelection with so many repeated burglaries at the Watergate—and other Washington offices—in just a few weeks? What motivated Nixon to jeopardize his presidency by ordering the wide range of criminal operations that resulted in Watergate? What was Nixon so desperate to get at the Watergate, and how does it explain the deeper context surrounding his crimes? For the first time, the groundbreaking investigative research in Watergate: The Hidden History provides documented answers to all of those questions. It adds crucial missing pieces to the Watergate story—information that President Nixon wanted, but couldn't get, and that wasn't available to the Senate Watergate Committee or to Woodward and Bernstein. This new information not only reveals remarkable insights into Nixon's motivation for Watergate, but also answers the two most important remaining questions: What were the Watergate burglars after? And why was Nixon willing to risk his Presidency to get it? Watergate: The Hidden History reexamines the historical record, including new material only available in recent years. This includes thousands of recently declassified CIA and FBI files, newly released Nixon tapes, and exclusive interviews with those involved in the events surrounding Watergate—ranging from former Nixon officials to key aides for John and Robert Kennedy. This book also builds on decades of investigations by noted journalists and historians, as well as long–overlooked investigative articles from publications like Time magazine, the Los Angeles Times, and the New York Times.

"... offers a range of approaches to cinema's explorations of a hidden or absent God through a group of essays by thirty-five writers who discuss some fifty movies"--p. 11.

Geller is Irma Cameron Milstein Professor of Bible at Jewish Theological Seminary. Geller's attention to language and interest in applying the methods of literary analysis to the Hebrew Bible are reflected in his work throughout his career. He has addressed such topics as "The Dynamics of Parallel Verse" in Deuteronomy 32, the "Language of Imagery in Psalm 114," and the literary uses of "Cleft Sentences with Pleonastic Pronoun." Combining a historical orientation with deep exegeses of individual texts, he has focused on the contribution that the literary approach might make to the study of biblical religion. He has developed what he terms a "literary theology," in which, by examining the literary devices in the passage under consideration, he has been able to formulate emerging religious ideas that the ancient writers did not express in systematic treatises. His method is illustrated in his studies of texts that represent the major religious traditions of the Hebrew Bible; these studies have been collected in Sacred Enigmas, published in 1997. The essays in this volume were contributed by colleagues, friends, and students of Stephen A. Geller to mark the occasion of his 65th birthday. Contributors include: Tzvi Abusch, Marc Z. Brettler, Alan Cooper, Frank Moore Cross, Stephen Garfinkel, Edward L. Greenstein, Robert A. Harris, S. Tamar Kamionkowski, Kathryn F. Kravitz, Anne Lapidus Lerner, David Marcus, Yochanan Muffs, Benjamin Ravid, Michael Rosenbaum, Raymond P. Scheindlin, William M. Schniedewind, Diane M. Sharon, Benjamin D. Sommer.

What do frontline social service providers do during client interactions when they lack adequate formal organizational resources to respond to clients' needs? To answer this question, this Element presents two large-scale qualitative studies of Israeli frontline providers of social services. Drawing on interviews of public-sector workers (Study 1, N=214), it introduces a widespread phenomenon, where the vast majority of frontline workers regularly provide a large range of informal personal resources (IFRs) to clients. Study 2 (N=84) then compares IFR provision between workers from the public, nonprofit and private sectors. The comparative analysis demonstrates how workers' rationale for providing personal resources to clients is shaped by particular role perceptions embedded in values, norms and behavioral expectations that vary by employment sector. The Element concludes by presenting ramifications of the phenomenon of IFR provision in terms of citizens' wellbeing, social inequality, gender relations and the future of work in public administration.

The Hidden Chorus investigates the relationship between the chorus of Greek tragedy and other types of choral song in Greek society. Choruses performed on a range of occasions in Greek culture, ranging from private weddings and funerals to large-scale religious festivals, yet the relationship between these everyday or 'ritual' choruses and the choruses of tragedy has never been systematically examined. L. A. Swift discusses choruses from five ritual genres: paian (religious songs of celebration or healing), epinikion (songs for athletic victors), partheneia (songs for the transitions of young girls), hymenaios (wedding song), and thrênos (funerary song), and explores how these choral forms are evoked in tragedy. By examining the relationship between tragic and non-tragic choral song, she not only provides new insights into individual plays, but also enriches our understanding of the role poetry and song played in Greek life.