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Classic Reprint Edition The History and Use of Hymns and Hymn-Tunes by David Breed is an interesting and helpful review of hymnody from its early Christian roots through to the nineteenth century. First published in 1903, this enduring work sheds light on the stories and theological depth behind some of the most beloved hymns across centuries. Breed's book is a comprehensive guide that not only traces the historical progression of hymn tunes and their integral role in worship but also delves into the lives of pivotal hymn writers, revealing the inspiration behind their timeless contributions. Through Breed’s detailed examination, readers gain a deeper appreciation for the artistry and spiritual significance of hymns, which have served as a vital role in both individual and church worship throughout history. Perfect for worship leaders, music enthusiasts, and anyone intrigued by the rich tapestry of Christian hymnody, The History and Use of Hymns and Hymn-Tunes offers a treasure trove of insights into the power of hymns to inspire, comfort, and unite believers. Rediscover the enduring legacy of our great Christian hymns with this classic work, recently reprinted from a copy of the fourth edition, 1903 printing.

Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.

This first book in the series by Douglas Bond tells the story of two teens who, while on vacation in England, are befriended by an elderly English gentlemen called Mr. Pipes. Through this relationship they learn about famous British hymn writers. They also learn about the value of traditional worship and praise.