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The world of Thoroughbred racing is glamorous, secretive, dangerous, and seductive—the sport of kings and the poor man's obsession. While the spectacle of racing stirs the imagination, it belies the ruthless business that lies beneath. This engaging original study demystifies this complex world by comparing centers of excellence in Britain and North America. Drawing from intensive field work in Suffolk's Newmarket and Kentucky's Lexington, Rebecca Cassidy gives us the inside track on all players in the industry—from the elite breeders and owners to the stable boys, racetrack workers, and veterinarians. She leads us through horse farms, breeding barns, and yearling sales; explains rigorous training regimens; and brings us trackside on race day. But the history of Thoroughbred racing culture is more than a collection of fascinating characters and exciting events. Cassidy's investigation reveals the factors—ethical, cultural, political, and economic—that have shaped the racing tradition.

“A History of Horse Racing” contains a collection of classic articles on the subject of horse and horse racing in England and the Unites States. Contents include: “Every Horse Owners Cyclopedia, By J H Walsh”, “The American Trotting Horse”, “The Atlantic Monthly, By John Elderkin”, “A History Of The Turf And The Trotting Horse In America”, “Horse Racing Greats, By Alfred E T Watson”, “Mr. Peter Purcell Gilpin”, “The Badminton Magazine Of Sports And Pastimes - April 1904, By E. Somerville Tattersall”, etc. This book is highly recommended for those with an interest in the history of horse racing. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on horses used for sports and utility.

The International Bestseller An Amazon Best Book of the Month A Next Big Idea Club Must-Read Book From New York Times bestselling author of The Mosquito, the incredible story of how the horse shaped human history Timothy C. Winegard’s The Horse is an epic history unlike any other. Its story begins more than 5,500 years ago on the windswept grasslands of the Eurasian Steppe; when one human tamed one horse, an unbreakable bond was forged and the future of humanity was instantly rewritten, placing the reins of destiny firmly in human hands. Since that pivotal day, the horse has carried the history of civilizations on its powerful back. For millennia it was the primary mode of transportation, an essential farming machine, a steadfast companion, and a formidable weapon of war. Possessing a unique combination of size, speed, strength, and stamina, the horse dominated every facet of human life and shaped the very scope of human ambition. And we still live among its galloping shadows. Horses revolutionized the way we hunted, traded, traveled, farmed, fought, worshipped, and interacted. They fundamentally reshaped the human genome and the world’s linguistic map. They determined international borders, molded cultures, fueled economies, and built global superpowers. They decided the destinies of conquerors and empires. And they were vectors of lethal disease and contributed to lifesaving medical innovations. Horses even inspired architecture, invention, furniture, and fashion. From the thundering cavalry charges of Alexander the Great to the streets of New York during the Great Manure Crisis of 1894 and beyond, horses have shaped both the grand arc of history and our everyday lives. Driven by fascinating revelations and fast-paced storytelling, The Horse is a riveting narrative of this noble animal’s unrivaled and enduring reign across human history. To know the horse is to understand the world.

This book traces an evolution of equine and equestrian art in the United States over the last two centuries to counter conventional understandings of subjects that are deeply enmeshed in the traditions of elite English and European culture. In focusing on the construction of identity in painting and photography—of Blacks, women, and the animals themselves involved in horseracing, rodeo, and horse show competition—it illuminates the strategic and varying roles visual artists have played in producing cultural understandings of human-animal relationships. As the first book to offer a history of American equine and equestrian imagery, it shrinks the chasm of literature on the subject and illustrates the significance of the genre to the history of American art. This book further connects American equine and equestrian art to historical, theoretical, and philosophical analyses of animals and attests to how the horse endures as a vital, meaningful subject within the art world as well as culture at large. This book will be of interest to scholars in art history, American art, gender studies, race and ethnic studies, and animal studies.

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