This volume discusses the history of alternative rock and the ethos of alt-rockers as rebels who value independence, experimentation, and truth-telling. Rather than making music for broad commercial appeal, these musicians drew from a variety of styles that were considered unfriendly for consumers. Over the years, alternative rock has spawned mash-ups of garage rock, punk, new wave, rap, thrash, and hardcore. This group of indie rockers not only created a new sound but also put forth a different attitude, as they outwardly rejected the musical standards and sales practices set by major record companies.

Rock and roll is more than just music. Rock is a culture and an ideology, which carries its own ethos. It is forcefully countercultural and exists as a bane in the sight of dominant Western culture. As rock engages and critiques culture, it invariably encounters issues of meaning that are existential and theological. A transformational theology of rock begins with those existential and theological issues raised by and within rock music. With God On Our Side attempts to respond to these queries in a way that is faithful to the work of the kingdom of God on earth by mining our long theological tradition and seeing what cohesive responses can be made to the issues raised by rock music. At its best, rock acknowledges there is something wrong with the world, raises awareness of marginalized voices, and offers an alternative mode of existence within our present reality. By teasing out the theological issues found in rock music, this book synthesizes the findings to create a distinctive cultural theology that is sensitive to the plight of the marginalized in the West. In this way, the book offers a way forward towards a transformational theology of rock and roll.

Rock and roll. Those three words are understood by people in almost every nation on Earth. They describe a type of music and an attitude that made history and continues to change the musical landscape. Readers will learn that the music style started out in the United States as a new type of dance music for teenage baby boomers during the mid-1950s. By the 1960s, the music transformed the cultural and political landscape of much of the world. Never before in history has a style of music come along that so quickly and so completely changed the world. Author Stuart Kallen traces the history of rock and roll from its early 1950s beginnings through its most significant developments to date.

The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing “official” histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more.

With music today available on YouTube, online and satellite radio, MTV, through digital downloads, and on iPods and other handheld devices, we may think that we have heard all there is to hear about modern artists. The stories behind the songs that keep us humming are less often explored. Readers will learn how some of the most popular musicians today—entertainers such as Madonna, Adele, Kanye West, and Taylor Swift—rose to fame and made important musical breakthroughs, all while paying tribute to those who came before them.

THE PERFECT CHRISTMAS GIFT FOR BIG MUSIC FANS AND LITTLE PUNKS. What are the greatest rock songs of all time? Who are the most famous musical legends? How can you become a rock star? From the rip-roaring rock and roll rhythms of the 1950s to the psychedelic anthems of the 21st century, discover the music that has moved our feet, touched our souls and mended broken hearts. Explore musical icons, their incredible stories, their chart-topping hits and the artistic movements influenced by the creative explosion of rock. Whether you're bonkers for Bowie, obsessed with Otis, mad about Mumford & Sons, passionate about Patti or crazy about Kurt, this is the perfect book for big fans, little punks and anyone who wants to learn what it really takes to be a rock star.

"Music journalist Andrew Earles provides a rundown of 500 landmark albums recorded and released by bands of the indie rock genre"--

This book examines the post-1960s era of popular music in the Anglo-Black Atlantic through the prism of historical theory and methods. By using a series of case studies, this book mobilizes historical theory and methods to underline different expressions of alternative music functioning within a mainstream musical industry. Each chapter highlights a particular theory or method while simultaneously weaving it through a genre of music expressing a notion of alternativity—an explicit positioning of one’s expression outside and counter to the mainstream. Historical Theory and Methods through Popular Music seeks to fill a gap in current scholarship by offering a collection written specifically for the pedagogical and theoretical needs of those interested in the topic.

A guide for music: compositions, events, forms, genres, groups, history, industry, instruments, language, live music, musicians, songs, musicology, techniques, terminology , theory, music video. Music is a human activity which involves structured and audible sounds, which is used for artistic or aesthetic, entertainment, or ceremonial purposes. The traditional or classical European aspects of music often listed are those elements given primacy in European-influenced classical music: melody, harmony, rhythm, tone color/timbre, and form. A more comprehensive list is given by stating the aspects of sound: pitch, timbre, loudness, and duration. Common terms used to discuss particular pieces include melody, which is a succession of notes heard as some sort of unit; chord, which is a simultaneity of notes heard as some sort of unit; chord progression, which is a succession of chords (simultaneity succession); harmony, which is the relationship between two or more pitches; counterpoint, which is the simultaneity and organization of different melodies; and rhythm, which is the organization of the durational aspects of music.